Legenda
Valutazione: la scala di valutazione è
1 = di scarso interesse
2 = senza infamia e senza lode
3 = ha la sua ragione … ;
4 = assolutamente da ascoltare
5 = capolavoro
(Ci sono anche dei 6, riservati solo a Bach)
Oltre alla mia valutazione ho riportato anche le indicazioni (i must know) del sito Classical Archives, così da avere una ulteriore opzione.
Autore | Data e luogo di nascita | Periodo | Opera | Anno | Note | Valutazione | Classical archives must know |
---|---|---|---|---|---|---|---|
ABRAHAMSEN Hans | (Copenhagen, 1952) | 1950 | Efter?r, Suite I 5 Satser | Trio Odino | |||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | Nixon in China | 1987 | |||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | Harmonielehre | 1985 | 3 | ||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | The chairman dance | 1985 | |||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | Tromba lontana | 1986 | |||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | Violin concerto | 1993 | 4 | ||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | Chamber Symphony | 1992 | |||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | On the transmigration of souls | 2002 | |||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | El Dorado | ||||
ADAMS John | (Worcester Massachusetts, 1947) | 1900 | John's book of alleged dances | Kronos XXV | 3 | ||
ADES Thomas | (London, 1971) | 1950 | Asyla | ||||
ADES Thomas | (London, 1971) | 1950 | Concerto conciso | ||||
ADES Thomas | (London, 1971) | 1950 | Chamber symphony | ||||
ADES Thomas | (London, 1971) | 1950 | These premises are alarmed | ||||
ADES Thomas | (London, 1971) | 1950 | ...but all shall be well | ||||
ADES Thomas | (London, 1971) | 1950 | Piano quintet | Arditti quartet + Corin Long | 2 | ||
ADES Thomas | (London, 1971) | 1950 | Polaris | McLeod, Melbourne Symph Orch | |||
AHO Kalevi | (Forssa, Finland, 1949) | 1900 | Symphony n 1 | ||||
AHO Kalevi | (Forssa, Finland, 1949) | 1900 | Hiljaisuus | (Silence) | |||
AHO Kalevi | (Forssa, Finland, 1949) | 1900 | Violin concerto | ||||
ALAIN Jehan | (1911-1940) | 1900 | Messe modale en septuor | Ave verum - Olivier Vernet orgue | |||
ALAIN Jehan | (1911-1940) | 1900 | Messe de requiem | Ave verum - Olivier Vernet orgue | |||
ALAIN Jehan | (1911-1940) | 1900 | Tentum ergo | Ave verum - Olivier Vernet orgue | |||
ALAIN Jehan | (1911-1940) | 1900 | O quam suavis es | Ave verum - Olivier Vernet orgue | |||
ALAIN Jehan | (1911-1940) | 1900 | Variations pour orgue | Ave verum - Olivier Vernet orgue | |||
ALBENIZ Isaac | (Campdron, Girona, 1860-1909) | 1850 | Iberia | 4 | s | ||
ALBENIZ Isaac | (Campdron, Girona, 1860-1909) | 1850 | Espana: 6 hojas de album op 165 | s | |||
ALBENIZ Isaac | (Campdron, Girona, 1860-1909) | 1850 | Suite espanola | s | |||
ALBERT Stephen | (NYC, 1941-1992) | 1900 | River run (Symphony n 1) | 3 | |||
ALBERT Stephen | (NYC, 1941-1992) | 1900 | Symphony n 2 | ||||
ALBERT Stephen | (NYC, 1941-1992) | 1900 | Cello concerto | Yo Yo Ma | 4 | ||
ALBERT Stephen | (NYC, 1941-1992) | 1900 | Flower of the mountain | ||||
ALBERT Stephen | (NYC, 1941-1992) | 1900 | In concordiam | violin concerto | 3 | ||
ALBERT Stephen | (NYC, 1941-1992) | 1900 | Treestone for soprano, tenor and string orch | ||||
ALBINI Giovanni | (Pavia, 1982) | 1950 | Corale n 4: preludio per solo cello | Fabio Mureddu | |||
ALBINI Giovanni | (Pavia, 1982) | 1950 | Una teoria della prossimit? for string orch | Le Cameriste Ambrosiane & Dario Garegnani | |||
ALBINI Giovanni | (Pavia, 1982) | 1950 | Corali, Double Concerto for Violin, Guitar Duo and String Orchestra: Corale No. 27 | Le Cameriste Ambrosiane & Dario Garegnani | |||
ALBINI Giovanni | (Pavia, 1982) | 1950 | Estatica for guitar | Giorgio Mirto | |||
ALBINI Giovanni | (Pavia, 1982) | 1950 | String quartet n 5 | Quartetto indaco | |||
ALBINI Giovanni | (Pavia, 1982) | 1950 | String quartet n 6 Solo per grado congiunto | Quartetto indaco | 4 | ||
ALBINI Giovanni | (Pavia, 1982) | 1950 | String quartet n 7 Corale | Quartetto indaco | |||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Adagio in G minor | 4 | |||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Concerto for 2 trumpets op 9 n 9 | Maurice Andr | |||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Trumpet concerto in D minor | Maurice Andr | |||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Sonata in D minor op 6/4 | Maurice Andr | |||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Concerto per oboe, archi e continuo in re min op 7 n 6 | Holliger, I musici | |||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Concerto per oboe, strings and continuo in G minor op 9 n 8 | Schellenberger, I solisti italiani | |||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Concerto per oboe, archi e continuo in do magg op 7 n 12 | ||||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Cto per oboe n 2 op 9 | Piero Toso, Pierre Pierlot, Jacques Chambon, Claudio Scimone & I Solisti Veneti | 4 | ||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Cto per 2 oboi n 3 op 9 | Piero Toso, Pierre Pierlot, Jacques Chambon, Claudio Scimone & I Solisti Veneti | 4 | ||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Cto per oboe n 5 op 9 | Piero Toso, Pierre Pierlot, Jacques Chambon, Claudio Scimone & I Solisti Veneti | 3 | ||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Cto per 2 oboe n 6 op 9 | Piero Toso, Pierre Pierlot, Jacques Chambon, Claudio Scimone & I Solisti Veneti | 3 | ||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Cto per violino n 10 op 9 | Piero Toso, Pierre Pierlot, Jacques Chambon, Claudio Scimone & I Solisti Veneti | 3 | ||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Cto per violino n 1 op 9 | Piero Toso, Pierre Pierlot, Jacques Chambon, Claudio Scimone & I Solisti Veneti | 3 | ||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Cto per oboe n 11 op 9 | Piero Toso, Pierre Pierlot, Jacques Chambon, Claudio Scimone & I Solisti Veneti | 3 | ||
ALBINONI Tommaso | (Venezia, 1671-1751) | 1650 | Concerti a 5 op 10 | Harmonices mundi | 4 | ||
ALFONS V el Magnanim | (1396-1458) | 1350 | El cancionero de Montecassino | 4 | |||
ALI-ZADEH Franghiz | (Baku, 1947) | 1900 | Mugam Sayagi | Kronos XXV | |||
ALKAN Charles-Valentin | (1813-1888) | 1800 | 25 preludi op 31 | Olli Mustonen | |||
ALKAN Charles-Valentin | (1813-1888) | 1800 | Grand duo concertant op 21 | Trio Alkan | 4 | ||
ALKAN Charles-Valentin | (1813-1888) | 1800 | Sonate de concert op 47 | Trio Alkan | 3 | ||
ALKAN Charles-Valentin | (1813-1888) | 1800 | Trio in G minor op 30 | Trio Alkan | 3 | ||
ALKAN Charles-Valentin | (1813-1888) | 1800 | Synphony for solo piano op 39 | Marc-Andr? Hamelin | 4 | ||
ALKAN Charles-Valentin | (1813-1888) | 1800 | Salut, cendre du pauvre op 45 | Marc-Andr? Hamelin | |||
ALKAN Charles-Valentin | (1813-1888) | 1800 | Alleluja op 25 | Marc-Andr? Hamelin | |||
ALKAN Charles-Valentin | (1813-1888) | 1800 | Super flumina Babylonis op 52 | Marc-Andr? Hamelin | |||
ALKAN Charles-Valentin | (1813-1888) | 1800 | Souvenirs, trois morceaux dans la genre pathetique op 15 | Marc-Andr? Hamelin | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Miserere mei | 4 | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Averte Faciem | 3 | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Tibi soli | 4 | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Cor mundum | 4 | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Sofferenza | 3 | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Tunc imponent | 3 | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Quoniam si voluisses | 4 | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Miserere a nove voci | 5 | |||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Messe vidi turbam magnam | ||||
ALLEGRI Gregorio | (Rome, 1582 - 1652) | 1550 | Motets | ||||
ALWYN William | (Northampton, 1905 - 1985) | 1900 | String quartet n 3 | ||||
ALWYN William | (Northampton, 1905 - 1985) | 1900 | String trio | ||||
ALWYN William | (Northampton, 1905 - 1985) | 1900 | Rhapsody for piano quartet | ||||
ALWYN William | (Northampton, 1905 - 1985) | 1900 | Symphony n 3 | ||||
ALWYN William | (Northampton, 1905 - 1985) | 1900 | Violin concerto | ||||
ANGELONI Carlo | (1834-1901) | 1800 | Miserere per soli coro e orchestra | Coro Cappella Santa Cecilia Lucca | |||
ANTHEIL George | (Trenton, New Jersey, 1900-1959) | 1900 | Ballet mechanique | ||||
ANTHEIL George | (Trenton, New Jersey, 1900-1959) | 1900 | Fighting the waves | ||||
ANTHEIL George | (Trenton, New Jersey, 1900-1959) | 1900 | A jazz symphony | ||||
ANTHEIL George | (Trenton, New Jersey, 1900-1959) | 1900 | Lituanian night | ||||
ANTHEIL George | (Trenton, New Jersey, 1900-1959) | 1900 | Jazz sonata | ||||
ANTHEIL George | (Trenton, New Jersey, 1900-1959) | 1900 | Concerto for chamber orchestra | ||||
ANTHEIL George | (Trenton, New Jersey, 1900-1959) | 1900 | Violin concerto n 1 | ||||
ANTHEIL George | (Trenton, New Jersey, 1900-1959) | 1900 | Printemps n 1 & 2 | ||||
ANZOLETTI Francesco | (Bolzano, 1819-1862) | 1800 | Sonata brillante per violino e piano op 1 | Defant, Bambace | 4 | ||
ANZOLETTI Marco | (Trento, 1867-1929) | 1850 | Variationen uber ein thema von Johannes Brahms | Defant, Bambace | 4 | ||
ARENSKY Anton Stepanovich | (1861-1906) | 1850 | String quartet n 2 op 35 (in memory of Tchaikovsky) | The Rafael ensemble | |||
ARENSKY Anton Stepanovich | (1861-1906) | 1850 | Suite n 1 per dua pianoforti op 15 | Argerich | 3 | ||
ARNESTAD Finn | (1915-1994) | 1900 | Arabesk | ||||
ARNESTAD Finn | (1915-1994) | 1900 | Violin concerto | ||||
ARNESTAD Finn | (1915-1994) | 1900 | Piano concerto | ||||
ARNESTAD Finn | (1915-1994) | 1900 | INRI | ||||
ARNOLD Sir Malcom Henry | (1921-2006) | 1900 | Sinfonietta n 1, 2, 3 | ||||
ARNOLD Sir Malcom Henry | (1921-2006) | 1900 | String quartets | ||||
ARNOLD Sir Malcom Henry | (1921-2006) | 1900 | Flute concerto | ||||
ARNOLD Sir Malcom Henry | (1921-2006) | 1900 | Oboe concerto | ||||
ARRAUJO Juan de | (1648-1712) | 1600 | Hola hola, que vienen gitanas | ||||
ARRAUJO Juan de | (1648-1712) | 1600 | Silencio, pasito | ||||
ARRAUJO Juan de | (1648-1712) | 1600 | Dixit Dominus | ||||
ARRAUJO Juan de | (1648-1712) | 1600 | Salve Regina | ||||
ASIA Daniel | (Seattle, 1953) | 1950 | Symphony n 2 | ||||
ASIA Daniel | (Seattle, 1953) | 1950 | Symphony n 3 Celebration symphony | 3 | |||
ASIA Daniel | (Seattle, 1953) | 1950 | Trilogy | ||||
AUERBACH Lera | (Chelyabinsk, Russia, 1973) | 1950 | Piano trio | Lincoln trio | 4 | ||
BABEL William | (ca 1720-1783) | 1700 | Oboe sonata II in A | Paul Dombrecht oboe | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Sonata in D | Andr | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Cto per violoncello e orch in la magg | Tortelier | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Cto per violoncello e orch Wq 172-H 439 | E. Bronzi, Accademia dell'orch. Mozart | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Sinfonia in sol magg Wq 183/4 - H 666 | E. Bronzi, Accademia dell'orch. Mozart | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Cto per violoncello e orch Wq 170 ? H 432 | E. Bronzi, Accademia dell'orch. Mozart | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Sinfonia in si bemolle magg Wq 182/2 ? H 658 | E. Bronzi, Accademia dell'orch. Mozart | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Cto per flauto in sol magg | Trevisani (fl), Moscow sym orch/Orbelian | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Cto per flauto in re minore | Trevisani (fl), Moscow sym orch/Orbelian | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Cto per flauto in la magg | Trevisani (fl), Moscow sym orch/Orbelian | |||
BACH Carl Philipp Emanuel | (1714 - 1788) | 1700 | Oboe sonata in G minor | Dombrecht | |||
BACH Johann Christian | (1735-1782) | 1700 | Trio sonata in C major | Stern 16 | |||
BACH Johann Christian | (1735-1782) | 1700 | Sonata (a 3) in C major | Stern 16 | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 4 | K. Richter, Munchener Bach Chor and Orch | 4 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 6 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 10 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 11 | K. Richter, Munchener Bach Chor and Orch | 4 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 34 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 44 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 67 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 70 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 80 | K. Richter, Munchener Bach Chor and Orch | 4 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 81 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 82 | K. Richter, Munchener Bach Chor and Orch | 5 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 106 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 111 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 116 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 130 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 140 | K. Richter, Munchener Bach Chor and Orch | 4 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 147 | K. Richter, Munchener Bach Chor and Orch | 4 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 158 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cantata BWV 111 | K. Richter, Munchener Bach Chor and Orch | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Mottetti BWV 225-230 | The Hilliard ensemble | 5 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Messa in si minore BWV 232 | s | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Magnificat BWV 243 | Monteverdi choir, J. E. Gardiner | 4 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | La Passione secondo Matteo BWV 244 | (oratorio), | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | La Passione secondo Giovanni BWV 245 | 4 | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Oratorio di Natale BWV 248 | s | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Toccata e Fuga in re minore BWV 565 | 5 | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Trio sonatas for organ BWV 525-530 | Marie-Claire Alain - L'oeuvre pour Orgue | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Preludi e fughe, Toccate, Fantasie and Passacaglie BWV 531-582 | Marie-Claire Alain - L'oeuvre pour Orgue | 3 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Concerti per organo BWV 592-598 | Marie-Claire Alain - L'oeuvre pour Orgue | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Corali e preludi I (Little organ book) BWV 599-644 | Marie-Claire Alain - L'oeuvre pour Orgue | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Corali e Preludi II BWV 645-650 | Marie-Claire Alain - L'oeuvre pour Orgue (645 5*) | 5 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Corali e Preludi III The great eighteen BWV 651-668 | Marie-Claire Alain - L'oeuvre pour Orgue | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Corali e Preludi IV German organ mass BWV 669-689 | Marie-Claire Alain - L'oeuvre pour Orgue | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Corali e Preludi V Kirnberger BWV 690-713 | Marie-Claire Alain - L'oeuvre pour Orgue | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Invenzioni per clavicembalo BWV 772-786 | Wolfgang Rubsam (p) | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Sinfonie per clavicembalo BWV 787-801 | Wolfgang Rubsam (p) | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suite Inglesi BWV 806-811 | Gustav Leonhardt | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suite Francesi BWV 812-817 | Keith Jarrett | 3 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Partite per clavicembalo BWV 825-830 | Wolfgang Rubsam (p) | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Il Clavicembalo ben temperato BWV 846-893 | Keith Jarrett | 4 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Preludi e fughe e fantasie per clavicembalo BWV 894-909 | BWV 902 Rubsam s | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Toccate per clavicembalo BWV 910-916 | Wolfgang Rubsam (p) | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Concerto Italiano BWV 971 | (clavicembalo), | 3 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Variazioni Goldberg BWV 988 (piano) | Keith Jarrett | 3 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Variazioni Goldberg BWV 988 (quintetto per archi e clavicembalo) | Robinson, Citterio, Maraldi, Guerrero Watanabe | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Capriccio sopra la lontananza del suo fratello dilettissimo BWV 992 | Serkin. Rubsam | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Lavori per Liuto solista BWV 995-1000 | Hopkinson Smith | 4 | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Sonate e partite per violino solo BWV 1001-1006 | Serkin/Gidon Kremer (Ciaccona 5) | 4 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suite x violoncello solista n 1 BWV 1007 | 1717-23 | Mario Brunello - Pierre Fournier - Du Pr?(1 e 2) | 6 | s |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suite x violoncello solista n 2 BWV 1008 | 1717-23 | Mario Brunello - Pierre Fournier - Du Pr?(1 e 2) | 5 | s |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suite x violoncello solista n 3 BWV 1009 | 1717-23 | Mario Brunello - Pierre Fournier - Du Pr?(1 e 2) | 6 | s |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suite x violoncello solista n 4 BWV 1010 | 1717-23 | Mario Brunello - Pierre Fournier - Du Pr?(1 e 2) | 5 | s |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suite x violoncello solista n 5 BWV 1011 | 1717-23 | Mario Brunello - Pierre Fournier - Du Pr?(1 e 2) | 6 | s |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suite x violoncello solista n 6 BWV 1012 | 1717-23 | Mario Brunello - Pierre Fournier - Du Pr?(1 e 2) | 5 | s |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Partita per solo Flauto BWV 1013 | JP Rampal (fl) | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Sonata for flute and hapsichorf BWV 1020 | JP Rampal (fl), Pinnock (cl) | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Flute sonatas BWV 1030-1035 | JP Rampal (fl), Pinnock (cl), Pidoux (cello) | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | 2 Concerti x violino BWV 1041, 1042 | Salvatore Accardo/Yehudi Menuhin/Perlman | 6 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Concerto x 2 violini BWV 1043 | Salvatore Accardo/Yehudi Menuhin/Perlman | 6 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Concerto for flute, violin and keybord BWV 1044 Triple concerto | Yehudi Menuhin | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Cto per violino BWV 1045 | ||||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Concerti Brandeburghesi BWV 1046-1051 | Yehudi Menuhin | 5 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Harpsichord concertos BWV 1052-56 | 1052-55 Gould G. Malcom, Y. Menuhin | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Harpsichord concertos BWV 1060-1065 | G. Malcom, Y. Menuhin (1060 per vln e oboe 5) | 5 | s | |
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Concerto for oboe & violin BWV 1060R | Goossens, Menuhin | |||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Suites Orchestrali BWV 1066-1071 | 4 | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Musikalisches Opfer BWV 1079 | Menuhin, Bath festival ensemble | s | ||
BACH Johann Sebastian | (Eisenach, 1685-1750) | 1650 | Die kunst der fuge BWV 1080 | Perkis (Cl), Spanyl (cl, or), Budapest ch orc | s | ||
BACH Wilhelm Friedemann | (1710-1784) | 1700 | Trio sonata in A minor | Stern 16 | |||
BAERMANN Heinrich Josef | (1784-1847) | 1750 | Adagio fur klarinette und strichorchester | Sabine Meyer | |||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Adagio for strings | s | |||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Concerto x violino e orchestra op.14 | Stern vol 13 | 3 | ||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Cello concerto op 22 | 3 | |||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Symphony n1, n 2 | ||||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | String quartet op 11 | 3 | |||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | The lovers | ||||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Piano sonata op 26 | David Allen Wher | s | ||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Antony & Cleopatra | ||||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Piano Concerto op 38 | 4 | |||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Sinfonietta for oboe and string orchestra | ||||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Souvenirs | ||||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Vanessa op 32 | ||||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Essay for orchestra n2 op 17 | ||||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | School of scandals ouverture op 5 | ||||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Sonata for cello and piano op 6 | 3 | |||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Knoxville, summer of 1915 | (Kathleen Battle) | |||
BARBER Samuel | (West Chester, Pennsylvania, 1910-1981) | 1900 | Canzonetta (for oboe) | Donovetsky, Mitchell | |||
BARBIERI Lucio | (1586-1659) | 1550 | Mottetto surgite pastores | Coro e orch della cappella musicale di S. Petronio, G. Variolo | |||
BARGIELSKI Zbigniew | (Lomza, Poland, 1937) | 1900 | Quartetto per archi n 2 ?Primaverile? | Wilanow quartet | |||
BARLOW Wayne | (Glen Cove, NY, 1958) | 1950 | The winter's past | Donovetsky, Mitchell | |||
BARRIERE Jean | (1705-1747) | 1700 | Sonate en fa majeur (I, 5) | Davide Simpson (Cello) | |||
BARRIERE Jean | (1705-1747) | 1700 | Sonate en re mineur (III, 2) | Davide Simpson (Cello) | |||
BARRIERE Jean | (1705-1747) | 1700 | Sonate en si bemol majeur (III, 4) | Davide Simpson (Cello) | |||
BARRIERE Jean | (1705-1747) | 1700 | Sonate en sol majeur (IV, 4) | Davide Simpson (Cello) | |||
BARRIERE Jean | (1705-1747) | 1700 | Sonate in mi mmajeur (II, 2) | Davide Simpson (Cello) | |||
BARRIERE Jean | (1705-1747) | 1700 | Sonate en fa diese mineur (II, 2) | Davide Simpson (Cello) | |||
BARRIERE Jean | (1705-1747) | 1700 | Sonate en ut majeur (IV, 2) | Davide Simpson (Cello) | |||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Danze popolari Rumene sz 68 | (vers. x orchestra), | s | ||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Il Castello di Barbabl? | (opera), | |||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Il Mandarino Meraviglioso op 19, sz 73 | (balletto), Abbado: Bartok, Prokofiev | |||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | La danza dell'orso | Arr. Casella | |||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Musica x archi percussioni e celesta, | ||||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Sonata x 2 pianoforti e percussioni, | ||||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | String quartets 1-6 | Emerson quartet | s | ||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Mikrokosmos | s | |||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Rapsodia per piano e orchestra op 1 | ||||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Divertimento x archi sz 113 | ||||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Scherzo op 2 | ||||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Violin concerto n 2 | Kyung-Wha Chung | s | ||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Sonataper violino e piano n 2 sz 76 | ||||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Rapsodie per violino e orchestra n 1 e 2 | Stern, A life in music vol 10 | 3 | ||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | 2 portraits op 5 | ||||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Concerto per viola e orchestra | Yo-Yo Ma, the NY album | |||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Concerto x orchestra sz 116 | s | |||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Cto x pianoforte e orchestra n 1 | ||||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Cto x pianoforte e orchestra n 2 | 4 | |||
BARTOK B?la | (Banatian, Hungary, 1881-1945) | 1850 | Cto x pianoforte e orchestra n 3 | Argerich, Dutoit, Orch de Montreal | |||
BASSETT Leslie | (Hanford, California, 1923) | 1900 | Doalogues for oboe and piano | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | Winter legends | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | Saga Fragment | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | Ouverture to a picaresque comedy | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | Mediterranean | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | Cortege for orchestra | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | Northern ballad n 3 | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | Cello concerto | 3 | |||
BAX Arnold | (London, 1883 - 1953) | 1850 | Symphony 3, 6 | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | Festival ouverture | ||||
BAX Arnold | (London, 1883 - 1953) | 1850 | The tale the pine tree knew | ||||
BEACH Amy | (Hennike, New Hampshire, 1867-1944) | 1850 | Piano concerto op 45 | ||||
BEACH Amy | (Hennike, New Hampshire, 1867-1944) | 1850 | Piano quintet op 67 | 1908 | Pihtipudas Qvintetti | ||
BEAL Jeff | (Hayward, California, 1963) | 1950 | The Salvage man | Eric Whitacre singers | 3 | ||
BEAL Jeff | (Hayward, California, 1963) | 1950 | Poor in spirit | Jeff Beal, Eric Whitacre singers | 3 | ||
BEAMISH Sally | (London, 1956) | 1950 | The singing | 2006 | James Crabb, Royal Scottish National Orch | 4 | |
BEAMISH Sally | (London, 1956) | 1950 | A cage od Doves | Royal Scottish National orch | |||
BEAMISH Sally | (London, 1956) | 1950 | Saxophone cto n 2 under the wings of the rock | 2006 | Brandford Marsalis, Royal Scottish | ||
BEAMISH Sally | (London, 1956) | 1950 | Trumpet concerto | 2003 | Haka Handerberger, Royal Scottish | ||
BEAMISH Sally | (London, 1956) | 1950 | Reckless | Royal Scottish National orch | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Missa Solemnis op 123 | 1819-23 | (musica sacra), | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Fidelio op 72 | 1814 | (opera), | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 1 in Do maggiore op 21 | 1799-1800 | Karajan, Berliner - Abbado, Wiener | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 2 in Re maggiore op 36 | 1802 | Karajan, Berliner - Abbado, Wiener | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 3 in Mi bemolle maggiore op 55 Eroica | Karajan, Berliner - Abbado, Wiener | 4 | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 4 in Si bemolle maggiore op 60 | 1806 | Karajan, Berliner - Abbado, Wiener | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 5 in Do minore op 67 | 1807-8 | Karajan, Berliner - Abbado, Wiener | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 6 in Fa maggiore op 68 Partorale | 1808 | Karajan, Berliner - Abbado, Wiener | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 7 in La maggiore op 92 | 1811-12 | Karajan, Berliner - Abbado, Wiener | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 8 in Fa maggiore op 93 | 1812 | Karajan, Berliner - Abbado, Wiener | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sinfonia n 9 in Re minore op 125 | 1823-24 | Karajan, Berliner - Abbado, Wiener | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Concerto per piano e orch n 1 in Do magg op 15 | 1795-1800 | Backhaus Schmidt-Issertedt - Vienna Philarmonic Orch | 3 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Concerto per piano e orch n 2 in Si bemolle magg op 19 | 1788-1800 | Backhaus Schmidt-Issertedt - Vienna Philarmonic Orch | 3 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Concerto per piano e orch n 3 in Do minore op 37 | 1800-03 | Backhaus Schmidt-Issertedt - Vienna Philarmonic Orch | 4 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Concerto per piano e orch n 4 in Sol maggiore op 58 | 1804-06 | Backhaus Schmidt-Issertedt - Vienna Philarmonic Orch | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Concerto per piano e orch n 5 in Mi bemolle maggiore op 73 | 1809 | Backhaus Schmidt-Issertedt - Vienna Philarmonic Orch | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Choral fantasy in C minor op 80 | ||||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Concerto x violino e orchestra op 77 | Stern 4/Kyung-Wha Chung/Zukerman | 5 | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Double concerto op 102 | Stern 4 | 5 | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Triplo concerto x violino/violoncello e pf op 56 | 1804-5 | Trio di Trieste, Orch della Svizzera Italiana | 4 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Romanza n.1 x violino e orchestra op 40 | Grumiaux vol 5-46 | 3 | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Romanza n.2 x violino e orchestra op 50 | Grumiaux vol 5-46 | 3 | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Rondo a capriccio op 129 | ||||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Bagatelle in A minor Fur Elise | 4 | s | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | 32 variations on an original theme in C minor WoO 80 | ||||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quintetto x pf op.16, | Brendel, Holliger, Baumann, Thunemann, Brunner | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Trio x archi op.3 | 1794 | Mutter-Giuranna-Rostropovich | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Trio per archi op 8 (Serenade) | 1796-7 | Mutter-Giuranna-Rostropovich | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Trii per archi op 9 n 1, 2 & 3 | 1797-8 | Mutter-Giuranna-Rostropovich | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetti x archi op.18, n 1-6 | 1800 | Alban Berg quartet | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetti per archi op 59, n 7-9 | 1806 | Alban Berg quartet | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetto per archi n 10 op 74 Of the harp | 1809 | Alban Berg quartet | 4 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetto per archi op 95 Serioso | 18011-11? | Alban Berg quartet | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetto per archi op 127 | 1822, 1924-5 | Alban Berg quartet | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetto per archi op 130 | 1825-6 | Alban Berg quartet | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetto per archi op 131 | 1825-6 | Alban Berg quartet | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetto per archi op 132 | 1825 | Alban Berg quartet | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetto per archi op 133 The great flight | 1825-6 | Alban Berg quartet | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Quartetto per archi op 135 | 1826 | Alban Berg quartet | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trios n 1, 2 e 3 op 1 | 1793 | Beaux arts trio (Pressler, Cohen, Greenhouse) | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trio n 4 op 11 | 1797 | Beaux arts trio (Pressler, Cohen, Greenhouse) | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trios n 5 Ghost e n 6 op 70 | 1808 | Beaux arts trio (Pressler, Cohen, Greenhouse) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trio n 7 op 97 Archduke | 1811 | Beaux arts trio (Pressler, Cohen, Greenhouse) /Oistrach trio | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trio n 8? WoO 39 | 1812 | Beaux arts trio (Pressler, Cohen, Greenhouse) | 3 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trio n 9? WoO 38 | 1791 | Beaux arts trio (Pressler, Cohen, Greenhouse) | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trio n 10? op 44 (variations on an original theme in E flat major) | Beaux arts trio (Pressler, Cohen, Greenhouse) | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trio n 11? op 121a Kakadu variations | 1803 | Beaux arts trio (Pressler, Cohen, Greenhouse) | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trio n 12? in E flat H 48 | 1790-2 | Beaux arts trio (Pressler, Cohen, Greenhouse) | 3 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano trio in E flat op 38 (H47?) | Beaux arts trio (Pressler, Cohen, Greenhouse) | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Trio in D (After symphony n 2) | Beaux arts trio (Pressler, Cohen, Greenhouse) | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Triosatz in E flat | Beaux arts trio (Pressler, Cohen, Greenhouse) | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Septet in E flat major op 20 | Schweizer solisten | 3 | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Oktett in Es Dur op 103 | Zurcher Blaseroktett | 2 | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Rondino in es dur op postuma | 2 | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Duo per clarinetto e fagotto WoO 27 n 3 | Schweizer solisten | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonate per violino e piano op 12 n 1& 2 | 1799 | Oistrach, Borodin/Arrau, Grumiaux | 3 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonata per violino e piano n 3 op 12 | Oistrach, Borodin | 3 | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonata per violino e piano n 4 op 23 | 1801 | Oistrach, Borodin/Arrau, Grumiaux | 3 | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonate per pianoforte e violino nr 5 op 24 Spring | 1801 | Oistrach, Borodin/Arrau, Grumiaux | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonata per violino e piano n 6, 7 & 8 op 30 | 1802 | Oistrach, Borodin/Arrau, Grumiaux(7&8) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonata per violino e piano n 9 op 47 Kreutzer | 1803 | Oistrach, Borodin | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonta per violino e piano n 10 op 96 The Cockcrow | 1812 | Oistrach, Borodin/Zukerman,Neikrug | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Horn sonata i n F op 17 | Greer | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonate x pf e violoncello op 5, n 1&2 | 1796 | Harrell - Ashkenazy/Fournier, Kempff (1966) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonate x pf e violoncello n 3 op.69 | 1808 | Harrell - Ashkenazy/Fournier, Kempff (1966) | 4 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonate x pf e violoncello n 4(Free sonata) & 5 op 102 | 1815 | Harrell - Ashkenazy/Fournier, Kempff (1966) | 4 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | 12 Variations on See the conquiring hero comes WoO 45 | Fournier, Kempff (1966) | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | 7 Variations on Mozart's Bei Mannern WoO 46 | Fournier, Kempff (1966) | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | 12 Variations on Ein Madchen Oder Weibchen op 66 | Fournier, Kempff (1966) | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonatas n 1, 2 & 3 op 2 | 1795 | Daniel Baremboim (1989) | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 4 op 7 Gran sonata | 1797 | Daniel Baremboim (1989) | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonatas n 5, 6 & 7 op 10 | 1798 | Daniel Baremboim (1989) | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 8 op 13 Patetica | 1798 | Daniel Baremboim (1989), 13 5* | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonatas n 9 & 10 op 14 | 1799 | Daniel Baremboim (1989) | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 11 op 22 | 1800 | Daniel Baremboim (1989) | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 12 op 26 Funeral march | 1801 | Daniel Baremboim (1989) | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonatas n 13 Quasi una fantasia & 14 Moonlight op 27 | 1801 | Daniel Baremboim (1989), 14 5* | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 15 op 28 Pastorale | 1801 | Daniel Baremboim (1989) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonatas n 16, 17 Tempest & 18 The hunt op 31 | 1802 | Daniel Baremboim (1989), 17 4* | 4 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 19 & 20 op 49 | 1798 | Daniel Baremboim (1989) | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 21 Waldstein op 53 | 1803 | Daniel Baremboim (1989) | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 22 op 54 | 1804 | Daniel Baremboim (1989) | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 23 Appassionata op 57 | 1805 | Daniel Baremboim (1989)(Valentina Lisitsa | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 24 A Therese op 78 | 1809 | Daniel Baremboim (1989) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 25 op 79 Cuckoo | 1809 | Daniel Baremboim (1989) | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 26 Les adieux op 81a | 1810 | Daniel Baremboim (1989) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 27 op 90 | 1814 | Daniel Baremboim (1989) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 28 op 101 | 1816 | Daniel Baremboim (1989) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 29 Hammerklavier op 106 | 1819 | Daniel Baremboim (1989) | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 30 op 109 | 1820 | Daniel Baremboim (1989) | 4 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 31 op 110 | 1821 | Daniel Baremboim (1989) | 3 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Piano sonata n 32 op 111 | 1822 | Daniel Baremboim (1989) | 5 | s |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Le variazioni su un tema di Diabelli x pf op.120, | Pollini | s | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Wellington's Victory op 91 | ||||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonata in Fa magg per piano e corno inglese op 17 | ||||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Sonata in Fa magg per piano e violoncello op 17 | ||||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Serenata in Re magg per piano e flauto op 41 | ||||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Notturno per viola e piano op 42 | 3 | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Egmont | Ouverture - Karajan/Berliner Philharmoniker | s | ||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Coriolan | Ouverture - Karajan/Berliner Philharmoniker | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | King Stephen | Ouverture - Karajan/Berliner Philharmoniker | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Le creature di Prometeo | Ouverture - Karajan/Berliner Philharmoniker | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Le rovine di Atene | Ouverture - Karajan/Berliner Philharmoniker | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Per l'onomastico | Ouverture - Karajan/Berliner Philharmoniker | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Leonore I | Ouverture - Karajan/Berliner Philharmoniker | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Leonore II | Ouverture - Karajan/Berliner Philharmoniker | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Leonore III | Ouverture - Karajan/Berliner Philharmoniker | 4 | s | |
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Ah! Perfido | aria per soprano e pf | |||
BEETHOVEN Ludwig Van | (Bonn, 1770-1827) | 1750 | Grosse fuge in B | Wiener 150 | |||
BEFFA Karol | (Paris, 1973) | 1950 | Les ombres qui passent pour violon, alto et piano | Ensemble contraste | |||
BEFFA Karol | (Paris, 1973) | 1950 | Mirages pour piano a 4 mains | Ensemble contraste | |||
BEFFA Karol | (Paris, 1973) | 1950 | Supplique pour violon seul | Ensemble contraste | |||
BEFFA Karol | (Paris, 1973) | 1950 | Masques I pour violon et violoncelle | Ensemble contraste | 4 | ||
BEFFA Karol | (Paris, 1973) | 1950 | Manhattan pour alto et piano | Ensemble contraste | |||
BEFFA Karol | (Paris, 1973) | 1950 | Masques II pour violon et violoncelle | Ensemble contraste | 4 | ||
BEFFA Karol | (Paris, 1973) | 1950 | Milonga pour alto et piano | Ensemble contraste | |||
BELLINI Vincenzo | (Catania, 1801-1835) | 1800 | Il Pirata , | ||||
BELLINI Vincenzo | (Catania, 1801-1835) | 1800 | I Puritani , | s | |||
BELLINI Vincenzo | (Catania, 1801-1835) | 1800 | La Sonnambula , | s | |||
BELLINI Vincenzo | (Catania, 1801-1835) | 1800 | Norma | s | |||
BELLINI Vincenzo | (Catania, 1801-1835) | 1800 | Beatrice di Tenda , | ||||
BELLINI Vincenzo | (Catania, 1801-1835) | 1800 | I Capuleti e i Montecchi | ||||
BELLINI Vincenzo | (Catania, 1801-1835) | 1800 | Cto for oboe and strings | ||||
BELLINZANI Paolo Benedetto | (1690-1757) | 1650 | Sonata in do magg op 3 n 3 | Luisa Sello (fl), Alvise Stiffoni (cello), Michele Liuzzi (cl) | |||
BEMBO Antonia | (1640-1720) | 1600 | Passan veloci l'hore, aria per soprano e basso continuo | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | 3 | ||
BEMBO Antonia | (1640-1720) | 1600 | Anima perfida, aria per soprano e basso continuo | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | 3 | ||
BEMBO Antonia | (1640-1720) | 1600 | M'ingannasti in verit?, aria per soprano e basso continuo | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | 3 | ||
BEN-HAIM Paul | (1897-1974) | 1800 | Violin concerto | Perlman | |||
BENNETT Richard Rodney | (Broadstairs, Kent, 1936-2012) | 1900 | After syrinx for oboe and piano | Schellenberger, Koenen | |||
BENSHOOF Ken | (Nebraska, 1933) | 1900 | Traveling music | Kronos XXV | |||
BENSHOOF Ken | (Nebraska, 1933) | 1900 | Song of 20 shadows | Kronos XXV | |||
BERG Alban | (Vienna, 1885-1935) | 1850 | Wozzeck | (opera), | nd | s | |
BERG Alban | (Vienna, 1885-1935) | 1850 | Lul? suite | (opera), | s | ||
BERG Alban | (Vienna, 1885-1935) | 1850 | Suite Lirica x quartetto d?archi | s | |||
BERG Alban | (Vienna, 1885-1935) | 1850 | 3 pieces for orchestra | ||||
BERG Alban | (Vienna, 1885-1935) | 1850 | Altenberg lieder op 4 | The BBC SO, Pierre Boulez | |||
BERG Alban | (Vienna, 1885-1935) | 1850 | Kammerkonzert | Stern vol 11 | |||
BERG Alban | (Vienna, 1885-1935) | 1850 | Sonata for piano n 1 | in Debussy/Berg - Pollini | |||
BERG Alban | (Vienna, 1885-1935) | 1850 | Concerto x violino e orchestra ?Alla memoria di un Angelo? | Stern vol 11 | |||
BERIO Luciano | (Oneglia, 1925 - 2003) | 1900 | Sinfonia x voci e orchestra | ||||
BERIO Luciano | (Oneglia, 1925 - 2003) | 1900 | Due pezzi | Makarski, Larcher | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Requiem | (oratorio) | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Te Deum | (oratorio) | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | L?Infanzia di Cristo | (oratorio) | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | I Troiani | (opera) | s | ||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Benvenuto Cellini op 23 | ouverture | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Wawerley op 1 | ouverture | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Rob Roy | ouverture | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | King Lear op 4 | ouverture | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Le corsaire op 21 | ouverture | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Beatrice e Benedetto | (opera) | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Sinfonia Fantastica op 14 | s | |||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Aroldo in Italia op 16 | (sinfonia per voce e orchestra), | s | ||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Romeo e Giulietta | (per voci, coro e orch.), | nd | s | |
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | La Dannazione di Faust | (per voci, coro e orch.), | nd | s | |
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Carnevale Romano op 9 | ||||
BERLIOZ Hector | (La Cote-Saint-Andr?, Is?re, 1803-1869) | 1800 | Reverie et caprice op 8 | Grumiaux | |||
BERNERS (Lord) - Gerald Hugh Tyrwhitt-Wilson, 14th Baron Berners | (Apley Hall, Shropshire, 1883-1950) | 1850 | L'uomo dai baffi | ||||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | West Side Story | (commedia musicale), | s | ||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | On the town: 3 dance episodes | Bernstein, Israel Phil Orch | |||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Trouble in Tahiti | ||||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Wonderful town | ||||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Candide | s | |||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Sinfonia n.3 ?Kaddish? | 3 | |||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Chichester Psalms | ||||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Dybbuk suite n 2 | ||||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Mass for voices | Bernstein, Norman Scribner choir, Berkshire boy choir | 4 | s | |
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Arias and barcarolles | ||||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Divertimento for Orchestra | Bernstein, Israel Phil Orch | |||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Halil: notturno for solo flute, orch and percussion | Rampal, Bernstein, Israel Phil Orch | |||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | 3 meditations from Mass, for cello and orch | Rostropovich, Bernstein, Israel Phil Orch | |||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Concerto for Orchestra (Jubelee games) | Bernstein, Israel Phil Orch | |||
BERNSTEIN Leonard | (Lawrence, Massachusetts, 1918-1990) | 1900 | Serenade for violin, String orch, harp and percussion | 1954 | Stern 15 | ||
BERWALD Franz | (Stockholm, 1796-1868) | 1750 | Symphonie Serieuse , Symphonie Singuliere | ||||
BERWALD Franz | (Stockholm, 1796-1868) | 1750 | Piano concerto | ||||
BERWALD Franz | (Stockholm, 1796-1868) | 1750 | The queen of Golconda | ouverture | |||
BERWALD Franz | (Stockholm, 1796-1868) | 1750 | Violin concerto | ||||
BERWALD Franz | (Stockholm, 1796-1868) | 1750 | Festival of the Bayaderes | ||||
BERWALD Franz | (Stockholm, 1796-1868) | 1750 | Piano quintets n 1 & 2 | 3 | |||
BESOZZI Carlo | (Dresden, 1738-1791) | 1700 | Cto for oboe and orch in F major | Jan Adamus, Suk CO, Josef Suk | |||
BESOZZI Carlo | (Dresden, 1738-1791) | 1700 | Cto for oboe and orch in C major | Jan Adamus, Suk CO, Josef Suk | |||
BESOZZI Carlo | (Dresden, 1738-1791) | 1700 | Cto for oboe and orch in G major | Jan Adamus, Suk CO, Josef Suk | |||
BIBER Heinrich Franz Ignaz von | (Wartenberg, 1644-1704) | 1600 | Missa Salisburgensis a 54 voci | Balestracci, La stagione armonica | |||
BINGEN Abbess Hildegard von | (1098-1179) | 1050 | Celestial harmonies from Symphoniae armonie celestium revelationum | Oxford camerata, Jeremy Summerly | |||
BISCOGLI Francesco | (?1700, ?1750) | 1700 | Cto in D major for trumpet, oboe and bassoon | Maurice Andr | 4 | ||
BIZET Georges | (Paris, 1838-1875) | 1800 | ?Carmen? | (opera), | s | ||
BIZET Georges | (Paris, 1838-1875) | 1800 | ?I Pescatori di Perle? | (opera), | s | ||
BIZET Georges | (Paris, 1838-1875) | 1800 | Sinfonia in do magg | Filarmonica della Scala, Georges Pretre | |||
BIZET Georges | (Paris, 1838-1875) | 1800 | L?Arlesiana n.1 e n.2 | s | |||
BLACHER Boris | (1903-1975) | 1900 | Paganini variations op 26 | Ferenc Fricsay | |||
BLAKE Howard | (London, 1938) | 1900 | Violin concerto The Leeds | 3 | |||
BLAKE Howard | (London, 1938) | 1900 | A month in the country | ||||
BLAKE Howard | (London, 1938) | 1900 | Sinfonietta for 10 brass instruments | ||||
BLECHINGER Alexander | (b. 1956) Austrian | 1950 | Violinkonzert op 87 | ||||
BLECHINGER Alexander | (b. 1956) Austrian | 1950 | Klavierkonzert op 35 | ||||
BLISS Sir Arthur | (Barnes, London, 1891-1975) | 1850 | A colour symphony | ||||
BLISS Sir Arthur | (Barnes, London, 1891-1975) | 1850 | Concertino for cello and orchestra | ||||
BLISS Sir Arthur | (Barnes, London, 1891-1975) | 1850 | Hymn to apollo | ||||
BLISS Sir Arthur | (Barnes, London, 1891-1975) | 1850 | The enchantress | ||||
BLISS Sir Arthur | (Barnes, London, 1891-1975) | 1850 | Cello concerto | ||||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Schelomo (for cello and orch) | Isserlis, Deutsches SO Berlin, Wolff | 3 | ||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Baal shem | Stern 28 | |||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | String quartets I, II & III | The Portland string quartet | |||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Voice in the wilderness | cello&orchestra | 3 | ||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Prayer | cello&orchestra: Tukovsky,I musici de Montreal | 3 | ||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Nigun | cello&orchestra: Tukovsky,I musici de Montreal | |||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Jewish song | cello&orchestra: Tukovsky,I musici de Montreal | |||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Meditation | cello&orchestra: Tukovsky,I musici de Montreal | |||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Supplication Hebraique | cello&orchestra: Tukovsky,I musici de Montreal | |||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Sonata for violin and piano | Stern 28 | |||
BLOCH Ernest | (Geneva, 1880 - 1959) | 1850 | Piano quintet n 1 | 1923-4 | Pihtipudas Qvintetti | ||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | Asa Nisi Masa per violoncello, due corni e archi | I solisti di Pavia, Enrico Dindo | 4 | ||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | Luna in acquario per violoncello e dieci strumenti | I solisti di Pavia, Enrico Dindo | |||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | Twin legends per violoncello e archi | I solisti di Pavia, Enrico Dindo | |||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | Mouvement | in Time Travel | |||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | Dulcis memoria | in Time Travel | |||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | La cenere degli astri | in Time Travel | |||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | Aria di vetro | in Time Travel | |||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | Fasi lunari | in Time Travel | |||
BOCCADORO Carlo | (Macerata, 1963) | 1950 | Come polvere e vento | in Time Travel | |||
BOCCHERINI Luigi | (Lucca, 1743-1805) | 1700 | Quintetto x chitarra e archi n.9 G.453 ?La ritirata di Madrid?, | s | |||
BOCCHERINI Luigi | (Lucca, 1743-1805) | 1700 | 5 cello sonatas for cello and continuo | s | |||
BOCCHERINI Luigi | (Lucca, 1743-1805) | 1700 | Quintetto x archi G.275 op.11 n.5 | 4 | s | ||
BOCCHERINI Luigi | (Lucca, 1743-1805) | 1700 | Minuet (from string quintet in E) | 5 | s | ||
BOCCHERINI Luigi | (Lucca, 1743-1805) | 1700 | Stabat Mater (prima versione 1781) | ||||
BOCCHERINI Luigi | (Lucca, 1743-1805) | 1700 | 12 concerti per il violoncello | 3 cd: David Geringas, Orch da camera di Padova | 4 | s | |
BOCCHERINI Luigi | (Lucca, 1743-1805) | 1700 | Cello concerto n 9 in B | Du Pr?/Tortelier | 4 | ||
BOISMORTIER Joseph Bodin de | (1691-1755) | 1650 | Sonata in E minor for flute, bassoon and continuo | The bassoon, classical and baroque | |||
BOLCOM William | (Seattle, 1938) | 1900 | Songs of innocence and of experience | 2 | |||
BOLCOM William | (Seattle, 1938) | 1900 | 12 new etudes for piano | ||||
BOLCOM William | (Seattle, 1938) | 1900 | Session I | ||||
BOLCOM William | (Seattle, 1938) | 1900 | Symphony n 4 | ||||
BOLCOM William | (Seattle, 1938) | 1900 | For the continuation of life: Aubade | ||||
BOLCOM William | (Seattle, 1938) | 1900 | Orph?e Serenade | 3 | |||
BOLCOM William | (Seattle, 1938) | 1900 | A spring concertino for oboe and string orch | ||||
BONONCINI Giovanni | (Modena, 1670-1747) | 1650 | Sonata for 2 cellos in A minor | Junghanel, van der Meer, Dieltiens, Kohnen | 4 | ||
BONPORTI Francesco Antonio | (Trento 1672-1749) | 1650 | Concerto per violino obbligato op 11 | I Musici | |||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | ?Il Principe Igor? | s | |||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | Il principe Igor: danze polovesiane | Orch e coro del Maggio Musicale Fiorentino, Zubin Metha | |||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | Nelle steppe dell?Asia centrale | Neeme Jarvi, Gothenburg Sym Orch | s | ||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | Quartetti x archi n.1 e n.2 | (Stern 22) | s | ||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | Symphony n 1, 2 & 3 | Neeme Jarvi, Gothenburg Sym Orch | s | ||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | Prince Igor ouvertures | Neeme Jarvi, Gothenburg Sym Orch | 4 | ||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | Petite suite | Neeme Jarvi, Gothenburg Sym Orch | |||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | Piano quintet in c-moll | ||||
BORODIN Aleksandr | (Saint Petersburg, 1833-1887) | 1800 | Nocturne for string orchestra | Neeme Jarvi, Gothenburg Sym Orch | |||
BORRADORI Pietro | (Milano, 1965) | 1950 | Camera obscura | ||||
BORRADORI Pietro | (Milano, 1965) | 1950 | Streichquartett | ||||
BORRADORI Pietro | (Milano, 1965) | 1950 | Holzwege | ||||
BORRADORI Pietro | (Milano, 1965) | 1950 | Zwei Orgelstucke | ||||
BORRADORI Pietro | (Milano, 1965) | 1950 | Fragmenta veneris | ||||
BORRADORI Pietro | (Milano, 1965) | 1950 | Dialogues entre metopes | ||||
BOSSI Marco Enrico | (Sal?, 1861-1925) | 1850 | Sonata per violino e piano n 1 e 2 | Turconi, Sala | 3 | ||
BOSSO Ezio | (Torino, 1971) | 1950 | Violin concerto | The Buxusconsort strings orch | 3 | ||
BOTTESINI Giovanni | (Crema, 1821-1889) | 1800 | Gran Duo Concertante per violino e Contrabbasso | Thomas Martin, English CO, Andrew Litton | 4 | ||
BOTTESINI Giovanni | (Crema, 1821-1889) | 1800 | Andante sostenuto per archi | 1886 | Thomas Martin, English CO, Andrew Litton | 3 | |
BOTTESINI Giovanni | (Crema, 1821-1889) | 1800 | Duetto per clarinetto e Contrabbasso | 1865 | Thomas Martin, English CO, Andrew Litton | 3 | |
BOTTESINI Giovanni | (Crema, 1821-1889) | 1800 | Gran Concerto in fa min per contrabbasso | 1878 | Thomas Martin, English CO, Andrew Litton | 4 | |
BOULEZ Pierre, | (Montbrison, Loire, 1925) | 1900 | Repons | ||||
BOULEZ Pierre, | (Montbrison, Loire, 1925) | 1900 | Dialogue de l'hombre double | ||||
BOULEZ Pierre, | (Montbrison, Loire, 1925) | 1900 | Le soleil des eaux | ||||
BOZZA Eugene | (Nice, 1905-1991) | 1900 | Fantasie pastorale for oboe and piano op 37 | ||||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sinfonia n 1 op 68 | 1862-76 | s | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sinfonia n 2 op 73 | 1877 | Karajan, first recordings/Wiener 150 | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sinfonia n 3 op 90 | 1883 | Karajan, first recordings | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sinfonia n 4 op 98 | 1884-85 | Karajan, first recordings | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Ouverture per una festa accademica op 80 | 1880 | Muti, Berliner | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Ouverture tragica op 81 | 1880 | Muti, Berliner | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Variazioni su un tema di Haydn op.56a | 1873 | Muti, Berliner | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Serenata n 1 op 11 | 1857-1858 | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Serenata n 2 op 16 | 1858-1859 | I fiati di Parma | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Concerto per pianoforte n 1 op 15 | 1856-58 | Rubinstein/Pollini | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Concerto per pianoforte n 2 op 83 | 1881 | Pollini | 4 | s |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Concerto per violino op 77 | 1878 | Stern 4/Menuhin | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Doppio concerto (violino e violoncello) op 102 | 1887 | Kremes, Maiskj, Bernstein/Wiener - Stern, To-To Ma, Abbado | 5 | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 21 danze Ungheresi | 1873 | Abbado, Wiener | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sestetto per archi n 1 op 18 | 1860 | Amadeus quartet | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sestetto per archi n 2 op 36 | 1864-65 | Amadeus quartet | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quintetto per archi n 1 op 88 | 1882 | Amadeus quartet | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quintetto per archi n 2 op 111 | 1890 | I solisti veneti/Amadeus q. | 3 | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quintetto per clarinetto op 115 | 1891 | I solisti veneti/Amadeus q. | 4 | s |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quartetti per archi n 1 e 2 op 51 | 1873 | Melos quartet | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quartetto per archi n 3 op 67 | 1875 | Melos quartet | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quintetto per piano e archi op 34 | 1862-64 | I solisti veneti/Amadeus q. | 5 | s |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quartetto per piano op 25 | 1861 | Stern 21 | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quartetto per piano op 26 | 1861 | Stern 21 | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Quartetto per piano op 60 | 1873-74 | Stern 21 | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Trio per piano n 1 e 2 op 8 | 1889 | Stern 21/Rubinstein | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Trio per piano op 87 | 1882 | Rubinstein | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Trio per piano op 101 | 1886 | Stern 21 | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Trio per piano, corno e violino op 40 | 1865 | Greer | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Trio per piano, clarinetto e violoncello op 114 | 1891 | M. Portal, M. Rudy, B. Pergamenischikow | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Trio per piano, (clarinetto) violino e violoncello op 114 | 1891 | Rossi, Brunello, Lucchesini | 4 | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonata per piano e violino n 1 op 78 | 1878-79 | Stern/ Accardo, Canino/Perlman | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonata per piano e violino n 2 op 100 | 1886 | Stern/ Accardo, Canino/Perlman | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonata per piano e violino n 3 op 108 | 1886 | Stern/ Accardo, Canino/Perlman | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Scherzo per piano e violino | 1853 | Accardo, Canino | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonata per piano e violoncello n 1 op 38 | 1862-65 | F.lli Dindo/Du Pr?, Barenboim/Brunello, Lucchesini | 5 | s |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonata per piano e violoncello n 2 op 99 | 1886 | F.lli Dindo/Du Pr?, Barenboim/Brunello, Lucchesini | 5 | s |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonate per piano e clarinetto n 1 e 2 op 120 | 1894 | M. Portal, M. Rudy, B. Pergamenischikow | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonate per piano e viola n 1 e 2 op 120 | 1894 | Lars Anders Tomter, Leif Ove Andsnes | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonata in fa min per due pianoforti op 34b | Argerich | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 21 danze ungheresi WoO 1 piano a 4 mani | 1869-80 | s | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 21 danze ungheresi, piano solo | Katchen | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonate per piano n 1 op 1 | 1852 | Katchen | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonata per piano n 2 op 2 | 1852 | Katchen | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Sonata per piano n 3 op 5 | 1853 | Katchen | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Scherzo op 4 | 1851 | Katchen | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Variazioni su un tema di Schumann op 9 | 1854 | Katchen/J. Colom | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Variazioni su un tema di Schumann op 23 | 1863 | J. Colom | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Variazioni su un tema originale op 21/1 | 1857 | J. Colom | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Variazioni su un tema ungherese op 21/2 | 1857 | J. Colom | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Variazioni su un tema di Handel op 24 | 1861 | Katchen/J. Colom | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Variazioni su un tema di Paganini op 35 | 1862-63 | Katchen/J. Colom | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Variazioni su un tema di Haydn op.56a per due piano | J. Colom | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 16 walzer op 39 | 1865 | Katchen | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 2 rapsodie op 79 | 1879 | Katchen | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 4 ballades op 10 | Katchen | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 7 fantasies op 116 | Katchen | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 8 pieces op 76 | Katchen | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 6 pieces op 118 | Katchen | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 4 pieces op 119 | Katchen | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Ave Maria per coro femminile op 12 | 1858 | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Mottetti op27, 29, 30, 37, 74, 109, 110 | ||||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Ein deutsches Requiem op 45 | 1868 | Karajan, Wiener | 4 | s |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Rinaldo, cantata per tenore, coro e orch op 50 | 1863 | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Nanie op 82 | 1881 | San Franicisco orch and choir | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Ellens gesang II | ||||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Zwei gesange op 91 | Rossi, Brunello, Lucchesini | 4 | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Begrabnisgesang op 13 | ||||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Gesang der Parzen op 89 (Song of the fates) | 1882 | San Franicisco orch and choir | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Song of destiny op 54 | San Franicisco orch and choir | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Alto Rhapsody | San Franicisco orch and choir | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Funeral Hymn | San Franicisco orch and choir | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Preludi corali per organo op 122 | 1896 | Robert Parkins | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Liebeslieder walzer op 52 | 1869 | Rudolf Serkin | ||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Neue liebeslieder walzer op 65 | 1874 | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | 3 Intermezzi op 117 | 1892 | Katchen | s | |
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Klavierst?cke op 118 | 1893 | |||
BRAHMS Johannes | (Hamburg, 1833-1897) | 1800 | Klavierst?cke op 119 | 1893 | s | ||
BRAMIERI Claudio | (????-1595) | 1500 | Canzone La Foccara | Hans-Martin Linde, Linde consort, Tolzer Knabechor | |||
BRICCIALDI Giulio | (1818-1881) | 1800 | Quintetto op 124 | Aulos wind quartet | |||
BRIDGE Frank | (Brighton, 1879-1941) | 1850 | Oration, concerto elegiaco | Isserlis, Deutsches SO Berlin, Wolff | 3 | ||
BRISTOW George Frederick | (1825-1898) | 1800 | Symphony op 26 | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Peter Grimes | (opera) (in Bernstein, final concerto), | s | ||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Sogno di una notte di mezza estate | (opera), | |||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Simple Simphony x archi, | (Sinfonietta op 1) | |||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Sinfonia da Requiem op.20 | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Young Apollo for piano and strings op 16 | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Les illuminations for soprano and orchestra op 18, | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | War Requiem | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Billy Bud op 50 | s | |||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | A ceremony of carols op 28 | s | |||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Turn of the Screw op 54 | nd | s | ||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Piano concerto op 13 | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Symphony for cello op 68 | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | String quartets 1, 2 & 3 | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | String quartet in D (1931) | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Rhapsody for string quartet | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Elegy for solo viola | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Three divertimenti for string quartet | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Phantasy op 2 for oboe and string trio | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | sonata for cello and piano op 65 | Du Pr | |||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Alla marcia for string quartet | ||||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | Cello suite n 1 op 72, n 2 op 80, n 3 op 87 | Rostropovich/Haimovitz (n 1)/Isserlis (3) | |||
BRITTEN Benjamin | (Lowestoft, Suffolk, 1913-1976) | 1900 | & metamophoses after Ovidio | Mach | |||
BROWNE John | (England, 1453?-????) | 1450 | Stabat iuxta | The Tallis scholars | |||
BRUCH Max | (Cologne, 1838-1920) | 1800 | Concerto x violino e orchestra n.1 op.26 | Stern/ Perlman/Grumiaux/Kyung-Wha Chung | 3 | s | |
BRUCH Max | (Cologne, 1838-1920) | 1800 | Cto per violino e orch n 2 op 44 | Itzhak Perlman | |||
BRUCH Max | (Cologne, 1838-1920) | 1800 | Kol Nidrei x violoncello e orchestra op.47 | Du Pr?, Barenboim | 3 | s | |
BRUCH Max | (Cologne, 1838-1920) | 1800 | 8 pieces for clarinet, viola and piano op 83 | Nagano, Orch de l'opera de Lyon | s | ||
BRUCH Max | (Cologne, 1838-1920) | 1800 | Sinfonie 1-3 | ||||
BRUCH Max | (Cologne, 1838-1920) | 1800 | Schottische fantasie op 46 | Itzhak Perlman/Grumiaux/Benedetti | |||
BRUCH Max | (Cologne, 1838-1920) | 1800 | Piano quintet in g-moll | 3 | |||
BRUCKNER Anton | (Ansfelden, Linz, 1824-1896) | 1800 | Sinfonia n. 3 Wagneriana | ||||
BRUCKNER Anton | (Ansfelden, Linz, 1824-1896) | 1800 | Sinfonia n 4 | Bohm | s | ||
BRUCKNER Anton | (Ansfelden, Linz, 1824-1896) | 1800 | Sinfonia n 5 | Wiener | |||
BRUCKNER Anton | (Ansfelden, Linz, 1824-1896) | 1800 | Sinfonia n 7 | Hans Knappertsbusch, Munich PO | s | ||
BRUCKNER Anton | (Ansfelden, Linz, 1824-1896) | 1800 | Sinfonia n 8 apocalittica | Hans Knappertsbusch, Munich PO | s | ||
BRUCKNER Anton | (Ansfelden, Linz, 1824-1896) | 1800 | Sinfonia n 9 | Wiener | s | ||
BRUCKNER Anton | (Ansfelden, Linz, 1824-1896) | 1800 | Messa n 3 The great | Sir Colin Davis, Bayerrischen Rundfunks SO&Choir | s | ||
BRUCKNER Anton | (Ansfelden, Linz, 1824-1896) | 1800 | Te Deum in Do | ||||
BRUMEL Antoine | (Chartres?, 1460-1512/3) | 1450 | Lamentations of Jeremiah | The Tallis scholars | |||
BRYARS Richard Gavin | (Goole, East Yorkshire, 1943) | 1900 | Epilogue from wonderlawn | ||||
BRYARS Richard Gavin | (Goole, East Yorkshire, 1943) | 1900 | Cadman requiem | The Hilliard ensemble | 3 | ||
BRYARS Richard Gavin | (Goole, East Yorkshire, 1943) | 1900 | Adnan songbook | ||||
BRYARS Richard Gavin | (Goole, East Yorkshire, 1943) | 1900 | The black river | Sarah Leonard soprano, Christopher Bowers-Broadbent organ | |||
BRYARS Richard Gavin | (Goole, East Yorkshire, 1943) | 1900 | Incipit Vita Nova | 1989 | Davide James, Annemarie Dreyer, Ulrike Lachner, Rebecca Firth | 3 | |
BRYARS Richard Gavin | (Goole, East Yorkshire, 1943) | 1900 | Glorious Hill | 1988 | The Hilliard Ensemble | ||
BRYARS Richard Gavin | (Goole, East Yorkshire, 1943) | 1900 | Four Elements | 1990 | Large Chamber Ensemble | ||
BRYARS Richard Gavin | (Goole, East Yorkshire, 1943) | 1900 | Sub Rosa | 1986 | Gavin Bryars Ensemble | ||
BUCH Ole | (Copenhagen, 1945) | 1900 | Sommertrio | Trio Odino | |||
BURGIO Claudio | (b. 1969) | 1950 | Rorate Coeli | Cappella musicale Duomo Milano, Claudio Burgio | |||
BURGIO Claudio | (b. 1969) | 1950 | Attende Domine | Cappella musicale Duomo Milano, Claudio Burgio | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Doktor Faust | (opera), | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Concerto x pf/coro maschile e orchestra op.39 | 3 | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Chaconne in D | Gwon Sun Hwon/Maurizio Baglini | 5 | s | |
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Toccatas and fugue in D minor (Bach BWV 565) | Maurizio Baglini | 5 | s | |
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Toccata, adagio e fuga in C major (Bach BWV 564) | Maurizio Baglini | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Violin partita in D minor (Bach BWV 1004) | Maurizio Baglini | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Nun komm der Heiden Heiland (Bach BWV 659) | Maurizio Baglini | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | In dir ist freude (Bach BWV 615) | Maurizio Baglini | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Ich ruf zu dir, herr Jesu Christ (Bach BWV 639) | Maurizio Baglini | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Wachet auf, Ruft uns die stimme (Bach BWV 645) | Maurizio Baglini | 5 | ||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Fantasia contrappuntistica per 2 piano | Schiff, Serkinn / v. per organo | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Concerto per violino op 35 | ||||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Sonata per violino n 2 op 36 | ||||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Indianischer Fantasie | Fiorentino, Piano concertos 1959-72 | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Fantasia per due piano | Schiff | |||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Konzertstuck op 31a | Antonioli (p), Orch de chambre de Lausanne | 3 | ||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Ave Maria | Sandro Filippi, Coro Filarmonico Trentino | 3 | ||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Salve Regina | Sandro Filippi, Coro Filarmonico Trentino | 4 | ||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Stabat Mater | Sandro Filippi, Coro Filarmonico Trentino | 4 | ||
BUSONI Ferruccio | (Empoli, 1866-1924) | 1850 | Missa Beatae Mariae Virginis | Sandro Filippi, Coro Filarmonico Trentino | |||
BUXTEHUDE Dietrich | (1637-1707) | 1600 | Orgelwerke | Helmut Walcha | |||
BUXTEHUDE Dietrich | (1637-1707) | 1600 | Cantate Membra Jesu nostri | ||||
BYRD William | (1543-1623) | 1500 | Anthem ?Sing Joyfully unto God? | ||||
BYRD William | (1543-1623) | 1500 | Mass for 3, 4 and 5 voices | s | |||
BYRD William | (1543-1623) | 1500 | Motets | ||||
BYRD William | (1543-1623) | 1500 | Ave verum corpus | s | |||
BYRD William | (1543-1623) | 1500 | The Great Service | (Tallis Scholars) | |||
CABEZON Antonio de | (1510-1566) | 1500 | Tiento II, III, VII, VIII, IX, XIII | Jordi Savall, Music in Europe 1550-1649 | |||
CABEZON Antonio de | (1510-1566) | 1500 | Diferencias sobra La dama le demanda | Jordi Savall, Music in Europe 1550-1650 | |||
CABEZON Antonio de | (1510-1566) | 1500 | Diferencias sobre la pavana italiana | Jordi Savall, Music in Europe 1550-1651 | |||
CAGE John | (Los Angeles 1912- 1992) | 1900 | Works for prepared piano | 3 | |||
CAGE John | (Los Angeles 1912- 1992) | 1900 | Number pieces | ||||
CAGE John | (Los Angeles 1912- 1992) | 1900 | Music of changes | ||||
CAGE John | (Los Angeles 1912- 1992) | 1900 | Souvenirs | ||||
CAGE John | (Los Angeles 1912- 1992) | 1900 | String quartet in four parts | ||||
CAINE Uri | (Philadelphia, 1956) | 1950 | Baroque music in the 21st century | 4 | |||
CAINE Uri | (Philadelphia, 1956) | 1950 | The Othello syndrome | ||||
CAINE Uri | (Philadelphia, 1956) | 1950 | The classical variations | ||||
CAIX D'HERVELOIS Louis de | (1670-1759) | 1650 | Pieces de viole avec le basse-continue: pieces du premier livre | 1708 | Jordi Savall, Tom Koopman, Ariane Maurette, Hopkinson Smith | ||
CAIX D'HERVELOIS Louis de | (1670-1759) | 1650 | Pieces de viole avec le basse-continue: premiere suite de la troisieme oeuvre | 1731 | Jordi Savall, Tom Koopman, Ariane Maurette, Hopkinson Smith | ||
CALDARA Antonio | (Venezia, 1670-1736) | 1650 | Laetatus sum | (Psalm 121) | |||
CALDARA Antonio | (Venezia, 1670-1736) | 1650 | Salve Regina | (Antiphon) | |||
CALDARA Antonio | (Venezia, 1670-1736) | 1650 | La passione di Ges? Cristo | ||||
CALLIGARIS Sergio | (Rosario, Argentina, 1941) | 1900 | Piano concerto op 29 | ||||
CALLIGARIS Sergio | (Rosario, Argentina, 1941) | 1900 | Symphonic dances op 27 | ||||
CAMILLERI Charles | (Malta 1931 - 2009) | 1900 | Sonatina n 1 | ||||
CAMILLERI Charles | (Malta 1931 - 2009) | 1900 | sonata for violin and piano n 1 | ||||
CAMILLERI Charles | (Malta 1931 - 2009) | 1900 | The edge of silence | ||||
CAMILLERI Charles | (Malta 1931 - 2009) | 1900 | Fantasia concertante n 4 | ||||
CANOVA da Milano Francesco | (1497-1543) | 1450 | Fantasia per liuto | Christian Zimmermann | |||
CANOVA da Milano Francesco | (1497-1543) | 1450 | Ricercar per liuto | Christian Zimmermann | |||
CANOVA da Milano Francesco | (1497-1543) | 1450 | Fantasia II per liuto | Christian Zimmermann | |||
CAPIROLA Vincenzo | (15??-15??) | 1500 | Balletto per liuto | Christian Zimmermann | |||
CAPIROLA Vincenzo | (15??-15??) | 1500 | O mia cieca e dura sorte | Christian Zimmermann | |||
CAPIROLA Vincenzo | (15??-15??) | 1500 | La Spagna II | Christian Zimmermann | |||
CAPIROLA Vincenzo | (15??-15??) | 1500 | La Spagna III | Christian Zimmermann | |||
CAPRIOLI Alberto | (Bologna, 1956) | 1950 | Trio | 1984 | Trio Brahms | 1 | |
CAPRIOLI Alberto | (Bologna, 1956) | 1950 | A la dolce ombra | 1985 | Trio Brahms | 1 | |
CAPRIOLI Alberto | (Bologna, 1956) | 1950 | Serenata per Francesca | 1985 | Trio Brahms | 1 | |
CAPRIOLI Alberto | (Bologna, 1956) | 1950 | Sette frammenti dal diario | 1974 | Trio Brahms | 1 | |
CAPRIOLI Alberto | (Bologna, 1956) | 1950 | Dialogue | 1986 | Trio Brahms | 1 | |
CARISSIMI Giacomo | (Marino, Roma, 1605-1674) | 1600 | Oratorio Judicium extremum | ||||
CARISSIMI Giacomo | (Marino, Roma, 1605-1674) | 1600 | Missa l'homme arm | ||||
CAROSO Marco Fabrizio | (1526-1600) | 1500 | Barriera per liuto | Christian Zimmermann | |||
CAROSO Marco Fabrizio | (1526-1600) | 1500 | Spagnoletta per liuto | Christian Zimmermann | |||
CARPENTER John Alden | (Park Ridge, Illinois, 1876-1951) | 1850 | Sea drift, tone poem (1944) | ||||
CARPENTER John Alden | (Park Ridge, Illinois, 1876-1951) | 1850 | The seven ages, symphonic suite after Shakespeare (1944) | ||||
CARTELLIERI Antonio | (Danzica, 1772-1807) | 1750 | Christmas oratorio | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Variations for orchestra | 3 | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Piano concerto | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | String quartets 1-4 | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Duo for violin and piano | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Esprit rude, esprit doux | Thomas Demenga | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Enchanted prelude | Thomas Demenga | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Figment for cello alone | Holliger | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Sonate (Flote, oboe, cello, klavier) | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | A six letter letter | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Pastorale | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Scrivo in vento | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Fantasy, Remembering Roger | ||||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Figment 2 - Remembering Mr Ives | Holliger | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Rapsodic musings | Holliger | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Statement - Remembering Aaron | Holliger | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Oboe quartet | Holliger | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Riconoscenza per Goffredo Petrassi | Thomas Demenga | |||
CARTER Elliot | (Manhattan, 1908-2012) | 1900 | Triple duo | Thomas Demenga | |||
CARULLI Ferdinando | (Napoli, 1770-1841) | 1750 | Trois duos op 62, per due chitarre | Alfonso Baschiera, Marco Nicol | |||
CARULLI Ferdinando | (Napoli, 1770-1841) | 1750 | Notturno concertante op 118, per due chitarre | Alfonso Baschiera, Marco Nicol | |||
CARWITHEN Doreen | (Haddenham, Buckinghamshire, 1922-2003) | 1900 | String quartets n 1 & 2 | ||||
CARWITHEN Doreen | (Haddenham, Buckinghamshire, 1922-2003) | 1900 | Violin sonata | ||||
CASCANTE Jos | (1640-1702) | 1600 | Villancico al Nacimiento | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
CASCANTE Jos | (1640-1702) | 1600 | Villancico e Santa Barbara | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
CASCANTE Jos | (1640-1702) | 1600 | Letra al Nacimiento | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
CASCANTE Jos | (1640-1702) | 1600 | Sabado Sancto ad Visperas | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
CASCANTE Jos | (1640-1702) | 1600 | A nuestra Senora de la Soledad | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Pagliacci (1918) | ||||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Sonata in C minor op 8 | cello and piano | 3 | ||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Sonata in c major op 45 | cello and piano | 3 | ||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Notturno | cello and piano | |||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Tarantella | cello and piano | |||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Serenata op 46bis | ||||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Concerto per archi | ||||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Pavane op 1 | ||||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Variations sur une chaconne op 3 | ||||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | A notte alta op 30 | ||||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Nove pezzi op 24 | ||||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Sonatina in tre tempi op28 | ||||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Scarlattiana | Fiorentino, Piano concertos 1959-72 | |||
CASELLA Alfredo | (Torino, 1883-1947) | 1850 | Divertimento per Fulvia op 64 | ||||
CASSADO Gaspar | (1897-1966) | 1850 | Suite for solo cello | 1926 | Weilerstein | ||
CASTAGNOLI Giulio | (Rome, 1958) | 1950 | 3 poesie T'Ang | ||||
CASTAGNOLI Giulio | (Rome, 1958) | 1950 | Cloches en noir et blanc | ||||
CASTAGNOLI Giulio | (Rome, 1958) | 1950 | Costellazioni | ||||
CASTAGNOLI Giulio | (Rome, 1958) | 1950 | Doppio quintetto | ||||
CASTAGNOLI Giulio | (Rome, 1958) | 1950 | Fioriture | ||||
CASTELNUOVO-TEDESCO Mario | (Firenze, 1895-1968) | 1850 | Guitar concerto n 1 & 2 | 4 | |||
CASTELNUOVO-TEDESCO Mario | (Firenze, 1895-1968) | 1850 | Concerto for 2 guitars | 4 | |||
CASTELNUOVO-TEDESCO Mario | (Firenze, 1895-1968) | 1850 | Violin concerto n 2 op 66 | Perlman | |||
CASTELNUOVO-TEDESCO Mario | (Firenze, 1895-1968) | 1850 | Piano concerto n 1 | 4 | |||
CASTELNUOVO-TEDESCO Mario | (Firenze, 1895-1968) | 1850 | Piano trios op 49 e 70 | ||||
CASTELNUOVO-TEDESCO Mario | (Firenze, 1895-1968) | 1850 | Toccata op 8 | cello and piano | |||
CASTELNUOVO-TEDESCO Mario | (Firenze, 1895-1968) | 1850 | Piano works (Crinoline, Cipressi, Alghe, I naviganti, Epigrafe, Vitalba e Biancospino) | ||||
CASTELNUOVO-TEDESCO Mario | (Firenze, 1895-1968) | 1850 | Concerto da camera for oboe and piano op 146a | Donovetsky, Mitchell | |||
CASTEREDE Jaques | (Paris, 1926-2014) | 1900 | Trois visions de l'a?pcalypse | 1984 | Ensemble Tropolis | ||
CASTEREDE Jaques | (Paris, 1926-2014) | 1900 | Liturgies de la vie et de la mort | 1980 | Ensemble vocale de Ville d'Avray | ||
CASTEREDE Jaques | (Paris, 1926-2014) | 1900 | Psaume VIII | 1987 | Bernadette Dufourcet, Philippe Muller, Nicole Fallien | ||
CASTIGLIONI Niccol | (Milano, 1932-1996) | 1900 | Sequenze per orch | Hans Rosbaud | |||
CASTIGLIONO Antonio | (15??-15??) | 1500 | Saltarello chiamato Rose Viole | Christian Zimmermann | |||
CAVADINI Claudio | (Mendrisio, 1935) | 1900 | All'ombra della croce (polittico per il venerd? santo) | Gianluca Turconi | |||
CAVALLI (Caletti-Bruni) Pier Francesco | (Crema, 1602-1676) | 1600 | Messa concertata | Gruppo vocale Sine Nomine, Carlo Rebeschini | |||
CAVALLI (Caletti-Bruni) Pier Francesco | (Crema, 1602-1676) | 1600 | Requiem (Missa pro defuntis per due cori) | Coro Radio Svizzera Italiana, Edwin Loehrer | |||
CAVALLO Giuseppe | (Napoli?, ????-1684) | 1600 | Il giudizio universale | 1681 | La cappella de' Turchini, Antonio Florio | ||
CAZZATI Maurizio | (Luzzara, 1616-1678) | 1600 | Sonate op 18 | Cappella strumentale del Duomo di Novara, Paolo Monticelli | |||
CAZZATI Maurizio | (Luzzara, 1616-1678) | 1600 | Sonate op 35 | Cappella strumentale del Duomo di Novara, Paolo Monticelli | |||
CERUTI Roque (Rocco) | (Milano, 1686-1712) | 1650 | Hoy que Francisco reluce | ||||
CERUTI Roque (Rocco) | (Milano, 1686-1712) | 1650 | Secun veo el aparato | ||||
CERUTI Roque (Rocco) | (Milano, 1686-1712) | 1650 | En la rama frondosa | ||||
CERUTI Roque (Rocco) | (Milano, 1686-1712) | 1650 | Vepres solennelles de Saint Jean Baptiste | Ensemble Elyma, Ensemble Louis Berger, Coro de Ninos Cantores de Cordoba, Gustavo Baez | |||
CHADWICK George W. | (1854-1931) | 1850 | String quartet in E minor | 1895 | Kohon quartet | ||
CHARPENTIER Marc-Antoine | (1645/50-1704) | 1600 | Te Deum | ||||
CHARPENTIER Marc-Antoine | (1645/50-1704) | 1600 | Magnificat | ||||
CHAUSSON Ernest | (1855-1899) | 1850 | Symphony B flat major op 20 | ||||
CHAUSSON Ernest | (1855-1899) | 1850 | Po?me | ||||
CHAUSSON Ernest | (1855-1899) | 1850 | Concert op 21 pour violon, piano er quatuor a cordes | ||||
CHAUSSON Ernest | (1855-1899) | 1850 | Piece op 39 pour violoncelle et piano | ||||
CHERUBINI Luigi | (Firenze, 1760-1842) | 1750 | Quartetti n 1-6 | Melos Quartet | |||
CHERUBINI Luigi | (Firenze, 1760-1842) | 1750 | Messa di incoronazione | ||||
CHERUBINI Luigi | (Firenze, 1760-1842) | 1750 | Requiem in Do minore | Muti | |||
CHERUBINI Luigi | (Firenze, 1760-1842) | 1750 | Requiem in Re minore | Muti | |||
CHESKY David | (Miami, 1956) | 1950 | Dora's dance | ||||
CHESKY David | (Miami, 1956) | 1950 | Cto for violin and orch nr 3 The Klezmer cto | 4 | |||
CHESKY David | (Miami, 1956) | 1950 | The Wiener psalm | ||||
CHESKY David | (Miami, 1956) | 1950 | Betty's march | 3 | |||
CHESKY David | (Miami, 1956) | 1950 | The fiddle maker | 3 | |||
CHESKY David | (Miami, 1956) | 1950 | Arbeit macht frei | ||||
CHESKY David | (Miami, 1956) | 1950 | Cto for violin, cello and orch | 3 | |||
CHESKY David | (Miami, 1956) | 1950 | Cto for cello and orchestra | 4 | |||
CHESKY David | (Miami, 1956) | 1950 | Cto for violin and orch nr 2 | 3 | |||
CHESKY David | (Miami, 1956) | 1950 | String theory | 3 | |||
CHILCOTT Bob | (b 1955) | 1950 | St John Passion | Wells Cathedral Choir | 4 | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Ballata op.23 | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Ballata op.38 | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Ballata op.47 | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Ballata op.52, | Pianoforte: Pollini | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Piano concerto n 1 op 11 | Martha Argerich | 4 | s | |
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Piano concerto n 2 op 21 | Martha Argerich | 4 | s | |
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Barcarola op.60, | Pianoforte: Pollini/Ciani | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Berceuse op.57, | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Etudes op 10 | Pianoforte: Pollini | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Etudes op 25 | Pianoforte: Pollini | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Fantasia op.49, | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Impromptus op.29 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Impromptus op.36 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Impromptus op.51 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Fantasia Impromptu op.66, | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 6 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 7 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 17 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 24 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 30 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 33 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 41 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 50 | Pianoforte: Samson | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 56 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 59 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 63 | Pianoforte: Samson | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 67 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Mazurke op 68 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturni op 9 | Pianoforte: Samson | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturni op 15 | Piano - Barenboim | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturni op 27 | Piano - Barenboim | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturni op 32 | Piano - Barenboim | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturni op 37 | Piano - Barenboim | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturni op 48 | Piano - Barenboim | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturni op 55 | Piano - Barenboim | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturni op 62 | Piano ? Barenboim/Ciani | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturno op 72 | Piano - Barenboim | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturno bi 49 | Piano - Barenboim | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturno bi 108 | Piano - Barenboim | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Notturno in do diesis minore op post. | Irene Veneziano | 3 | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Polacca brillante op 3 | Cello and piano | 4 | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Polacche n 1 e 2 op 26 | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Polacche n 1 e 2 op 40 | Pianoforte: Pollini | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Polacca op 44 | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Polacca op 53 Eroica | Pianoforte: Pollini | 5 | s | |
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Polacca-fantasia op 61 | Pianoforte: Pollini/Ciani | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Polacche op 71 | Pianoforte: Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | 24 Preludi op.28, | Pianoforte: Pollini | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Prelude in C sharp op 45 | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Scherzo op.20 | Pianoforte: Pollini | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Scherzo op.31 | Pianoforte: Pollini | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Scherzo op 39 | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Scherzo op 54 | Pianoforte: Pollini | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Sonata n.2 op.35 | Pianoforte: Pollini | 4 | s | |
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Sonata n.3 op.58 | Pianoforte: Pollini | 3 | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Walzer op 34 | Pianoforte: Francois Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Walzer op 42 | Pianoforte: Francois Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Walzer op 64 | Pianoforte: Francois Samson | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Walzer op 69 | Pianoforte: Francois Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Walzer op 70 | Pianoforte: Francois Samson | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Grande Valzer brillante op.18 | Pianoforte: Francois Samson | s | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Andante spianato-Grande Polacca brillante op.22, | pianoforte e orchestra | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Variazioni su ?La ci darem la mano? dal Don Giovanni di Mozart | pianoforte e orchestra | |||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Sonata x violoncello e pianoforte op.65 | Musica da camera | 4 | ||
CHOPIN Fryderyk | (Zelazowa Wola, 1810-1849) | 1800 | Trio in G minor op 8 | Rossi, Brunello, Lucchesini | 4 | ||
CIMAROSA Domenico | (Aversa, 1749 - Venezia, 1801) | 1700 | Concerto in si bemolle per fortepiano e orchestra | ||||
CIMAROSA Domenico | (Aversa, 1749 - Venezia, 1801) | 1700 | Requiem | ||||
CIMAROSA Domenico | (Aversa, 1749 - Venezia, 1801) | 1700 | Concerto in sol maggiore per 2 flauti e orchestra | ||||
CIMAROSA Domenico | (Aversa, 1749 - Venezia, 1801) | 1700 | Concerto per oboe e archi in do magg | Holliger, I Musici | |||
CIMAROSA Domenico | (Aversa, 1749 - Venezia, 1801) | 1700 | Quartetti per oboe/flauto, violino, viola e violoncello | ||||
CIMAROSA Domenico | (Aversa, 1749 - Venezia, 1801) | 1700 | Trumpet cto in C major | Maurice Andr | |||
CIMAROSA Domenico | (Aversa, 1749 - Venezia, 1801) | 1700 | Sinfonia concertante per flauto, oboe e orch | 1793 | Nicolet, Hollinger, Academy of st Martin in the fields, Kenneth Sillito | ||
CLEMENCIC Rene? | (Vienna, 1928) | 1900 | Kabbala | ||||
CLEMENTI Muzio | (1752-1832) | 1750 | Piano sonata op 25 n 5 | Irene Veneziano | 4 | ||
CLUCAS Humphrey | (England, 1941) | 1900 | Requiem | ||||
CLUCAS Humphrey | (England, 1941) | 1900 | Mater Dei | ||||
CLUCAS Humphrey | (England, 1941) | 1900 | Lux Hominum | ||||
COATES Gloria | (Wisconsin, 1938) | 1900 | String quartet n 1 | 1966 | Kronos | ||
COATES Gloria | (Wisconsin, 1938) | 1900 | String quartet n 2 | 1972 | Kronos | ||
COATES Gloria | (Wisconsin, 1938) | 1900 | String quartet n 4 | 1976-7 | Kronos | ||
COLOMBI Giuseppe | (Modena, 1635-1694) | 1600 | Tromba e basso solo (per violoncello) | Elinor Frey | |||
COLOMBI Giuseppe | (Modena, 1635-1694) | 1600 | Ciaccona e basso solo | Elinor Frey/Kartunen | |||
COLONNA Giovanni Paolo | (Bologna, 1637-1695) | 1600 | Dixit a 9 voci | Coro e orch della cappella musicale di S. Petronio, G. Variolo | |||
COLONNA Giovanni Paolo | (Bologna, 1637-1695) | 1600 | Beatus vir a 9 voci | Coro e orch della cappella musicale di S. Petronio, G. Variolo | |||
COLONNA Giovanni Paolo | (Bologna, 1637-1695) | 1600 | Laudate pueri a 8 voci | Coro e orch della cappella musicale di S. Petronio, G. Variolo | |||
COLONNA Giovanni Paolo | (Bologna, 1637-1695) | 1600 | Laudate Domine a 8 voci | Coro e orch della cappella musicale di S. Petronio, G. Variolo | |||
COLONNA Giovanni Paolo | (Bologna, 1637-1695) | 1600 | Magnificat a 8 voci | Coro e orch della cappella musicale di S. Petronio, G. Variolo | |||
CONUS Julius | (Mosca, 1869-1942) | 1850 | Violin cto in E minor | Perlman | |||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | El Salon Mexico x orchestra | Cantelli | |||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Appalachian Spring | s | |||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Billy the kid | ballet | s | ||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Farfare for a common man | s | |||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Rodeo | ballet | 3 | s | |
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Danzon cubano | ||||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Piano sonata | ||||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Variations | ||||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Sonata for violin and piano | Stern 28 | |||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Dance symphony | ||||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | Quiet city | ||||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | The tender land | ||||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | In the beginning | King's college | |||
COPLAND Aaron | (Brooklyn, 1900-1990) | 1900 | String quartet n 1 | ||||
CORELLI Arcangelo | (Fusignano, Ferrara, 1653-1713) | 1650 | Cto grosso n 7 | 12 Concerti grossi op.6 I musici | s | ||
CORELLI Arcangelo | (Fusignano, Ferrara, 1653-1713) | 1650 | Cto grosso n 8 ?fatto per la notte di Natale? | Accademia degli astrusi/Ferri | s | ||
CORELLI Arcangelo | (Fusignano, Ferrara, 1653-1713) | 1650 | Sonata n 4 for trumpet and 2 vln wo 4 | nd | s | ||
CORELLI Arcangelo | (Fusignano, Ferrara, 1653-1713) | 1650 | 12 sonate per violino op 5 | Grumiaux (5 e 12 La folia preferite) | 3 | s | |
CORIGLIANO John | (New York, 1938) | 1900 | The red Violin | 4 | |||
CORIGLIANO John | (New York, 1938) | 1900 | The red violin caprices | ||||
CORIGLIANO John | (New York, 1938) | 1900 | Mr. Tambourine man: seven poems of Bob Dylan | ||||
CORIGLIANO John | (New York, 1938) | 1900 | Symphony n 1 | ||||
CORIGLIANO John | (New York, 1938) | 1900 | Symphony n 2 | 1 | |||
CORIGLIANO John | (New York, 1938) | 1900 | Poem in October | ||||
CORIGLIANO John | (New York, 1938) | 1900 | Oboe concerto | 3 | |||
CORIGLIANO John | (New York, 1938) | 1900 | 3 Irish folk song settings | 4 | |||
CORIGLIANO John | (New York, 1938) | 1900 | Fantasia on an Ostinato | Wehr | |||
CORIGLIANO John | (New York, 1938) | 1900 | Concerto for clarinet and orchestra | ||||
CORNYSH William (figlio) | (1465-1523) | 1450 | Magnificat | Tallis scholars | |||
CORNYSH William (figlio) | (1465-1523) | 1450 | Salve Regina | Tallis scholars | |||
CORNYSH William (figlio) | (1465-1523) | 1450 | Ave Maria | Tallis scholars | |||
CORNYSH William (figlio) | (1465-1523) | 1450 | Stabat mater | Tallis scholars | |||
CORNYSH William (figlio) | (1465-1523) | 1450 | Gaude Virgo Mater Christi | Tallis scholars | |||
COSSART Leland A. | (1877-????) | 1850 | Liebesgedicht op 23 n 4 | Albrecht Mayer, Markus Becker | |||
COUPERIN Francois | (Paris, 1668-1733) | 1650 | Concerts Royaux | ||||
COUPERIN Francois | (Paris, 1668-1733) | 1650 | Ordre 6 | s | |||
COUPERIN Francois | (Paris, 1668-1733) | 1650 | Ordre 17 | s | |||
COUPERIN Francois | (Paris, 1668-1733) | 1650 | Ordre 19 | s | |||
COUPERIN Francois | (Paris, 1668-1733) | 1650 | Treizieme Concert a 2 instruments a l'unisson | 1724 | Du Pr | ||
COUPERIN Francois | (Paris, 1668-1733) | 1650 | Motets | ||||
COWELL Henry | (Menlo Park, California, 1897-1965) | 1850 | Symphony n 5 | ||||
COWELL Henry | (Menlo Park, California, 1897-1965) | 1850 | Three ostinati with chorales | ||||
CROCE Giovanni | (1557-1609) | 1550 | Dialogo de Chori d'Angeli | Hans-Martin Linde, Linde consort, Tolzer Knabechor | |||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | A Haunted landscape | ||||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | An Idyll for the Misbegotten | ||||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | Vox balenae | 1 | |||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | Madrigals | 1 | |||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | Echoes of Time and the River | ||||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | Star-child | ||||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | The ghost of Alhambra | ||||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | Black Angels | Kronos | |||
CRUMB George | (Charleston, West Virginia, 1929) | 1900 | Sonata for solo cello | Haimovitz | 3 | ||
CUI Cesar | (1835-1918) | 1800 | Orientale | Tortelier | |||
CZERNY Carl | (1791-1857) | 1750 | Gran sonata brillante op 10 | ||||
CZERNY Carl | (1791-1857) | 1750 | Gran sonata op 178 | ||||
d'INDY Vincent | (Paris, 1851 - 1931) | 1850 | Sonate pour violoncelle et piano op 84 | ||||
D'OLLONE Max | (Besancon, 1875-1959) | 1850 | Trio a cordes en la mineur | 1920 | |||
D'OLLONE Max | (Besancon, 1875-1959) | 1850 | Quatuor pour piano et cordes | 1949 | |||
D'OLLONE Max | (Besancon, 1875-1959) | 1850 | Quatuor a cordes en re majeur | 1898 | |||
DAELLI Giovanni | (????-1860) | 1800 | Fantasy on theme of Verdi's Rigoletto (oboe&piano) | Albrecht Mayer, Markus Becker | |||
DALL'ABACO Giuseppe Maria Clemente Ferdinando | (1710-1805) | 1700 | Capriccio primo | Elinor Frey | 4 | ||
DALL'ABACO Giuseppe Maria Clemente Ferdinando | (1710-1805) | 1700 | Capriccio quarto | Elinor Frey | 4 | ||
DALL'ABACO Giuseppe Maria Clemente Ferdinando | (1710-1805) | 1700 | Capriccio quinto | Elinor Frey | 4 | ||
DALL'ABACO Giuseppe Maria Clemente Ferdinando | (1710-1805) | 1700 | Capriccio sesto | Elinor Frey | 4 | ||
DALL'ABACO Giuseppe Maria Clemente Ferdinando | (1710-1805) | 1700 | Capriccio decimo | Elinor Frey | 4 | ||
DALLAPICCOLA Luigi | (Pisino d'Istria, 1904-1975) | 1900 | Il Prigioniero | (opera) | |||
DALLAPICCOLA Luigi | (Pisino d'Istria, 1904-1975) | 1900 | Due studi | (Makarski, Larcher) | |||
DALLAPICCOLA Luigi | (Pisino d'Istria, 1904-1975) | 1900 | Cinque canti | ||||
DANCKERTS Ghiselin | (Tholen, Paesi Bassi, 1510-1567) | 1500 | Missa de Beata Virgine a 5 (6) voci | Cantar lontaqno, Marco Mencoboni | |||
DARLING David | (Indiana, 1941) | 1900 | Dark wood | solo cello | 3 | ||
DAVID Felicien | (1810-1876) | 1800 | Piano trio n 3 in C minor | Ilona Prunyi, Eszter Perenyi, Tibor Parkanyi | 4 | ||
DAVID Felicien | (1810-1876) | 1800 | Piano trio n 2 in D minor | Ilona Prunyi, Eszter Perenyi, Tibor Parkanyi | |||
DAWSON William Levi | (Anniston, alabama, 1899, 1990) | 1850 | Negro folk symphony | ||||
DAZZI Gualtiero | (b. 1960) | 1950 | variation sombre a libre d'apres chiacona (after Colombi's chiacona) | Karttunen | |||
De La RUE Pierre | (1460-1518) | 1450 | Missa cum iocunditate | ||||
De La RUE Pierre | (1460-1518) | 1450 | Messe l'homme arm | ||||
De La RUE Pierre | (1460-1518) | 1450 | Requiem | ||||
De La RUE Pierre | (1460-1518) | 1450 | Ave Regina | ||||
de MACHAUT Guillaume | (Reims, 1300 circa-1377) | 1300 | Messe de Notre Dame | s | |||
DE MAJO Giuseppe | (Napoli, 1697-1771) | 1650 | Cello concerto in F major | Sollima, Antonio Florio | |||
DE STEFANI Mirco | (Conegliano, 1959) | 1950 | Viandanti | ||||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | 2 Arabesque, | Pianoforte | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Petit suite x pf a 4 mani L 65 | Pianoforte | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Suite bergamasque L 75 | Pianoforte | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Estampes, (Pagodes, Soir?e dans Grenade, Jardins suos la pluie) | Arrau | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | L?isle joyeuse L 106 | Pianoforte | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Images (book 1 & 2) | Arrau | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Children?s corner suite L 113 | Orchestra | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | La boite a jouxjoux | Orchestra | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Petite Suite | Orchestra | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Pr?ludes (book 1 & 2) | Arrau | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | 12 Etudes | Pollini | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Quartetto x archi op.10 | Musica da Camera: | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Syrinx x flauto solista, | Musica da Camera: | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | F?tes Galantes e Chansons de Bilits | Musica da Camera: | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Trio x pianoforte/violino/violoncello, | Musica da Camera: | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Sonata for flute, viola and harp | Musica da Camera: | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Sonata for violin and piano | Musica da Camera: | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Sonata x pianoforte/violoncello in Re | Maisky/Argerich | 4 | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Pr?lude ? l?apr?s-midi d?un faune L 86 | Orchestra | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | La mer L 109 | Orchestra | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Nocturnes, | Orchestra | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Printemps, | Orchestra | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Jeux L 126 | Orchestra | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Images for orchestra L 122 | Orchestra | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Danse sacr?e et danse profane, | Orchestra | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Rapsodia x clarinetto/orchestra | Orchestra | |||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Rapsodia per orchestra e sassofono | ||||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | Pell?as et M?lisande L 88 | Opera | s | ||
DEBUSSY Claude | (Saint Germain en Laye, 1862-1918) | 1850 | L?enfant prodigue cantata x 3 voci/orchestra | Opera | |||
DEL TREDICI David | (b. 1937) | 1900 | Tattoo | Bernstein, New York Philarmonic | |||
DEL TREDICI David | (b. 1937) | 1900 | In Memory of a Summer Day (part one of Child Alice) | ||||
DELALANDE Michel-Richard | (Paris, 1657-1726) | 1650 | Symphonies pour les soupers du Roy: version integrale | La Simphonie du Marais, Hugo Reyne | |||
DELALANDE Michel-Richard | (Paris, 1657-1726) | 1650 | Jubilate Deo | Ensemble vocal de Nates, Paul Colleaux | |||
DELALANDE Michel-Richard | (Paris, 1657-1726) | 1650 | Te Deum | Ensemble vocal de Nates, Paul Colleaux | |||
DELALANDE Michel-Richard | (Paris, 1657-1726) | 1650 | Confitebimur Tibi, Deus | Ensemble vocal de Nates, Paul Colleaux | |||
DELIUS Frederick | (1862-1934) | 1800 | Cello concerto | in J. Du Pr?, Concerto collection | 3 | ||
DELLO JOIO Norman | (NYC, 1913 - 2008) | 1900 | Fantasies on a theme by Haydn | ||||
DELLO JOIO Norman | (NYC, 1913 - 2008) | 1900 | Meditation on Ecclesiastes | 2 | |||
DELLO JOIO Norman | (NYC, 1913 - 2008) | 1900 | Homage to Haydn | ||||
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Salve Regina | ||||
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Missa Hercules Dux Ferrariae | ||||
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Misereri mei, Deus | ||||
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Missa Ave Maris Stella | The Tallis scholars | |||
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Missa de Beata Virgine | s | |||
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Missa L'Homme arm? super voces musicales | Turner, Pro Cantione Antiqua London | nd | s | |
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Missa Pange lingua | James O'Donnel, Choir of Westminter Cathedral | s | ||
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Motets a la Vierge | ||||
DESPREZ Josquin (o Des Prez) | (Saint Quentin, Picardia, 1450/55 circa - 1521) | 1450 | Virgo salutiferi | ||||
DESSNER Bryce David | (b. 1976) | 1950 | Murder ballades | Eight Blackbird | 3 | ||
DESSNER Bryce David | (b. 1976) | 1950 | Aheym | Kronos 4tet | 4 | ||
DESSNER Bryce David | (b. 1976) | 1950 | Little blue something | Kronos 4tet | 3 | ||
DESSNER Bryce David | (b. 1976) | 1950 | Tenebre | Kronos 4tet | |||
DESSNER Bryce David | (b. 1976) | 1950 | Tour Eiffel | Kronos 4tet | |||
DIAMOND Davide | (Rochester, NY, 1915-2005) | 1900 | Music for Shakespeare Romeo and Juliet | ||||
DITTERSDORF Karl Ditter von | (1739-1799) | 1700 | Concerto per oboe e orch in sol | Heinz Holliger | |||
DOHNANYI Erno (Ernst) von | (Bratislavia, 1877- 1960) | 1850 | Violin concerto n 1 op 27 | 3 | |||
DOHNANYI Erno (Ernst) von | (Bratislavia, 1877- 1960) | 1850 | American rhapsody op 47 | ||||
DOHNANYI Erno (Ernst) von | (Bratislavia, 1877- 1960) | 1850 | Serenade for string trio op 10 | ||||
DOHNANYI Erno (Ernst) von | (Bratislavia, 1877- 1960) | 1850 | Piano quintet op 1 | ||||
DONATONI Franco | (Verona, 1927-2000) | 1900 | Spiri | ||||
DONATONI Franco | (Verona, 1927-2000) | 1900 | Fili | ||||
DONATONI Franco | (Verona, 1927-2000) | 1900 | De Pres (for Dorothy Dorow) | ||||
DONATONI Franco | (Verona, 1927-2000) | 1900 | Etwas ruhinger im Ausdruck | ||||
DONATONI Franco | (Verona, 1927-2000) | 1900 | Refrain | ||||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | Anna Bolena | s | |||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | Don Pasquale | s | |||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | La favorita | s | |||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | La fille du regiment | s | |||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | L'elisir d'amore | s | |||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | Lucia di Lammermoor | s | |||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | Quintetto in do maggiore per archi | ||||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | Quintetto in do maggiore per archi con chitarra | ||||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | Notturni per fiati e archi | ||||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | Sinfonia in re maggiore per fiati | ||||
DONIZETTI Gaetano | (Bergamo, 1797-1848) | 1750 | Studio in do maggiore per clarinetto | ||||
DORFMAN Joseph | (b. 1945) | 1900 | Enchanted klezmer for solo violin | Zacharia Zorin | |||
DORFMAN Joseph | (b. 1945) | 1900 | Bewitched Klezmer for solo clarinet | Romeo Tudorache | |||
DORFMAN Joseph | (b. 1945) | 1900 | Klezmeriana for solo cello | Mark Drobinsky | |||
DOWLAND John | (1563-1626) | 1550 | Ayres from the first booke of songs | 1597 | The Hilliard ensemble | ||
DOWLAND John | (1563-1626) | 1550 | Ayres from the second booke of songs | 1600 | The Hilliard ensemble | ||
DOWLAND John | (1563-1626) | 1550 | Ayres from the third booke of songs | 1603 | The Hilliard ensemble | ||
DOWLAND John | (1563-1626) | 1550 | Lamentacio Henrici Noel | The Hilliard ensemble | |||
DOWLAND John | (1563-1626) | 1550 | Ayres form a Pilgrimes solace | 1612 | The Hilliard ensemble | ||
DRUCKMAN Jacob | (Philadelphia, 1928-1996) | 1900 | Prisms | ||||
DRUCKMAN Jacob | (Philadelphia, 1928-1996) | 1900 | No spell no charme | ||||
DRUCKMAN Jacob | (Philadelphia, 1928-1996) | 1900 | Windows | ||||
DUCROS Jerome | (Avignon, 1974) | 1950 | Quintette pour piano et cordes | 3 | |||
DUCROS Jerome | (Avignon, 1974) | 1950 | Trio pour violon, violoncelle et piano | 4 | |||
DUCROS Jerome | (Avignon, 1974) | 1950 | Encore | ||||
DUFAY Guillaume | (circa 1400-1474) | 1400 | Missa L'homme arm | The Hilliard ensemble | s | ||
DUFAY Guillaume | (circa 1400-1474) | 1400 | Motets | The Hilliard ensemble | |||
DUKAS Paul Abraham | (Paris, 1865-1935) | 1850 | L'apprendista stregone | 4 | |||
DUKAS Paul Abraham | (Paris, 1865-1935) | 1850 | Ariane et Barbe-bleue | ||||
DUPARC Henri | (Paris, 1848-1933) | 1800 | 6 melodies avec orchestre | B. Hendricks, Gardiner, Orch de Lyon | |||
DUPORT Jean Louis | (Parigi, 1749-1819) | 1700 | 21 ?tudes for Solo Cello: No. 7 in G Minor, Allegro | Antonio Meneses | |||
DUPORT Jean Louis | (Parigi, 1749-1819) | 1700 | 21 ?tudes for Solo Cello: No. 8 in D Major, Adagio cantabile | Antonio Meneses | |||
DURANGO Matias | (ca 1750-????) | 1750 | Pus mi Dios ha nacido | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
DURANTE Francesco | (Frattamaggiore, 1684-1755) | 1650 | Cto per archi e basso continuo La piazza | I solisti veneti e Claudio Scimone | 3 | ||
DURUFLE' Maurice | (1902-1986) | 1900 | 4 motets sur des themes gregoriens | Ave verum - Olivier Vernet orgue | |||
DURUFLE' Maurice | (1902-1986) | 1900 | Ubi caritas op 10 n 1 | Erci Whitacre singers | |||
DUSAPIN, Pascal | (Nancy, 1955) | 1950 | Time zones | ||||
DUSAPIN, Pascal | (Nancy, 1955) | 1950 | Quator III | ||||
DUSAPIN, Pascal | (Nancy, 1955) | 1950 | 50 notes en 3 variations (after Colombi's Chiacona | Karttunen | |||
DUTILLEUX Henri | (Anger, Maine et Loire, 1916 - 2013) | 1900 | Ainsi la nuit | ||||
DUTILLEUX Henri | (Anger, Maine et Loire, 1916 - 2013) | 1900 | Mysteres | ||||
DUTILLEUX Henri | (Anger, Maine et Loire, 1916 - 2013) | 1900 | Metaboles | ||||
DUTILLEUX Henri | (Anger, Maine et Loire, 1916 - 2013) | 1900 | L'arbre des songes | Stern 15 | |||
DUTILLEUX Henri | (Anger, Maine et Loire, 1916 - 2013) | 1900 | Sonata for oboe and piano | Schellenberger, Koenen | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Rusalka | Opera | s | ||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Stabat Mater, | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Requiem op.89, | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Te Deum op.103, | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Serenata per orchestra d?archi op.22, | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Serenata op 44 | I fiati di Parma | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Sinfonia n.7 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Sinfonia n 8 | Karel Ancerl, Czech PO | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Sinfonia n 9 Dal nuovo mondo | Pappano, Brunello | 5 | s | |
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Danze Slave op.46 | 4 | s | ||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Danze Slave op.72 | 4 | s | ||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | 7 gypsy melodies op 55 | s | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | 8 Humoresque op 101 | Kadoslav Kvapil | s | ||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | The water goblin op 107 | (poema sinfonico), | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | La Strega di mezzod? op 108 | (poema sinfonico), | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | L?Arcolaio d?oro op 109 | (poema sinfonico), | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | The wild dove op 110 | (poema sinfonico), | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Carnival ouverture op.92 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Ouverture in stile italiano d 590 | Rocco Filippini, Chamber O di Mantova | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Concerto x pianoforte e orchestra op.33, | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | concerto x violino e orchestra op.53, | Perlman | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Concerto x violoncello e orchestra op.104 | Pappano, Brunello/Cassado | 5 | s | |
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Quintetto x pf e archi op.5 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Quintetto x pf e archi op.81, | s | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Quartetto x archi n.10 op.51 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Quartetto x archi n.11 op.61 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Quartetto x archi n.12 op.96 ?Americano?, | s | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Quartetto x archi n.13 op.106 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Quartetto x archi n.14 op.105 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Quartetto per piano op 87 | Delahunt, R. Capucon, Chen, G. Capucon | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Trio x pianoforte/violino e violoncello n.1 op.21 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Trio x pianoforte/violino e violoncello n.2 op.26 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Trio x pianoforte/violino e violoncello n.3 op.65 | ||||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Trio x pianoforte/violino e violoncello n.4 op.90 ?Dumky?, | s | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Silent woods (from The Bohemian forest op 68) | J. Du Pr?, Concerto collection/Cassado | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Polonaise in Fa x violoncello e pianoforte | (opera postuma) | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Rond? per violoncello e orch op 94 | Filippini (cello e dir), Orch da camera di Mantova | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Romanza op 11 | Nordio (vln), Bacchetti (p) | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | 4 pezzi romantici op 75 | Nordio (vln), Bacchetti (p) | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Sonatina per vln e piano op 100 | 1893 | Nordio (vln), Bacchetti (p) | ||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Sonatina per flauto e piano op 100 | 1893 | Galway (flute), Moll (p) | ||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | American suite op 98 | Kadoslav Kvapil | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Dumka and Furiant op 12 | Kadoslav Kvapil | |||
DVORAK Antonin | (Nelahozeves, Prague, 1841-1904) | 1800 | Silhouettes op 8 | Kadoslav Kvapil | |||
DYSON George | (1883-1964) | 1850 | Three rapsodies for string quartet | Divertimenti | |||
EGK Werner | (1901-1983) | 1900 | French suite | Ferenc Fricsay | |||
EINAUDI Ludovico | (Torino, 1955) | 1950 | Divenire | Mari & Hakon Samuelsen | |||
EINAUDI Ludovico | (Torino, 1955) | 1950 | Una mattina | 2004 | 2 | ||
EINEM Gottfried von | (b. 1918) | 1900 | Piano concerto op 20 | Ferenc Fricsay | |||
EINEM Gottfried von | (b. 1918) | 1900 | Ballade for orchestra op 23 | Ferenc Fricsay | |||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | The Dream of Gerontius | (oratorio), | |||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Enigma Variations op.36, | Bernstein, BBC Symphony Orch | s | ||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | In the South ?Alassio? op.50 | (ouverture), | |||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Cockaign ouverture o 40 | Jeffrey Tate, London Sym Orch | s | ||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Pomp and Circumstances Marches (Military m) op 39 | Bernstein, BBC Symphony Orch | s | ||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Serenata x archi op.20, | Richard Hickox, City of London Sinfonia | s | ||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Concerto x violino e orchestra op.61 | Menuhin | 3 | ||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Concerto x violoncello e orchestra op.85 | J. Du Pr | 4 | s | |
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Sinfonia n 1 | Jeffrey Tate, London Sym Orch | s | ||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Sinfonia n 2 | Jeffrey Tate, London Sym Orch | s | ||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Sospiri op 70 | Jeffrey Tate, London Sym Orch | |||
ELGAR Edward | (Broadheath, 1857-1934) | 1850 | Elegy op 58 | Richard Hickox, City of London Sinfonia | |||
ELIZALDE Federico | (Manila, 1907-1979) | 1900 | Violin concerto | Ferras | |||
ELLINGTON Duke | (29 aprile 1899 - 1974) | 1850 | Harlem | ||||
ELLINGTON Duke | (29 aprile 1899 - 1974) | 1850 | Mainly black | ||||
ENESCU George | (Liveni, Romania, 1881-1955) | 1850 | 2 Rapsodie Rumene op.11, | ||||
ENESCU George | (Liveni, Romania, 1881-1955) | 1850 | Oedip op.23 | (opera) | |||
ENESCU George | (Liveni, Romania, 1881-1955) | 1850 | Violin sonata n 3 | Stern 27 | |||
ENZINA Juan del | (Salamanca, 1468-1529/30) | 1450 | Romances & villancicos | 1496 | |||
FAIROUZ Mohammed | (1985) | 1950 | Gabriel | Matt Haimowitz | |||
FAISST Clara | (1872-1948) | 1850 | Adagio consolante per celloo e piano op 7 | 1907 | Thomas Blees, Maria Bergmann | ||
FAIT Renato | (1914-2008) | 1900 | Ave Maria | Cappella musicale Duomo Milano | |||
FALLA Manuel de | (Cadice, 1876-1946) | 1850 | La vida breve | (opera), | s | ||
FALLA Manuel de | (Cadice, 1876-1946) | 1850 | Siete canciones populares espanolas x voce e pianoforte, | Rafael Fruhbeck de Burgos, London Philarmonic Orch | s | ||
FALLA Manuel de | (Cadice, 1876-1946) | 1850 | El amor brujo | Rafael Fruhbeck de Burgos, London Philarmonic Orch | s | ||
FALLA Manuel de | (Cadice, 1876-1946) | 1850 | El sombrero de tres picos | (il cappello a tre punte), | s | ||
FALLA Manuel de | (Cadice, 1876-1946) | 1850 | Suite populares espanolas | Stern 31/Du Pr | |||
FALLA Manuel de | (Cadice, 1876-1946) | 1850 | Noches en los jardines de Espana per pianoforte e orchestra | Rafael Fruhbeck de Burgos, London Philarmonic Orch | s | ||
FARRENC Louise (nata Dumont) | (1804-1875) | 1800 | Cello sonata op 46 | 1861 | Thomas Blees, Maria Bergmann | 4 | |
FARRENC Louise (nata Dumont) | (1804-1875) | 1800 | Piano trio op 33 | Mary Hellen Haupert, Nancy Oliveros, Laura Sewel | 4 | ||
FARRENC Louise (nata Dumont) | (1804-1875) | 1800 | Piano trio op 34 | Mary Hellen Haupert, Nancy Oliveros, Laura Sewel | |||
FASCH Johann Friederich | (Buttelstedt, 1688-1758) | 1650 | Cto in C major for bassoon , 2 violins and continuo | ||||
FASCH Johann Friederich | (Buttelstedt, 1688-1758) | 1650 | Cto per oboe, flauto e basso continuo in Re magg | Westerman, Dhant, Kaiser, Mc Craw, Ufiger, Kibidis, Bass, Zipperling, Koch, Hoeren | 3 | ||
FASCH Johann Friederich | (Buttelstedt, 1688-1758) | 1650 | Cto per oboe, archi e basso continuo in SOL min | Westerman, Dhant, Kaiser, Mc Craw, Ufiger, Kibidis, Bass, Zipperling, Koch, Hoeren | |||
FASCH Johann Friederich | (Buttelstedt, 1688-1758) | 1650 | Cto per oboe, due violini e cembalo in Sol magg | Westerman, Dhant, Kaiser, Mc Craw, Ufiger, Kibidis, Bass, Zipperling, Koch, Hoeren | |||
FASCH Johann Friederich | (Buttelstedt, 1688-1758) | 1650 | Cto per flauto, oboe e basso continuo in Mib | Westerman, Dhant, Kaiser, Mc Craw, Ufiger, Kibidis, Bass, Zipperling, Koch, Hoeren | |||
FASCH Johann Friederich | (Buttelstedt, 1688-1758) | 1650 | Cto per oboe e basso continuo in Sol min | Westerman, Dhant, Kaiser, Mc Craw, Ufiger, Kibidis, Bass, Zipperling, Koch, Hoeren | |||
FASCH Johann Friederich | (Buttelstedt, 1688-1758) | 1650 | Cto per 2 oboi, fagotto e basso continuo in DO min | Westerman, Dhant, Kaiser, Mc Craw, Ufiger, Kibidis, Bass, Zipperling, Koch, Hoeren | |||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Requiem op.48, | s | |||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Ave Verum | Ave verum - Olivier Vernet orgue | |||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Cantique de Jean Racine | Ave verum - Olivier Vernet orgue | |||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Nocturnes op 33 | ||||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Pell?as et M?lisande op.80 | Orchestral works - Plaisson | s | ||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Berceuse per violino e orchestra op.16, | Orchestral works - Plaisson | s | ||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Elegie x violoncello e orchestra op.24 | Orchestral works - Plaisson | 3 | s | |
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Sonata il la magg n 1 op 13 per violino e piano | ||||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Sonata per cello e piano op 109 | ||||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Suonata per cello e piano op 117 | ||||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Integrale des melodies (op 1-8, 10, 21, 23, 27, 39, 43, 46, 51, 57, 57, 61, 72, 76, 83, 85, 87, 94, 95, 106, 113, 114, 118) | s | |||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Songs: Adieu, Pavane, En Priere, Les berceaux, Mai et al | The Treya Quartet | 4 | ||
FAURE? Gabriel | (Pamier, 1845-1924) | 1800 | Quintetti x pianoforte e archi n.1 op.89 e n.2 op.115 | ||||
FAYRFAX Robert | (Lincolnshire, 1464-1521) | 1450 | Missa Albanus | The Sixteen, Harry Christophers | |||
FAYRFAX Robert | (Lincolnshire, 1464-1521) | 1450 | Aeternae Laudis Lilium | The Sixteen, Harry Christophers | |||
FEDELE Ivan | (Lecce, 1953) | 1950 | Preludio e ciaccona (after Colombi's Chiacona | Karttunen | |||
FEDELE Ivan | (Lecce, 1953) | 1950 | Concerto per pianoforte | 1993 | Bruno Canino, OP de Radio France, Luca Pfaff | ||
FEDELE Ivan | (Lecce, 1953) | 1950 | Epos | 1989 | Bruno Canino, OP de Radio France, Luca Pfaff | ||
FEDELE Ivan | (Lecce, 1953) | 1950 | Chiari | 1981 | Bruno Canino, OP de Radio France, Luca Pfaff | ||
FELD Jindrich | (Praga, 1925) | 1900 | Sonata | 1957 | Galway (flute), Moll (p) | ||
FELDMAN Morton | (Brooklyn, NYC, 1926-1987) | 1900 | Piano and string quartet | Kronos 4tet | |||
FENNELLY Brian | (b. 1937) | 1900 | On civil disobedience | ||||
FENNELLY Brian | (b. 1937) | 1900 | In wildness is the preservation of life | ||||
FENNELLY Brian | (b. 1937) | 1900 | Sonata seria | ||||
FENNELLY Brian | (b. 1937) | 1900 | Empirical rag | ||||
FENNELLY Brian | (b. 1937) | 1900 | String quartet in 2 | ||||
FERGUSON Howard | (Belfast, 1908 - 1999) | 1900 | Amore langueo | ||||
FERGUSON Howard | (Belfast, 1908 - 1999) | 1900 | Concerto per piano e orchestra op 12 | ||||
FERGUSON Howard | (Belfast, 1908 - 1999) | 1900 | Sonata per piano op 8 | ||||
FERGUSON Howard | (Belfast, 1908 - 1999) | 1900 | Partita op 5b | ||||
FERNEYHOUGH Brian | (Coventry, 1943) | 1900 | Second string quartet | ||||
FERNEYHOUGH Brian | (Coventry, 1943) | 1900 | Adagissimo for string quartet | ||||
FERNEYHOUGH Brian | (Coventry, 1943) | 1900 | Third string quartet | 3 | |||
FERRABOSCO I Alfonso | (Bologna, 1543-1588) | 1500 | Lamentations of Jeremiah | The Tallis scholars | |||
FESCH Willem de | (Alkmaar, 1687-1761) | 1650 | Cello sonata in A minor op 13 n 6 | Junghanel, Dieltiens, van der Meer, Kohnen | 3 | ||
FIALA Joseph | (1754-1816) | 1750 | Concerto for oboe and orchestra | Goritzki | |||
FIELD John | (1782-1837) | 1750 | Notturni 1-2, 4-6, 8-16, 18 | John O'Connor | 4 | ||
FIELD John | (1782-1837) | 1750 | Piano concertos n 2 & 3 | ||||
FINZI Aldo | (Legnago, 1891 - 1944) | 1850 | Sonata per violino e pianoforte | ||||
FINZI Aldo | (Legnago, 1891 - 1944) | 1850 | Pavana per pianoforte | 3 | |||
FINZI Aldo | (Legnago, 1891 - 1944) | 1850 | Liriche per soprano e pianoforte | ||||
FINZI Aldo | (Legnago, 1891 - 1944) | 1850 | Quartetto per 2 violini, viola e cello | ||||
FINZI Gerald | (1901-1956) | 1900 | Eclogue | in Ferguson, Finzi | |||
FINZI Gerald | (1901-1956) | 1900 | Cello concerto | ||||
FIORENZA Nicola | (Napoli, ??-1764) | 1700 | Cello concerto in B flat major | Sollima, Florio & I Turchini | |||
FIORENZA Nicola | (Napoli, ??-1764) | 1700 | Sinfonia in C minor | Sollima, Florio & I Turchini | |||
FIORILLO Federico | (1755-1823?) | 1750 | Concerto per violino | ||||
FIORILLO Federico | (1755-1823?) | 1750 | Sinfonia concertante n 1 | ||||
FIORILLO Federico | (1755-1823?) | 1750 | Sinfonia concertante n 2 | ||||
FIORILLO Federico | (1755-1823?) | 1750 | Sinfonia concertante n 3 | ||||
FIORONI Giovanni Andrea | (1704-1778) | 1700 | Angelus Domini | Cappella musicale Duomo Milano | |||
FOOTE Arthur | (1853-1937) | 1850 | String quartet in D major op 70 | 1911 | Kohon quartet | ||
FORSTER Christoph Forster | Oboe sonata in C minor | ||||||
FOSS Lukas | (Berlin, 1922, 2009) | 1900 | Capriccio for cello and piano | Barber, Foss, Ornstein | |||
FRANCAIX Jean | (Le Mans, 1912-1997) | 1900 | Divertissement for bassoon and string quartet | Simon van Holen | 4 | ||
FRANCESCHINI Petronio | (Bologna, 1651-1680) | 1650 | Sonata a 7 per 2 trombe, archi, trombone, organo e tiorba | St James Baroque Players, Ivor Bolton | 4 | ||
FRANCESCONI, Luca | (Milano, 1956) | 1950 | Terzo quartetto | ||||
FRANCESCONI, Luca | (Milano, 1956) | 1950 | Plot in fiction | ||||
FRANCESCONI, Luca | (Milano, 1956) | 1950 | riti neurali, 3? studio sull amemoria | ||||
FRANCESCONI, Luca | (Milano, 1956) | 1950 | richiami II, 1? studio sulla memoria | ||||
FRANCESCONI, Luca | (Milano, 1956) | 1950 | Anssimmetry (after Colombi's chiacona) | Karttunen | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Six pieces pour grand-orgue - Fantaisie op 16 | Hans-Eberhard RoB | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Six pieces pour grand-orgue - Grand piece symph op 17 | Hans-Eberhard RoB | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Six pieces pour grand-orgue - Prelude, fugue e variation op 18 | Hans-Eberhard RoB | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Six pieces pour grand-orgue - Pastorale op 19 | Jennifer Bate/Hans-Eberhard RoB | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Six pieces pour grand-orgue - Priere op 20 | Jennifer Bate/Hans-Eberhard RoB | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Six pieces pour grand-orgue - Final op 21 | Jennifer Bate/Hans-Eberhard RoB | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Quasi una marcia op 22 | Hans-Eberhard RoB | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Trois pieces pour grand-orgue - Fantaisie in la majeur | Hans-Eberhard RoB | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Trois pieces pour grand-orgue - Cantabile | Hans-Eberhard RoB | s | ||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Trois pieces pour grand-orgue - Piece heroique | Hans-Eberhard RoB | s | ||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Trois chorals - Choral in mi majeur | 1890 | Hans-Eberhard RoB | s | |
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Trois chorals - Choral in si mineur | 1890 | Hans-Eberhard RoB | s | |
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Trois chorals - Choral in la mineur | 1890 | Jennifer Bate/Hans-Eberhard RoB | 3 | s |
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Les B?atitudes (oratorio) | 1869 | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | La redemption (oratorio) | 1874 | 3 | ||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Le 7 parole di Cristo sulla croce | ||||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Eglologue op 3 (piano) | ||||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Premier grand caprice op 5 (piano) | ||||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Preludio corale e fuga x pianoforte, | s | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Sonata in La magg per violino e piano | 1886 | Stern 27/Argerich, Capucon | 4 | s |
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Sonata per cello e piano in La magg (alt vln sonata) | 1886 | Maisky, Argerich | 4 | |
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Trii concertanti n 1 e 2 | 1840 | Trio Henry | ||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | String quartet in D major | Prague quartet | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Quintetto in Fa x pianoforte e archi | Amadeus quartet | s | ||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Sinfonia in Re minore FWV 48 | Berliner, Giulini/Filarmonica della Scala, Pretre | s | ||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Variazioni sinfoniche per piano e orch | 1885 | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Panis angelicus for tenor, organ, harp, cello and bass | ||||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Le chasseur maudit (poema sinfonico) | ||||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Les Eolides (poema sinfonico) | ||||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Psych? (poema sinfonico) | Giulini, Berliner | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Piano fantasy op 11 | Francesco Bertoldi | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Second fantasy over Gulistan op 12 | Francesco Bertoldi | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Fantasy in D major op 14 | Francesco Bertoldi | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Fantasy over 2 airs Polonais op 15 | Francesco Bertoldi | |||
FRANCK C?sar | (Liegi, 1822-1890) | 1800 | Great fantasy op 19 | Francesco Bertoldi | |||
FRANKEL Benjamin | (Londra, 1906-1973) | 1900 | Concerto for violin and orchestra op 24 In memory of the six million | 3 | |||
FRANKEL Benjamin | (Londra, 1906-1973) | 1900 | Viola concerto op 45 | ||||
FRANKEL Benjamin | (Londra, 1906-1973) | 1900 | Serenata concertante op 37 | ||||
FRANKLIN Benjamin | (1706-1790) | 1700 | String quartet ias originally written for open strings | Kohon Quartet | |||
FRANKLIN Chris | (b. 1950) | 1950 | String quartet n 1 | 1983-85 | 3 | ||
FRESCOBALDI Girolamo | (Ferrara, 1583-1643) | 1550 | I fiori musicali di diverse composizioni: toccate, capricci, canzoni, ecc | ||||
FRESCOBALDI Girolamo | (Ferrara, 1583-1643) | 1550 | Messa sopra l'aria della Monica | ||||
FRESCOBALDI Girolamo | (Ferrara, 1583-1643) | 1550 | Il primo libro di toccate d'intavolatura di cimbalo et organo | estratti, Scott Ross, Toccatas and dances | |||
FRESCOBALDI Girolamo | (Ferrara, 1583-1643) | 1550 | Il secondo libro di toccate d'intavolatura di cimbalo et organo | estratti, Scott Ross, Toccatas and dances | |||
FRIEDMAN Jefferson | (Swampscott, Massachusetts, 1974) | 1950 | String quartets n 1& 2 & 3 | ||||
FRYE Walter | (England ?, b. ??, d. 1474?) | 1400 | Ave Regina | The Hilliard ensemble | |||
FRYE Walter | (England ?, b. ??, d. 1474?) | 1400 | Missa flos regalis | The Hilliard ensemble | |||
GABRIELI Andrea | (1533?-1585?) | 1500 | O passi sparsi | Hans-Martin Linde, Linde consort, Tolzer Knabechor | |||
GABRIELI Andrea | (Venezia, 1532/3 - 1585) | 1500 | Mottetti | ||||
GABRIELI Andrea | (Venezia, 1532/3 - 1585) | 1500 | Canzon sopra che la dira | Jordi Savall, Music in Europe 1550-1649 | |||
GABRIELI Giovanni | (Venezia, 1555-1612) | 1550 | Canzone | Hans-Martin Linde, Linde consort, Tolzer Knabechor | |||
GABRIELI Giovanni | (Venezia, 1555-1612) | 1550 | Omnes gentes | Hans-Martin Linde, Linde consort, Tolzer Knabechor | |||
GABRIELI Giovanni | (Venezia, 1555-1612) | 1550 | Canzoni da suonare | Jordi Savall, Music in Europe 1550-1649 | |||
GABRIELI Giovanni | (Venezia, 1555-1612) | 1550 | Ricercar sopra Re FA Mi Do | Jordi Savall, Music in Europe 1550-1648 | |||
GABRIELLI Domenico | (Bologna, 1659 o 51-1690) | 1650 | Ricercar n 1 in G minor | 1696 | Elinor Frey | ||
GABRIELLI Domenico | (Bologna, 1659 o 51-1690) | 1650 | Ricercar n 6 in G major | Elinor Frey | |||
GABRIELLI Domenico | (Bologna, 1659 o 51-1690) | 1650 | Ricercar n 7 | Matt Haimowitz/Adriano Fazio | |||
GABRIELLI Domenico | (Bologna, 1659 o 51-1690) | 1650 | Cello sonata in A major | Dieltiens, van der Meer, Junghanel, Kohnen | 3 | ||
GABRIELLI Domenico | (Bologna, 1659 o 51-1690) | 1650 | Cello sonata in G minor | Dieltiens, van der Meer, Junghanel, Kohnen | 3 | ||
GABRIELLI Domenico | (Bologna, 1659 o 51-1690) | 1650 | Sonata a 6 con tromba in Re magg | St James Baroque Players, Ivor Bolton | |||
GAFFURIO Franchino | (1484-1522) | 1450 | Adoramus te Christe | Cappella musicale Duomo Milano | |||
GAFFURIO Franchino | (1484-1522) | 1450 | Stabat mater | Cappella musicale Duomo Milano | |||
GALANTE Carlo | 1950 | Luna in acquario per violoncello e 10 strumenti | I solisti di Pavia, Enrico Dindo | ||||
GALILEI Michelangelo | (16??- 16??) | 1600 | Corrente per liuto | Christian Zimmermann | |||
GALLI Domenico | (16??-16??) | 1600 | Sonata n 1 in D minor | 1691 | Elinor Frey | ||
GALLI Domenico | (16??-16??) | 1600 | Sonata n 5 in C minor | 1691 | Elinor Frey | ||
GALLOTTI Salvatore | (1856-1928) | 1850 | Lux fulgebit | Cappella musicale Duomo Milano | |||
GALUPPI Baldassare | (Burano, 1706-1785) | 1700 | Motets | ||||
GALUPPI Baldassare | (Burano, 1706-1785) | 1700 | Dixit Dominus | ||||
GALUPPI Baldassare | (Burano, 1706-1785) | 1700 | Confitebor | ||||
GALUPPI Baldassare | (Burano, 1706-1785) | 1700 | Nunc dimittis | ||||
GALUPPI Baldassare | (Burano, 1706-1785) | 1700 | Laudate pueri | ||||
GALUPPI Baldassare | (Burano, 1706-1785) | 1700 | Piano sonata n 5 | Irene Veneziano | 4 | ||
GAMBARO Vincenzo | (Burano, 1706-1785) | 1700 | Wind quartets | Rossini quartet | |||
GANDOLFI Michael | (Melrose, Massachusetts, 1956) | 1950 | Points of departure | ||||
GANDOLFI Michael | (Melrose, Massachusetts, 1956) | 1950 | Trivia | ||||
GARBAREK Jan | (Oslo, 1947) | 1900 | Officium | ||||
GARROP Stacy | 1950 | Seven (piano trio) | Lincoln trio | ||||
GARSI da Parma Santino | (1542-1604) | 1500 | Gaillarda per liuto | Christian Zimmermann | |||
GARSI da Parma Santino | (1542-1604) | 1500 | Balletto per liuto | Christian Zimmermann | |||
GEMINIANI Francesco | (Lucca, 1687-1762) | 1650 | Concerto grosso ?La follia? | Accademia degli astrusi/Ferri | |||
GEMINIANI Francesco | (Lucca, 1687-1762) | 1650 | VI sontate di violoncello | Hidemi Suzuki | 4 | ||
GEMINIANI Francesco | (Lucca, 1687-1762) | 1650 | 12 concerti grossi | I Musici | |||
GEMINIANI Francesco | (Lucca, 1687-1762) | 1650 | Sonata 1 in E minor for oboe | Dombrecht | |||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Porgy and Bess | (opera), | s | ||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Porgy and Bess suite | Edo de Waart-Eliahu Inbal, O de l'Opera de Monte-Carlo | |||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | An American in Paris, | Lorin Maazel | s | ||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Cuban Ouverture, | Lorin Maazel | |||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | ?I Got Rhytm? | ||||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Oh, Kay! | musical | |||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Rhapsody in Blue x pf. E orchestra, | Lorin Maazel | s | ||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Rapsody n 2 for piano and orch | ||||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Concerto in Fa x pf e orch | s | |||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Preludes for piano | (Eroica trio) | |||
GERSHWIN George | (Brooklyn, 1898-1937) | 1850 | Piano concerto in F | Edo de Waart-Eliahu Inbal, O de l'Opera de Monte-Carlo | |||
GESUALDO (don) Carlo | (Venosa, 1560-1613) | 1550 | Ave Dulcissima Maria | The Tallis scholars | |||
GESUALDO (don) Carlo | (Venosa, 1560-1613) | 1550 | Canzon Francese del Principe | Fabio Bonizzoni, Scihla Stirps Jesse | |||
GESUALDO (don) Carlo | (Venosa, 1560-1613) | 1550 | Tenebrae responsoria | Ensemble arte musica, Carlo Cera | |||
GHEDINI Giorgio Federico | Cuneo, 1892-1965 | 1850 | Concerto for orchestra (in momery of Guido Cantelli) | ||||
GHEDINI Giorgio Federico | Cuneo, 1892-1966 | 1850 | L'Olmeneta | concerto for 2 cellos | |||
GHEDINI Giorgio Federico | Cuneo, 1892-1967 | 1850 | Concerto dell'albatro | for violin, cello and piano | |||
GHEDINI Giorgio Federico | Cuneo, 1892-1968 | 1850 | Sette ricercari (1945) | violino, cello e piano | |||
GHEDINI Giorgio Federico | Cuneo, 1892-1969 | 1850 | Divertimento contrappuntistico (1940) | Pianoforte | |||
GHEDINI Giorgio Federico | Cuneo, 1892-1970 | 1850 | Capriccio (1944) | Pianoforte | |||
GHEDINI Giorgio Federico | Cuneo, 1892-1971 | 1850 | Ricercar super Sicut Cervus (1944) | Pianoforte | |||
GHEDINI Giorgio Federico | Cuneo, 1892-1972 | 1850 | Sonata fantasia (1924) | cello and piano | |||
GHEDINI Giorgio Federico | Cuneo, 1892-1972 | 1850 | Canoni (1946) | violino e cello | |||
GHERARDESCHI Giuseppe | (Pistoia, 1758-1815) | 1750 | Elevazione | Stefano Innocenti, I Pomeriggi Musicali, Marco Balderi | |||
GIANONCELLI Bernardo | (16??-16??) | 1600 | 3 Corrente e la sua spezzata per liuto | Christian Zimmernann | |||
GIARDINI Felice | (Torino, 1716-1796) | 1700 | Tamburino | Tortelier | |||
GIARDINI Felice | (Torino, 1716-1796) | 1700 | Trio for violin, viola and cello 1-6 | Budapest string trio | |||
GIARDINI Felice | (Torino, 1716-1796) | 1700 | String trio 1-6 | Budapest string trio | |||
GINASTERA Alberto | (Buenos Aires, 1916-1983) | 1900 | Variaciones concertante | ||||
GINASTERA Alberto | (Buenos Aires, 1916-1983) | 1900 | Milena for soprano and orch | ||||
GINASTERA Alberto | (Buenos Aires, 1916-1983) | 1900 | Violin concerto | Accardo | |||
GINASTERA Alberto | (Buenos Aires, 1916-1983) | 1900 | Duo for flute and oboe | Peter Christ | |||
GIORDANO Umberto | (Foggia, 1867-1948) | 1850 | Andrea Chenier | opera | s | ||
GIORDANO Umberto | (Foggia, 1867-1948) | 1850 | Fedora | opera | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Violin concerto n 1 | 1987 | Robert McDuffie, London PO, Marin Alsop | 5 | |
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Violin conerto n 2 the American four seasons | Adele Anthony, Takuo Yasa, Ulster orch | 4 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Company | Takuo Yuasa, Ulster orch | 3 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Akhnaten | Takuo Yuasa, Ulster orch | 3 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Music with changing parts | 1970 | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Music in similar motion | 1969 | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Music in 12 parts | 1971-74 | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Aonther look at harmony | 1975-77 | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Einstein on the beach | 1975 | s | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Satyagraha | 1978-79 | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | 6 String quartets | Kronos 4tet | 3 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Low symphony | 1992 | Dennis Russel Davis, Brooklyn PO | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Symphony n 2 | Dennis Russel Davis, Vienna Radio SO | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Symphony n 3 | ||||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Symphony n 4 Heroes | Dennis Russel Davis, American composers orch | 3 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Symphony n 5 Choral | Dennis Russel Davis, Vienna Radio SO, Morgan state Un. Choir | 3 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Symphony n 10 | 2015 | Dennis Russel Davvis, Bruckner orch Linz | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Requiem, Bardo, Nirmanakaya | 2000 | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Cto for saxophone quartet and orch | Dennis Russel Davis, Vienna Radio SO | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Metamorphosis | ||||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Monsters of grace | Philip Glass ensemble | 4 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Koyaanisqatsi | Michael Riesman, P. Glass ensemble, Western wind vocal ensemble | 2 | s | |
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Etudes for piano | ||||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Songs and poems for cello solo | 2009 | Wendy Sutter (cello) | 3 | |
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Concerto for piano and orch | 2000 | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Cello concerto n1 | ||||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Cello concerto n 2 Naqoyqatsi | Matt Haimovitz, Cincinnati SO & Russel Davis | 4 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | The complete piano etudes | Maki Namekawa | 4 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Orbit (for solo cello) | Jeffrey Zeigler | 4 | ||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | The Screen | Benjamin Hudson | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Two pages (version for chamber orch) | Eight Blackbird | |||
GLASS Philip | (Baltimore, Maryland, 1937) | 1900 | Overture | Matt Haimovitz | |||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Raymonda | (balletto), | |||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Stenka Razin | (poema sinfonico), | |||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Concerto x pfe orchestra n.1 op.92, | ||||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Concerto x pfe orchestra n. 2 op 100 | ||||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Concerto x violino/orchestra op.82, | Itzhak Perlman | |||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Concerto x sassofono e archi op.109, | ||||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Elegia per violoncello e pianoforte, | ||||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Chant du Menestrel op.71 x violoncello e orchestra, | ||||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Concerto ballata op 108 | cello & orch | |||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Melodie op 20/2 | cello & orch | |||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Serenade Espagnole op 20/2 | cello & orch | |||
GLAZUNOV Aleksandr | (San Pietroburgo, 1865-1936) | 1850 | Sinfonie n.4 e n.6 | ||||
GLINKA Mikhail | (1804-1857) | 1800 | Russian & Ludmila ouverture | Reiner, Chicago S | |||
GLOBOKAR Vinko | (Anderny, France, 1934) | 1900 | Idee fixe (after Colombi's chiacona | Karttunen | |||
GLUCK Christoph Willibald Ritter von | (Erasbach, Bavaria, 1714-1787) | 1700 | Orph?e and Eurydice | s | |||
GODARD Benjamin | (1849-1895) | 1800 | Violin cto n 2 op 131 | T. Christian (vl), Bamberger Sym. | 4 | ||
GODARD Benjamin | (1849-1895) | 1800 | BERCEUSE OP 100 Jocelyn | Eroica trio | |||
GOETZ Herman | (Zurich, 1840-1876) | 1800 | Piano concerto | in Sinding/Goetz Piano concertos | 3 | ||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Azul | (cello & orchestra) | 4 | ||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Omaramor for solo cello | Weilerstein | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | La pasion secun San Marcos | 5 | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Ayre | 3 | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Mariel | Maya Beiser | 4 | ||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | The dreams and prayers of Isaac the Blind | 5 | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Ainadamar: fountains of tears | 4 | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Yiddishbbuk | 4 | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Oceana | 4 | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Tenebrae | 5 | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Three songs | 4 | |||
GOLIJOV Osvaldo No | (La Plata, Argentina, 1960) | 1950 | Air to air | 3 | |||
GOMBERT Nicolas | (Lille?, 1495-1560) | 1450 | Magnificat 6 (sexti et primi toni) | The Tallis scholars | |||
GOOSSENS Eugene | (1893-1962) | 1850 | Symphony n2 op 62 (world premiere rec) | Vernon Handley, Sydney SO | |||
GOOSSENS Eugene | (1893-1962) | 1850 | Concertino for double stirng orch op 47 | Vernon Handley, Sydney SO | |||
GOOSSENS Eugene | (1893-1962) | 1850 | Fantasy for 9 wind instruments op 36 | Vernon Handley, Sydney SO | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Miserere op 44 | 1981 | John Nelson, Chicago Symphony Chorus, Chicago Lyric opera chorus | 4 | |
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Sinfonia n 2 Copernicana per soprano, baritono, coro misto e orchestra op 31 | 1972 | Tamas Pal, The Fricsay SO | ||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Sinfonia n 3 Dei canti lamentosi for soprano and string orch op 36 | 1976 | Joanna Kowlowska, Kazimierz Kord, Warsaw PO | 4 | s |
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Amen op 35 | 1975 | John Nelson, Chicago Symphony Chorus, Chicago Lyric opera chorus | ||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Euntes ibant er flebant op 32 | John Nelson, Chicago Symphony Chorus, Chicago Lyric opera chorus | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | My Vistula, grey Vistula op 46 | John Nelson, Chicago Symphony Chorus, Chicago Lyric opera chorus | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Broad waters op 39 | Lucy Ding, John Nelson, Chicago Symphony Chorus, Chicago Lyric opera chorus | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Beatus vir op 38 | 1979 | Prague Philarmonic Choir, Czech PO | 3 | |
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Old Polish music op 24 | Prague Philarmonic Choir, Czech PO | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Totus Tuus op 60 | 1987 | Prague Philarmonic Choir, Czech PO | 3 | |
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Kleines Requiem fur eine Polka op 66 for piano and 13 instruments | Reinbert de Leeuw, Schoenberg ensenble | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | Lerchermusik for clarinet, cello and piano | Reinbert de Leeuw, Schoenberg ensenble | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | String quartet n 1 op 62 Already it is dusk | Kronos quartet | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | String quartet n 2 op 64 Quasi una fantasia | Kronos quartet | |||
GORECKI Henryk | (Czernica, Poland, 1933-2010) | 1900 | O Domina nostra | Sarah Leonard soprano, Christopher Bowers-Broadbent organ | 3 | ||
GOULD Morton | (Richmond Hill, NY, 1913-1996) | 1900 | Million dollar baby | film score | |||
GOULD Morton | (Richmond Hill, NY, 1913-1996) | 1900 | Stringmusic | ||||
GOULD Morton | (Richmond Hill, NY, 1913-1996) | 1900 | Fall river legend | ballet | |||
GOULD Morton | (Richmond Hill, NY, 1913-1996) | 1900 | Folk suite | ||||
GOULD Morton | (Richmond Hill, NY, 1913-1996) | 1900 | Dance variation for 2 pianos and orch | 3 | |||
GOUNOD Charles-Francois | (Paris, 1818-1893) | 1800 | Faust | s | |||
GOUNOD Charles-Francois | (Paris, 1818-1893) | 1800 | Romeo and Juliet | ||||
GOUNOD Charles-Francois | (Paris, 1818-1893) | 1800 | Faust | s | |||
GOUNOD Charles-Francois | (Paris, 1818-1893) | 1800 | Petite symphony pour 9 instrument a vent | ||||
GRANADOS Enrique | (1867-1916) | 1850 | Goyescas, los major enamorados | Alicia de Larrocha | |||
GRANCINI Michelangelo | (1605-1669) | 1600 | Messa breve | Marco Berrini, Ars Antica Consort, Ars Antica Choir | |||
GRANCINI Michelangelo | (1605-1669) | 1600 | Antifone mariane | Marco Berrini, Ars Antica Consort, Ars Antica Choir | |||
GRANCINI Michelangelo | (1605-1669) | 1600 | Salmi e Magnificat | Marco Berrini, Ars Antica Consort, Ars Antica Choir | |||
GRANCINI Michelangelo | (1605-1669) | 1600 | Cantate cum jubilo | Cappella musicale Duomo Milano | |||
GRANCINI Michelangelo | (1605-1669) | 1600 | Exultate Christo | Cappella musicale Duomo Milano | |||
GRASSI Pierre-Jean | (Nice, 1966-86) | 1950 | Prelude pour cordes | 3 | |||
GRASSI Pierre-Jean | (Nice, 1966-86) | 1950 | Contrastes pour clarinette e percussion | 3 | |||
GRASSI Pierre-Jean | (Nice, 1966-86) | 1950 | Trois esquisses Pour Hautbois | 3 | |||
GRASSI Pierre-Jean | (Nice, 1966-86) | 1950 | Piece symphonique | 4 | |||
GRASSO Augusto | (Genova, 1923-2010) | 1900 | Tema, dieci variazioni e finale per quintetto di fiati op 11 | Antonio Plotino, Orch da camera di Genova | 3 | ||
GRASSO Augusto | (Genova, 1923-2010) | 1900 | Adagio concertante e allegro per archi op 9 | Antonio Plotino, Orch da camera di Genova | |||
GRASSO Augusto | (Genova, 1923-2010) | 1900 | Serenata per flauto e archi op 8 | Antonio Plotino, Orch da camera di Genova | |||
GRASSO Augusto | (Genova, 1923-2010) | 1900 | Concerto per oboe, fagotto e archi op 5 | Antonio Plotino, Orch da camera di Genova | |||
GRASSO Augusto | (Genova, 1923-2010) | 1900 | Quartetto per fiati op 10 | Antonio Plotino, Orch da camera di Genova | |||
GRASSO Augusto | (Genova, 1923-2010) | 1900 | Libera trascrizione per fagotto del capriccio XIII di Paganini op 12 | Antonio Plotino, Orch da camera di Genova | |||
GRATTONI D'ARCANO Pietro | (1696-1760) | 1650 | Sonata VIII in la minore | Luisa Sello | 3 | ||
GRATTONI D'ARCANO Pietro | (1696-1760) | 1650 | Sonata in sol magg per flauto solo | Luisa Sello | 3 | ||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Peer Gynt op.23 | s | |||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Peer Gynt suite n 1 op 46 e 2 op 55 | s | |||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Concerto per pianoforte e orchestra op.16, | Michelangeli | 3 | s | |
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Norwegian dances op 35 | s | |||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Pezzi lirici x pianoforte, (op 12, 38, 43, 47, 54, 57, 62, 65, 68, 71) | Emil Gilels, piano | |||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Dai tempi di Holberg suite op.40, | in Donizetti/Mercadante/Grieg | s | ||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | 3 sonate x violino e pf (op. 8, 13 e 45) | s | |||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Sonata per cello and piano op 36 | Luca Colardo, Sandra Conte/Isserlis, Hough/Mork, Lagerspetz | 4 | ||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Due melodie elegiache op 34 | Nordio, Nuovo orch da camera Ferruccio Busoni | |||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | sonate op 66 | (Andsnes) | |||
GRIEG Edvard | (Bergen, 1843-1907) | 1800 | Intermezzo in A minor for cello and piano | Truls Mork, Jean-Ives Thibaudet | |||
GRIFFES Charles T. | (1884-1920) | 1850 | Two sketches based on indians themes | 1917 | Kohon Quartet | ||
GRILLO Giovanni Battista | (????-1622) | 1550 | Canzone | Hans-Martin Linde, Linde consort, Tolzer Knabenchor | |||
GUAMI Giuseppe (Gioseffo) | (15??- 16??) | 1500 | Canzon sopra la battaglia | Jordi Savall, Music in Europe 1550-1649 | |||
GUAMI Giuseppe (Gioseffo) | (15??- 16??) | 1500 | Canzon la Guamina a 4 | Jordi Savall, Music in Europe 1550-1648 | |||
GUAMI Giuseppe (Gioseffo) | (15??- 16??) | 1500 | Canzon la accorta | Jordi Savall, Music in Europe 1550-1647 | |||
GUBAIDULINA Sofia Asgatovna | (Chistopol, Tatar ASSR, 1931) | 1900 | Quartet n 4 | Kronos XXV | |||
GUBAIDULINA Sofia Asgatovna | (Chistopol, Tatar ASSR, 1931) | 1900 | Quartet n 2 | Arditti quartet | 2 | ||
GUBAIDULINA Sofia Asgatovna | (Chistopol, Tatar ASSR, 1931) | 1900 | La passione secondo San Giovanni | 2 | |||
GUBAIDULINA Sofia Asgatovna | (Chistopol, Tatar ASSR, 1931) | 1900 | In croce | Brunello-Battiston | |||
GUBITOSI Emilia | (1872-1972) | 1850 | Concerto per pianoforte e orchestra (1943) | Fiorentino, Piano concertos 1959-72 | |||
GUIOT Raymond | (b. 1930) | 1900 | Cividale duo per due flauti | 1991 | Luisa Sello | ||
GUSSAGO Cesario | (????-1611? | 1550 | Sonata La Leona | Hans-Martin Linde, Linde consort, Tolzer Knabechor | |||
HADLEY Henry | (1871-1937) | 1850 | Piano quintet in A minor op 50 | 1919 | Kohon quartet - Unknown string quartets | ||
HAKOLA Kimmo | (b. 1958) | 1950 | Colombi variation | Karttunen | |||
HALVORSEN Johan | (Drammen, Norway, 1864-1935) | 1850 | Passacaglia for violin and viola | Mari & Hakon Samuelsen | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Orlando | opera | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Giulio Cesare | opera | s | ||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Messiah | oratorio | 5 | s | |
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Samson | s | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Salomon | s | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Israel in Egypt | s | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Judas Maccabeus | s | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | ?Coronation Anthems?, | ||||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | ?Te Deum di Utrech?, | ||||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | ?Dixit Dominus?, | 4 | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Cantate Italiane Per il marchese Ruspoli | La Risonanza | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Cantate italiane Per il cardinal Ottoboni | La Risonanza | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Water music | s | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Music for the Royal Fireworks | s | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Cto a due cori HWV 332, 333, 334 | Zefiro | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Concerti grossi op 3 | Hans-Martin Linde, Linde consort | 4 | s | |
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Concerti grossi op.6 | s | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | 16 Keybord suites (incl suite in E The harmonious Blacksmith ) | Richter/Gavrilov | s | ||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Cello sonata in G minor | Du Pr | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Suite pour trompette et cordes en re majeur | Maurice Andr | |||
HANDEL Georg Friedrich | (Halle, 1685-1759) | 1650 | Cto for oboe and organ in F minor | ||||
HANSON Howard | (Wahoo, Nebraska, 1896-1981) | 1850 | Pastoral | Donovetsky, Mitchell | |||
HARRIS Roy | (1898-1979) | 1850 | Symphony n 3 | Koussevitzky, Boston SO | |||
HARRISON Lou | (Portland, Oregon, 1917 - 2003) | 1900 | Piano concerto | Keith Jarrett | 3 | ||
HARRISON Lou | (Portland, Oregon, 1917 - 2003) | 1900 | Suite for violin, piano and small orchestra | Keith Jarrett | 3 | ||
HARTMANN Karl Amadeus | (1905-1963) | 1900 | Symphony n 2 | 1946-50 | |||
HARTMANN Karl Amadeus | (1905-1963) | 1900 | Symphony n 5 - Sinfonia concertante | 1951 | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | La fedelt? premiata | (opera) | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Die Sch?pfung (La creazione) | Bernstein, NY Philarmonic | s | ||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Die Jahreszeiten (Le stagioni) | oratorio | s | ||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Le sette ultime parole del Redentore sulla croce | oratorio | 3 | ||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Missa in tempore belli, | ||||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Messa n 11, Nelson Mass | s | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Missa in angustiis ?Nelsonmesse?, | ||||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Theresienmesse | ||||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Sinfonia n 26 Lamentatione | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1701 | Sinfonia n 35 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1702 | Sinfonia n 38 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1703 | Sinfonia n 39 The Fist | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1704 | Sinfonia n 41 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1705 | Sinfonia n 42 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1706 | Sinfonia n 43 Mercury | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1707 | Sinfonia n 44 Trauer | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1708 | Sinfonie: n.45 ?degli Addii? | Trevor Pinnock, The English concert | s | ||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1709 | Sinfonia n 46 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1710 | Sinfonia n 47 The Palindrome | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1711 | Sinfonia n.48 ?Maria Teresa | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1712 | Sinfonia n 49 La Passione | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1713 | Sinfornia n 50 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1714 | Sinfonia n 51 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1715 | Sinfonia n 52 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1716 | Sinfonia n 58 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1717 | Sinfonia n 59 Fire | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1718 | Sinfonia n 65 | Trevor Pinnock, The English concert | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1719 | Sinfonia n 85 | ||||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1720 | Sinfonia n 91 | Colin Davis, Royal Concertgebouw orch | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1721 | Sinfonia n 92 | Colin Davis, Royal Concertgebouw orch | s | ||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1722 | Sinfonia n 94 | Karajan, Berlin PO | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1723 | Sinfonia n 96 Miracle | Karajan, Berlin PO | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1724 | Sinfonia n 100 Military | Karajan, Berlin PO | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1725 | Sinfonia n 101 | Karajan, Berlin PO | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Le stagioni | Diego Fasolis | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Quartetto x archi op.76 n.3 ?Kaiser?, | s | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Quartetti x archi op.33/1-6 ?Russische-Quartette? | s | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Quartetti x archi op.50/1-6 ?Prussiani? | ||||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Quartetti per archi op 64 | Tatrai quartet | s | ||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Concerto per violoncello n 1 | Truls Mork/Harrell | 4 | s | |
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Concerto per violoncello n 2 | Truls Mork/Du Pr?/Harrell | 4 | ||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Serenata (from string quartet in F) | ||||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano concerto n 11 | 4 | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata n 39 | Richter | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 20 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 32 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 34 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 37 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 40 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 42 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 48 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 49 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 50 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 51 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Piano sonata HOB XVI n 52 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Fantasia Hob XVII n 4 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Adagio Hob XVII n 9 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Andante con variazioni Hob XVII n 6 | Alfred Brendel | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Sinfonia concertante | ||||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Violin concerto n 1 | 4 | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Concerto per violino, piano e orchestra | in Hummel, Haydn, Viotti - Double concertos | |||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Trumpet concerto in E flat | Maurice Andr | s | ||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Horn concerto n 1 | ||||
HAYDN Franz Joseph | (Rohrau, Austria, 1732-1809) | 1700 | Horn concerto n 2 | ||||
HEININEN Paavo | (Jarvenpaa, 1938) | 1900 | Triple antienne (after Colombi's Chiacona) | Karttunen | |||
HERRERA Juan de | (1670-1738) | 1650 | A la fuente de bienes | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
HERRERA Juan de | (1670-1738) | 1650 | Misa de difuntos a 5 voces | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
HERTEL Johann Wilhelm | (Eisenach, 1727-1789) | 1700 | Double cto in E flat for trumpet and oboe | Maurice Andr | |||
HERTEL Johann Wilhelm | (Eisenach, 1727-1789) | 1700 | Partita C-dur for oboe and orgel | Paradise, Meyer | |||
HIDALGO Gutierre Fernandez | (1556-1620) | 1550 | Magnificat secondus tonus | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
HIDALGO Gutierre Fernandez | (1556-1620) | 1550 | Salve Regina | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
HIGDON Jennifer | (Brooklyn, 1962) | 1950 | Violin concerto | Hilary Hahn, Vasily Petrenko, Royal Liverpool P.O., Pulitzer 2010 | 4 | ||
HIGDON Jennifer | (Brooklyn, 1962) | 1950 | Piano trio | 5 | |||
HIGDON Jennifer | (Brooklyn, 1962) | 1950 | Dash | Verismo trio | |||
HIGDON Jennifer | (Brooklyn, 1962) | 1950 | Sonata for alto sax and piano | Scott Turpen & Theresa Bogard | |||
HIGDON Jennifer | (Brooklyn, 1962) | 1950 | Trumpet songs | Scott Meredith & R?bia Santos | 4 | ||
HIGDON Jennifer | (Brooklyn, 1962) | 1950 | Legacy | John Fadial and Rubia Santos | |||
HIGDON Jennifer | (Brooklyn, 1962) | 1950 | Concerto for orchestra | Atlanta Sym Orch and Robert Spano | 3 | ||
HIGDON Jennifer | (Brooklyn, 1962) | 1950 | City scape | Atlanta Sym Orch and Robert Spano | 3 | ||
HILLBORG Anders | (Sollentuna, Sweden, 1954) | 1950 | Still and flow (after Colombi's Chiacona | Karttunen | |||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | Mathis der Maler | (sinfonia), | |||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | Nobilissima visione | (suite-balletto), | |||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | Symphonische Metamorphosen, | ||||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | Octet for winds and strings | ||||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | Concerto for violin and orchestra | 1939 | Stern 14 | ||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | Cto per legni, arpa e orch | Hans Rosbaud | |||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | Sonata for violin and piano | Stern 28 | |||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | Requiem for those we love | ||||
HINDEMITH Paul | (Hanau, 1895-1963) | 1850 | String quartet n 6 in E flat | The New World Quartet ? Unknown string quartets | |||
HOFFMEISTER Franz Anton | (Ruttemburg am Neckar, 1754-1812) | 1750 | Serenade Es Dur | in Beethoven Oktett op 103/Hoffmeister Serenade | |||
HOIBY Lee | (Madisno, Winsconsin, 1926-20111) | 1900 | Concerto for piano and orchestra | in Thomson, Diamond, Hoiby | |||
HOLLIGER Heinz | (Langenthal, Svizzera, 1939) | 1900 | Violinkonzert, Hoomage a Louis Soutter | 2004 | |||
HOLST Gustav | ((1874-1934) | 1850 | The planets op 32 | ||||
HONEGGER Arthur | (Le Havre, 1892-1955) | 1850 | concerto per violoncello e orchestra | 4 | |||
HONEGGER Arthur | (Le Havre, 1892-1955) | 1850 | Hommage a Ravel | ||||
HONEGGER Arthur | (Le Havre, 1892-1955) | 1850 | Sonatine pour deux violons | ||||
HONEGGER Arthur | (Le Havre, 1892-1955) | 1850 | Sonate pour violoncelle et piano | ||||
HONEGGER Arthur | (Le Havre, 1892-1955) | 1850 | Sonate pour alto et piano | ||||
HONEGGER Arthur | (Le Havre, 1892-1955) | 1850 | Quatuor a cordes n 2 | ||||
HONEGGER Arthur | (Le Havre, 1892-1955) | 1850 | Concerto da camera | ||||
HORNER James | (Los Angeles, 1953-2015) | 1950 | Pas des deux | Mari & Hakon Samuelsen | |||
HORNER James | (Los Angeles, 1953-2015) | 1950 | Pas des deux - Arabesque | ||||
HOTTETERRE Jaques-Martin | (Paris, 1674-1763) | 1650 | Prelude pour la flute a bec | Giovanni Antonini, Il Giardino Armonico | |||
HOUGH Stephen | (b 1961) | 1950 | Sonata for cello and piano left hand Les Adieux | 2013 | Isserlis, Hough | 4 | |
HOUGH Stephen | (b 1961) | 1950 | The loneliest wilderness | Isserlis, Deutsches SO Berlin, Wolff | |||
HOWELLS Herbert | (Lydeny, Gloucestershire, 1892-1983) | 1850 | In Gloucertershire (string quartet n 3) | Divertimenti | 3 | ||
HUMMEL Johann Nepomuk | (Pressburg, Hungary, 1778 - 1837) | 1750 | Trumpet concerto s 49 | Andr | |||
HUMMEL Johann Nepomuk | (Pressburg, Hungary, 1778 - 1837) | 1750 | Piano concertos op 44 | 3 | |||
HUMMEL Johann Nepomuk | (Pressburg, Hungary, 1778 - 1837) | 1750 | Piano concerto op 85 | 4 | |||
HUMMEL Johann Nepomuk | (Pressburg, Hungary, 1778 - 1837) | 1750 | Violin concerto in G | ||||
HUMMEL Johann Nepomuk | (Pressburg, Hungary, 1778 - 1837) | 1750 | Potpourri op 94 | viola and orch | |||
HUMMEL Johann Nepomuk | (Pressburg, Hungary, 1778 - 1837) | 1750 | Adagio and Rondo alla Polacca | violin and orch | |||
HUMMEL Johann Nepomuk | (Pressburg, Hungary, 1778 - 1837) | 1750 | Variations op 115 | piano and orch | |||
HUMMEL Johann Nepomuk | (Pressburg, Hungary, 1778 - 1837) | 1750 | Concerto per violino, piano e orchestra op 17 | ||||
HUYBRECHTS Albert | (Dinant, 1899-1938) | 1850 | Premier quatuor a cordes | Lange (ten), Sakay (p), Quatuor de l'Opera Nationale de Belgique | |||
HUYBRECHTS Albert | (Dinant, 1899-1938) | 1850 | L'ombre set lustrale | Lange (ten), Sakay (p), Quatuor de l'Opera Nationale de Belgique | |||
HUYBRECHTS Albert | (Dinant, 1899-1938) | 1850 | O le calme jardin d'et | Lange (ten), Sakay (p), Quatuor de l'Opera Nationale de Belgique | |||
HUYBRECHTS Albert | (Dinant, 1899-1938) | 1850 | Concertino pour violoncelle et piano | Lange (ten), Sakay (p), Quatuor de l'Opera Nationale de Belgique | |||
HUYBRECHTS Albert | (Dinant, 1899-1938) | 1850 | Deuxieme quatuor a cordes | Lange (ten), Sakay (p), Quatuor de l'Opera Nationale de Belgique | |||
IBARRONDO Felix | (b. 1943) | 1900 | Phalene | 1983 | Trio a cordes de Paris | ||
IBERT Jacques | (Paris, 1890-1962) | 1850 | Flute concerto | Galway | |||
IBERT Jacques | (Paris, 1890-1962) | 1850 | Concertino da camera per sax contralto e 11 strumenti | ||||
INGENGERI Marc'Antonio | (Verona, 1535-1592) | 1500 | Notturni della settimana santa | A sei voci | |||
INGENGERI Marc'Antonio | (Verona, 1535-1592) | 1500 | Lamentazioni della settimana santa | A sei voci | |||
INGENGERI Marc'Antonio | (Verona, 1535-1592) | 1500 | Benedictus | A sei voci | |||
INGENGERI Marc'Antonio | (Verona, 1535-1592) | 1500 | Improperia | A sei voci | 3 | ||
INGENGERI Marc'Antonio | (Verona, 1535-1592) | 1500 | Miserere | A sei voci | 3 | ||
IRELAND John | (Bowdon, Manchester, 1879-1962) | 1850 | These things shall be | ||||
IRELAND John | (Bowdon, Manchester, 1879-1962) | 1850 | The forgotten rite | ||||
IRELAND John | (Bowdon, Manchester, 1879-1962) | 1850 | April | ||||
ISAAC Heinrich | (Netherland, 1450-1517) | 1450 | Optime Pastor | The Tallis scholars | |||
ISAACSON Michael | (Brooklin, NY, 1946) | 1900 | Dream chant | Donovetsky, Mitchell | |||
IVES Charles | (Danbury, 1874-1954) | 1850 | Central Park in the Dark | ||||
IVES Charles | (Danbury, 1874-1954) | 1850 | 3 places in New England | s | |||
IVES Charles | (Danbury, 1874-1954) | 1850 | Piano sonata n 2, | ||||
IVES Charles | (Danbury, 1874-1954) | 1850 | The Unanswered Question, | ||||
IVES Charles | (Danbury, 1874-1954) | 1850 | String quartet n 1 & 2 | 4 | |||
IVES Charles | (Danbury, 1874-1954) | 1850 | Sinfonia n 3 | 3 | |||
IVES Charles | (Danbury, 1874-1954) | 1850 | Sinfonia n.4 | 4 | |||
IVES Charles | (Danbury, 1874-1954) | 1850 | Psalm 90 | ||||
IYER Vijay | (Albany, NY, 1971) | 1950 | Run | Matt Haimovitz | |||
JACCHINI Giuseppe Maria | (Bologna 1667-1727) | 1650 | Sonata con 2 trombe in G major | St James Baroque Players, Ivor Bolton | |||
JACQUET DE LA GUERRE Elisabeth-Claude | (1665-1729) | 1650 | Sonata prima in re minore per violino e basso continuo | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | 3 | ||
JACQUET DE LA GUERRE Elisabeth-Claude | (1665-1729) | 1650 | Preludio della suite in La minore per clavicembalo | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | 3 | ||
JACQUET DE LA GUERRE Elisabeth-Claude | (1665-1729) | 1650 | Sonata prima per due violini e violoncello obbligato | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | |||
JACQUET DE LA GUERRE Elisabeth-Claude | (1665-1729) | 1650 | Sinfonia da Samson per sola voce e basso continuo | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | |||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Jenufa | (opera), | nd | s | |
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | On an overgrown path | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Paralipomena | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | In the mist | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Sonata for violin and piano | s | |||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Zdenka variations | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Souvenirs | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Musique pour un exercise de gymnastique | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Sinfonietta x orchestra, | Neumann, Czech Phil Orch | s | ||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Taras Bulba | Neumann, Czech P. O./Ancerl Czech PO. | s | ||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Nursery rhymes | Brumes d'enfance | |||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | 2 Quartetti per archi n.1 ?a Kreutzer? e n.2 ?Pagine intime?, | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Idilio x archi, | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | The diary of one who disappeared (Zapisnik zmiseleha) | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Moravian folksongs (Moravske lidov? pisne) | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Vzpominka | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Mlad? (Giovent?) | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Messa glagolitica | s | |||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Octe nas (The Lord's Prayer) | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Zdravas Maria | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Mass in E flat major | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Adagio I for organ | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Adagio II for organ | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Exaudi Deus | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Regnum Mundi | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | Suscepimus Deus | ||||
JANACEK Leos | (Hukvaldy, Rep. Ceca, 1854-1928) | 1850 | In nomine Jesus | ||||
JOLAS Betty | (Paris, 1926) | 1900 | A Fansy for Anssi(after Colombi's Chiacona) | Karttunen | |||
JOLIVET Andr | (Paris, 1905 - 1974) | 1900 | Trumpet concerto n 2 | Marsalis, Trumpet concertos | |||
JOMMELLI Niccol | (Aversa, 1714-1774) | 1700 | Beatus vir | ||||
JONES Adrian | (Svezia, 1978) | 1950 | Nybyggnan: cto per sax e quartetto d'archi | Daniel Reid, Jeanette Eriksson, S?rgio Cris?stomo, Adrian Jones & Anna Wallgren | 5 | ||
KABALEVSKY Dmitri | (San Pietroburgo, 1904-1987) | 1900 | Novellette op 27 n 25 | Leonard Elschenbroich | 3 | ||
KABALEVSKY Dmitri | (San Pietroburgo, 1904-1987) | 1900 | Cello conceto n 1 | Shfran, Kabalevsky, Moscow So | |||
KABALEVSKY Dmitri | (San Pietroburgo, 1904-1987) | 1900 | Cello conceto n 2 in C minor op 77 | Leonard Elschenbroich | 4 | ||
KACHATURJAN Aram | (Tbilisi, Georgia, 1903 - 1978) | 1900 | Spartacus, | balletto | s | ||
KACHATURJAN Aram | (Tbilisi, Georgia, 1903 - 1978) | 1900 | Concerto x pianoforte/orchestra | ||||
KACHATURJAN Aram | (Tbilisi, Georgia, 1903 - 1978) | 1900 | Concerto per violino e orchestra in Re, | Perlman | 4 | ||
KACHATURJAN Aram | (Tbilisi, Georgia, 1903 - 1978) | 1900 | Flute concerto | Galway | |||
KAIPAINEN Jouni | (Helsinki, 1956-2015) | 1950 | Anything goes (after Golombi's Chiacona) | Karttunen | |||
KALLIWODA Johann Wenzel | (1801-1866) | 1800 | Merceau de salon for oboe and piano op 228 | Paul Dombrecht (o), Jos van Immerseel (p) | |||
KALLIWODA Johann Wenzel | (1801-1866) | 1800 | Concertino in F major op 110 for oboe and orch | Goritzki | |||
KANCHELI Giya | (Tbilisi, 1935) | 1900 | Time ? and again | In l'istesso tempo | |||
KANCHELI Giya | (Tbilisi, 1935) | 1900 | V & V | In l'istesso tempo | |||
KANCHELI Giya | (Tbilisi, 1935) | 1900 | Piano quartet | In l'istesso tempo | |||
KARAINDROU Eleni | (Teichio in Pochis, Central Geece, 1941) | 1900 | David | 2010 | Kim Kashkashian, ERT chorus, Kamerata Orch, Alexandros Myrat | 5 | |
KEATING Zoe | (Guelph, Ontario, 1972) | 1950 | One Cello * 16, Natoma | 2005 | 4 | ||
KEATING Zoe | (Guelph, Ontario, 1972) | 1950 | Into the trees | 2010 | 4 | ||
KERNIS Aaron Jay | (Bensalem Township, Philadelphia, 1960) | 1950 | Air | (cello and orchestra) Mork | 3 | ||
KERNIS Aaron Jay | (Bensalem Township, Philadelphia, 1960) | 1950 | Musica instrumentalis | ||||
KERNIS Aaron Jay | (Bensalem Township, Philadelphia, 1960) | 1950 | Musica celestis | (String orchestra) Mork | 3 | ||
KERNIS Aaron Jay | (Bensalem Township, Philadelphia, 1960) | 1950 | Colored field | (cello and orchestra) Mork | 3 | ||
KERNIS Aaron Jay | (Bensalem Township, Philadelphia, 1960) | 1950 | Pieces of winter sky | ||||
KIM Earl | (Dinuba, California. 1920-1998) | 1900 | Violin concerto | in Starer/Kim Violin ctos - Perlman | |||
KIRNBERGER Johann Philipp | (1721-1783) | 1700 | Sonate B-dur for oboe and bass continuo | Paradise, Meyer | |||
KODALY Zoltan | (Kecskemet, Ungheria, 1882-1967) | 1850 | Variations on a Hungarian folk song The Peacock | in Bartok, The miraculous Mandarin | 3 | ||
KODALY Zoltan | (Kecskemet, Ungheria, 1882-1967) | 1850 | String quartets 1&2 | ||||
KODALY Zoltan | (Kecskemet, Ungheria, 1882-1967) | 1850 | Concerto for orchestra | ||||
KODALY Zoltan | (Kecskemet, Ungheria, 1882-1967) | 1850 | Hary Janos suite | ||||
KODALY Zoltan | (Kecskemet, Ungheria, 1882-1967) | 1850 | Duo op 7 | for violin and cello | |||
KODALY Zoltan | (Kecskemet, Ungheria, 1882-1967) | 1850 | Sonate pour violoncelle op 8 | Claret (cello)/Weilerstein | 3 | ||
KODALY Zoltan | (Kecskemet, Ungheria, 1882-1967) | 1850 | Sonate pour violoncelle et piano op 4 | Claret (cello) , Cabestany (p) | |||
KOECHLIN Charles | (1867-1950) | 1850 | Le repos de Tityre, Monodie op 216 n 10 | Albrecht Mayer, Markus Becker | |||
KOKAI Rezso | (1906-1962) | 1900 | Quartettino for clarinet, vln, viola and cello | ||||
KORNGOLD Erik Wolfang | (1897-1957) | 1850 | String quartet n 2 op 26 | 1937 | The New World Quartet ? Unknown string quartets | ||
KORNGOLD Erik Wolfang | (1897-1957) | 1850 | Violinconcerto op 35 | Itzhak Perlman | |||
KREBS Johann Ludwig | (1713-1780) | 1700 | Fantasie g-moll for oboe and orgel | Paradise, Meyer | |||
KREBS Johann Ludwig | (1713-1780) | 1700 | Fantasie C-dur for oboe and orgel | Paradise, Meyer | |||
KREIN Alexander | (Nizhny Novgovod, 1880-1951) | 1850 | Elegy op 16 | 1913 | Summerhayes, Spooner, Powell, Lixenberg, Drew, Almira string quartet | ||
KREIN Alexander | (Nizhny Novgovod, 1880-1951) | 1850 | Jewish melody op 43 | 1928 | Summerhayes, Spooner, Powell, Lixenberg, Drew, Almira string quartet | ||
KREIN Alexander | (Nizhny Novgovod, 1880-1951) | 1850 | Three songs from the ghetto op 29 | 1929 | Summerhayes, Spooner, Powell, Lixenberg, Drew, Almira string quartet | ||
KREIN Alexander | (Nizhny Novgovod, 1880-1951) | 1850 | two hebrew songs op 39 | 1926 | Summerhayes, Spooner, Powell, Lixenberg, Drew, Almira string quartet | ||
KREIN Alexander | (Nizhny Novgovod, 1880-1951) | 1850 | Poem quatuor op 9 | 1909 | Summerhayes, Spooner, Powell, Lixenberg, Drew, Almira string quartet | ||
KREIN Alexander | (Nizhny Novgovod, 1880-1951) | 1850 | Five preludes op 3 | 1903-6 | Summerhayes, Spooner, Powell, Lixenberg, Drew, Almira string quartet | ||
KREIN Alexander | (Nizhny Novgovod, 1880-1951) | 1850 | Aria op 41 | 1927 | Summerhayes, Spooner, Powell, Lixenberg, Drew, Almira string quartet | ||
KREIN Alexander | (Nizhny Novgovod, 1880-1951) | 1850 | Jewish sketches op 12 | 1909 | Summerhayes, Spooner, Powell, Lixenberg, Drew, Almira string quartet | ||
KREISLER Fritz | (Vienna, 1875-1962) | 1850 | Caprice Viennois op 2 | Itzhak Perlman | |||
KREISLER Fritz | (Vienna, 1875-1962) | 1850 | Songs my mother taught me op 55 | Itzhak Perlman | |||
KREISLER Fritz | (Vienna, 1875-1962) | 1850 | Tempo di minuetto (in the style of Pugnani) | Itzhak Perlman | |||
KREISLER Fritz | (Vienna, 1875-1962) | 1850 | Tambourin chinois op 3 | Itzhak Perlman | |||
KREISLER Fritz | (Vienna, 1875-1962) | 1850 | Recitativo, scherzo e capriccio op 6 | Itzhak Perlman | |||
KREISLER Fritz | (Vienna, 1875-1962) | 1850 | Andantino (in the stye of Martini) | Itzhak Perlman | |||
KREISLER Fritz | (Vienna, 1875-1962) | 1850 | Siciliano & Rigaudon (in the style of Francoeur) | Itzhak Perlman | |||
KREISLER Fritz | (Vienna, 1875-1962) | 1850 | Toy soldiers march | Itzhak Perlman | |||
KREJCI Isa | (1904-1968) | 1900 | Serenade for orchestra | Karel Ancerl, Czech P. O. | |||
KRENEK Ernst | (Vienna, 1900-1991) | 1850 | Circled horizon op 196 | ||||
KRENEK Ernst | (Vienna, 1900-1991) | 1850 | Violin concerto n 2 op 140 | ||||
KRENEK Ernst | (Vienna, 1900-1991) | 1850 | Organ concerto n 2 op 235 | ||||
KREUTZER Conradin | (Messkirk, Baden, 1780-1849) | 1750 | Trio fur klavier, klarinette und fagot | Stalder, Schmid, Stifner, Jappe, Junghanns, Speiser | |||
KREUTZER Conradin | (Messkirk, Baden, 1780-1849) | 1750 | Das Muhlrad fur sopran, klarinette und klavier | Stalder, Schmid, Stifner, Jappe, Junghanns, Speiser | |||
KREUTZER Conradin | (Messkirk, Baden, 1780-1849) | 1750 | Trio fur 2 klarinetten und viola | Stalder, Schmid, Stifner, Jappe, Junghanns, Speiser | |||
KROMMER Franz | (1759-1831) | 1750 | Concerto op 37 for oboe and orch | Goritzki | |||
KROMMER Franz | (1759-1831) | 1750 | Quartet for bassoon, 2 violas and cello op 46 n 1 | Simon van Holen | 3 | ||
KROMMER Franz | (1759-1831) | 1750 | Concertino for contrabassoon and sring quartet | Simon van Holen | 3 | ||
KROMMER Franz | (1759-1831) | 1750 | Concerto per 2 clarinetti e orch op 35 | Sabine e Wolfgang Meyer | |||
KROMMER Franz | (1759-1831) | 1750 | Concerto per 2 clarinetti e orch op 91 | Sabine e Wolfgang Meyer | |||
KROUSE Ian | (Olney, Mariland, 1956) | 1950 | Rhapsody for violin and orchestra | 3 | |||
KROUSE Ian | (Olney, Mariland, 1956) | 1950 | Cuando se abre en la manana | 2 | |||
KROUSE Ian | (Olney, Mariland, 1956) | 1950 | Thamar y Ammon | 3 | |||
KROUSE Ian | (Olney, Mariland, 1956) | 1950 | Tientos | 2 | |||
KRUFFT Nicolaus von | (Vienna, 1779-1818) | 1750 | Horn sonata in F | Greer | |||
KUHLAU Friedrick | (Danish, 1786-1832) | 1750 | Flute quintet n 1 op 51/1 | Rampal | |||
KUHLAU Friedrick | (Danish, 1786-1832) | 1750 | Flute quintet n 2 op 51/2 | Rampal | |||
KURTAG Gyorgy | (Lugoj, Hungary, 1926) | 1900 | String quartet op 1 | 1 | |||
KURTAG Gyorgy | (Lugoj, Hungary, 1926) | 1900 | Hommage a Mihaly Andras | 1 | |||
KUULA Toivo | (1883-1918) | 1850 | Scherzo | 1905 | Pihtipudas Qvintetti | ||
KUULBERG Mati | (1947-2001) | 1900 | Sonate for 2 klaviere | 3 | |||
KUULBERG Mati | (1947-2001) | 1900 | Saxophon quartett | 2 | |||
KUULBERG Mati | (1947-2001) | 1900 | Klaviertrio | 2 | |||
KUULBERG Mati | (1947-2001) | 1900 | Kunzert fuer floete und orch | 1 | |||
KVANDAL Johan | (1919-1999) | 1900 | Violin concerto op 52 | 3 | |||
LACHENMANN Helmut | (Stuttgart, 1935) | 1900 | Reigen seliger geister | 1 | |||
LACHENMANN Helmut | (Stuttgart, 1935) | 1900 | Tanzsuite mit Deutschlandlied | 1 | |||
LACHNER Franz Paul | (1803-1890) | 1800 | Symphony n 5 Passionata | Slovak State PO, Paul Robinson | |||
LALO Edouard | (Lilla, 1823-1892) | 1800 | Symphonie espagnole op.21 | Stern vol 8 | 3 | ||
LALO Edouard | (Lilla, 1823-1892) | 1800 | concerto n.1 op.20 | ||||
LALO Edouard | (Lilla, 1823-1892) | 1800 | Le roi d?Hys | (opera) | |||
LALO Edouard | (Lilla, 1823-1892) | 1800 | Sonata per violino e piano op 12 | ||||
LALO Edouard | (Lilla, 1823-1892) | 1800 | concerto x violoncello e orchestra in Re minore | Yo-Yo Ma, Maazel/Fournier | |||
LALO Edouard | (Lilla, 1823-1892) | 1800 | Melodie per contralto | ||||
LALO Edouard | (Lilla, 1823-1892) | 1800 | String quarte op 45 | Quatuor a corde de Paris | |||
LAMBARDO Francesco (Lambardi?) | (Napoli, 1587-1642) | 1550 | Toccata | Fabio Bonizzoni, Schola Stirps Jesse | |||
LAMBERT Constant | (Londra, 1905-1951) | 1900 | Concert o for piano and 9 players | ||||
LAMBERT Constant | (Londra, 1905-1951) | 1900 | Eight poems of Li-Po | ||||
LAMBERT Constant | (Londra, 1905-1951) | 1900 | Sonata for piano | ||||
LAMBERT Constant | (Londra, 1905-1951) | 1900 | Mr Bear squash you all | ||||
LANDINI Carlo Alessandro | (Milano, 1954) | 1950 | Sonata n 2 per pianoforte | Carlo Levi Minzi | |||
LANDOWSKI Marcel | (Pont L'Abb?, Bretagne, 1915-1999) | 1900 | Symphonie n 1 Jean de la peur | 1949 | George Pretre, ON de France | ||
LANDOWSKI Marcel | (Pont L'Abb?, Bretagne, 1915-1999) | 1900 | Symphonie n 3 des espaces | 1965 | George Pretre, ON de France | ||
LANDOWSKI Marcel | (Pont L'Abb?, Bretagne, 1915-1999) | 1900 | Symphonie n 4 | 1988 | George Pretre, ON de France | ||
LANG David | (Los Angeles, California, 1957) | 1950 | World to come | Maya Beiser | 4 | ||
LANG David | (Los Angeles, California, 1957) | 1950 | The little match girl passion | ||||
LANGGAARD Rued | (Copenhagen, 1893-1952) | 1850 | Symphony n 13 | 3 | |||
LANGGAARD Rued | (Copenhagen, 1893-1952) | 1850 | Symphony n 16 | 3 | |||
LANGLAIS Jean | (1907-1991) | 1900 | Messa Salve Regina | ||||
LANGLAIS Jean | (1907-1991) | 1900 | Psaume solemnel n 3 | ||||
LANGLAIS Jean | (1907-1991) | 1900 | Motets | ||||
LARSSON Lars-Erik | (Akarp, Sweden, 1908-1986) | 1900 | Forkladd Gud (a God in disguise). Lyric suite op 24 | 1930-40 | Helsinborg SO, Sten Frykberg | ||
LARSSON Lars-Erik | (Akarp, Sweden, 1908-1986) | 1900 | Symphony n 3 in C minor op 34 | 1944-5 | Helsinborg SO, Sten Frykberg | ||
LASSO (Lassus) Orlando di | (Mons, Hainault, 1530/2-1594) | 1500 | Psalmi Davidis poenitentiales | Hilliard ensemble | |||
LAWRY Marc | (Riga 1903 - Haifa 1967) | 1900 | Emek, symphonic poem | ||||
LAZAROV Henri | (Sofia, 1932-2013) | 1900 | Violin concerto | Yukiko Kamei, Seattle Symph | 3 | ||
LAZAROV Henri | (Sofia, 1932-2013) | 1900 | Symphony n 2 | Seattle Symph | |||
LAZAROV Henri | (Sofia, 1932-2013) | 1900 | Clarinet concerto | David Singer, Seattle Symph | |||
LAZZARI Raffaello | (Medicina, 1845-1924) | 1800 | Cinq morceaux op 5 per violino e piano | Defant, Bambace | |||
LAZZARI Sylvio | (Bolzano, 1857-1944) | 1850 | String quartet op 17 | Quatuor a corde de Paris | 3 | ||
LAZZARI Sylvio | (Bolzano, 1857-1944) | 1850 | Sonata per violino e piano op 24 | Defant, Bambace | 3 | ||
LEBEAU Luise Adolpha | (1850-1927) | Romanza op 24 peer cello e piano | Thomas Bless, Maria Bergmann | ||||
LEBRUN Ludwig August | (1752-1790) | 1750 | Concerto per oboe e orchestra n1 | Heniz Holliger | |||
LECLAIR Jean Marie | (Lione, 1697-1784) | 1650 | Violin sonata in D op 9 n 3 | Grumiaux | 4 | ||
LECLAIR Jean Marie | (Lione, 1697-1784) | 1650 | Sonata for flute op 2 n 3, 5, 11 | Flora Danica | |||
LECLAIR Jean Marie | (Lione, 1697-1784) | 1650 | Sonata for flute op 9, n 2 e 7 | Flora Danica | |||
LEFEBURE Charles | (1843-1917) | 1800 | Suite op 57 | Aulos wind quartet | |||
LEGRENZI Giovanni (Giovan Battista) | (Clusone, BG, 1626-1690) | 1600 | Sonate e balletti per strumenti ad arco | Sonatori de la Gioiosa Marca | |||
LEHAR Franz | (Komarom, Austria, 1870-1948) | 1850 | Tatjana | ||||
LEHAR Franz | (Komarom, Austria, 1870-1948) | 1850 | Fieber | 3 | |||
LEHAR Franz | (Komarom, Austria, 1870-1948) | 1850 | Il guado | ||||
LEHAR Franz | (Komarom, Austria, 1870-1948) | 1850 | Concertino for violin and orch | ||||
LEHAR Franz | (Komarom, Austria, 1870-1948) | 1850 | Eine vision, meine jugendzeit | ||||
LEHAR Franz | (Komarom, Austria, 1870-1948) | 1850 | Donaulegenden | ||||
LEHAR Franz | (Komarom, Austria, 1870-1948) | 1850 | Gold und silber | ||||
LEIBNOWITZ Ren | (1913-1972) | 1900 | Serenade op 38 | 1 | |||
LEIBNOWITZ Ren | (1913-1972) | 1900 | 3 pices pour piano op 19 | 1 | |||
LEIGHTON Kenneth | (Wakefiled, Yorkshire, 1929-1988) | 1900 | Cello concerto | 3 | |||
LEIGHTON Kenneth | (Wakefiled, Yorkshire, 1929-1988) | 1900 | Symphony n 3 | 2 | |||
LEIGHTON Kenneth | (Wakefiled, Yorkshire, 1929-1988) | 1900 | Fantasia contrappuntistica op 24 | ||||
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Molto adagio pour quatuor a cordes | 1887 | Camerata string quartet | 3 | |
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Meditation pour quatuor d'instruments a cordes | 1887 | Camerata string quartet | ||
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Quatuor avec piano | 1893-4 | 3 | ||
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Quator a cordes en sol majeur | 1988 | Camerata string quartet | ||
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Larghetto pour violoncelle solo et ensemble | 1892 | 3 | ||
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Adagio pour quatuor d'orchestre | 1891 | 3 | ||
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Trois poemes pour soprano et piano | 1892 | 3 | ||
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Trio en UT mineur pour piano, violon and violoncelle | 1890 | 4 | ||
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Violin sonata in G major | 1892-3 | Grumiaux, Varsi | 3 | |
LEKEU Guillaume | (Heusy, 1870-1894) | 1850 | Sonata for cello and piano in F major | Brunello, Lucchesini | 4 | ||
LENNERS Claude | (Luxembourg city, 1956) | 1950 | Codex latinus | 1 | |||
LENNERS Claude | (Luxembourg city, 1956) | 1950 | Half moon fragments | 1 | |||
LENNERS Claude | (Luxembourg city, 1956) | 1950 | apollo | 1 | |||
LENNERS Claude | (Luxembourg city, 1956) | 1950 | Pan | 1 | |||
LENNERS Claude | (Luxembourg city, 1956) | 1950 | Alba | 1 | |||
LENNERS Claude | (Luxembourg city, 1956) | 1950 | tete-a-tete | 1 | |||
LENNERS Claude | (Luxembourg city, 1956) | 1950 | 3rd dream | 1 | |||
LEO Leonardo | (San Vito dei Normanni, 1694-1744) | 1650 | 6 cti per violoncello , 2 violini e continuo | Arturo Bonucci (cello), Ensemble Strumentale Italiano/Sollima (n3) | 3 | ||
LEO Leonardo | (San Vito dei Normanni, 1694-1744) | 1650 | Concerto per 4 violini obbligati e continuo | Arturo Bonucci (cello), Ensemble Strumentale Italiano | 3 | ||
LEONCAVALLO Ruggero | (Napoli, 1857 - 1919) | 1850 | I Pagliacci | s | |||
LEONI Leone | (Verona, 1560 - Vicenza, 1627) | 1550 | Magnificat | ||||
LEONI Leone | (Verona, 1560 - Vicenza, 1627) | 1550 | Exsurge, Maria | ||||
LEONI Leone | (Verona, 1560 - Vicenza, 1627) | 1550 | Tota pulchra | ||||
LEONI Leone | (Verona, 1560 - Vicenza, 1627) | 1550 | Missa Ab austro veniet | ||||
LERDAHL Fred | (Madison, Winsconsin, 1943) | 1900 | Waves | ||||
LERDAHL Fred | (Madison, Winsconsin, 1943) | 1900 | Three and back again (after Colombi's Chiacona | Karttunen | |||
LESHNOFF Jonathan | (New Jersey, 1973) | 1950 | Zohar | Atlanta SO and choir, Robert Spano | 4 | ||
LESHNOFF Jonathan | (New Jersey, 1973) | 1950 | Symphny n 2 Innerspace | Atlanta SO and choir, Robert Spano | 4 | ||
LEVITCH Leon | (b. 1927) | 1900 | Ricordo di Mario (Castelnuovo- Tedesco) | 2 | |||
LEVITCH Leon | (b. 1927) | 1900 | Sonata per viola e piano op 11 | 2 | |||
LEVITCH Leon | (b. 1927) | 1900 | Sonata per violino solo | 2 | |||
LEVITCH Leon | (b. 1927) | 1900 | Sonata per violino e piano | 2 | |||
LEVITCH Leon | (b. 1927) | 1900 | Song without words | Donovetsky, Mitchell | |||
LIANI Davide | (b. 1921) | 1900 | dai Ricuarz (riferimenti al canto popolare friulano per flauto e piano) | 1984 | Luisa Sello (fl), Maria Grazia Cabai (p) | 3 | |
LIDHOLM Ingvar | (Jonkoping, Sweden, 1921) | 1900 | Music for strings | 2 | |||
LIDHOLM Ingvar | (Jonkoping, Sweden, 1921) | 1900 | Nausicaa alone | 2 | |||
LIDHOLM Ingvar | (Jonkoping, Sweden, 1921) | 1900 | Greetings from an old world | 2 | |||
LIDHOLM Ingvar | (Jonkoping, Sweden, 1921) | 1900 | Kontakion | ||||
LIEBERMANN Rolf | (b. 1910) | 1900 | Furioso for orchestra | Ferenc Fricsay | |||
LIEBERMANN Rolf | (b. 1910) | 1900 | Cto for jazzband and symphony orch | ||||
LIEBERMANN Rolf | (b. 1910) | 1900 | Klavierkonzert | ||||
LIEBERMANN Rolf | (b. 1910) | 1900 | Enigma | ||||
LIEBERSON Peter | (NYC, 1946 - 2011) | 1900 | Piano concerto | 3 | |||
LIEBERSON Peter | (NYC, 1946 - 2011) | 1900 | Piano concerto n 3 | ||||
LIEBERSON Peter | (NYC, 1946 - 2011) | 1900 | Rilke songs | 3 | |||
LIEBERSON Peter | (NYC, 1946 - 2011) | 1900 | The six realms | Cello and orch | 3 | ||
LIEBERSON Peter | (NYC, 1946 - 2011) | 1900 | Horn concerto | ||||
LIEBERSON Peter | (NYC, 1946 - 2011) | 1900 | Variation for violin and piano | ||||
LIEBERSON Peter | (NYC, 1946 - 2011) | 1900 | Neruda songs | ||||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Le grand macabre | (opera) Salonen, Philarmonia o | |||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Requiem | 1962-3 | |||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Aventures | 1962-3 | |||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Nouvelles aventures | 1962-5 | |||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Cello concerto | ||||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Violin concerto | ||||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Sippal, Dobbal, Nadihegeduvel, | ||||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Lux aeterna x coro a cappella | ||||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | 6 Bagatellen fur blasrquintett | 1953 | |||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Doppelkonzert fur flote und oboe | 1972 | |||
LIGETI Gy?rgy | (Tarnaveni, Ungheria, 1923-2006) | 1900 | Sonata for solo cello | Haimovitz/Weilerstein | 3 | ||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Piano concerto n 1 | 3 | |||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Piano concerto n 2 | Yefin Bronfman, NY PO(nomination grammy 2014) | 4 | ||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Clarinet concerto | ||||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Violin concerto | Pekka Kuusisto, Tapiola sinfonietta | 4 | ||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Kraft | New York PO | 3 | ||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Cello concerto n 1 | ||||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Cello concerto n 2 | ||||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Al largo | New York PO | 3 | ||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Jubilees | Magnus Lindberg, Tapiola sinfonietta | |||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Souvenir | Magnus Lindberg, Tapiola sinfonietta | |||
LINDBERG Magnus | (Helsinki, 1958) | 1950 | Duello (after Colombi's Chiacona) | Karttunen | |||
LIPATTI Dinu | (1917-1950) | 1900 | Concertino op 3 | 1936 | Marco Vincenzi (p) Padua and Veneto CO | 4 | |
LIPATTI Dinu | (1917-1950) | 1900 | Notturno in A minor | 1957 | Marco Vincenzi (p) Padua and Veneto CO | 3 | |
LIPATTI Dinu | (1917-1950) | 1900 | Notturno in F sharp minor | 1939 | Marco Vincenzi (p) Padua and Veneto CO | 3 | |
LIPATTI Dinu | (1917-1950) | 1900 | Sonatina for the left hand | 1941 | Marco Vincenzi (p) Padua and Veneto CO | ||
LIPATTI Dinu | (1917-1950) | 1900 | Pastorale BWV 590 (Transcription) | 1942 | Marco Vincenzi (p) Padua and Veneto CO | ||
LIPATTI Dinu | (1917-1950) | 1900 | 2 Bach trasncriptions from cantata BWV 208 | 1950 | Marco Vincenzi (p) Padua and Veneto CO | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Via Crucis | Musica Sacra | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | De profundis | Steven Mayer, London Symphony orch | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Dante Sinfonie | James Conlon, Choer de cencert de Helmond, Rotterdam Phil | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Eine-Faust Sinfonie s 108 | s | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Rapsodie Ungheresi s 244 | Misha Dichter | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Rapsodie Ungheresi s 359 | Misha Dichter | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Concerto x pianoforte/orchestra n.1 s 124 | Brendel, Vienna pro musica orch | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Concerto x pianoforte/orchestra n.2 s 125 | Brendel, Vienna pro musica orch | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Totentanz s 126 | Steven Mayer, London S.O./Lisitsa | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Mefisto waltz s 514 | Claudio Arrau | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Piano Sonata in Si minore s 178 | Claudio Arrau/Lazar Berman | 4 | s | |
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Etudes d?execution trascendante s 139 | s | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Les prelude s 97 | Brendel, Vienna pro musica orch | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Prelude and fugue on the motive B-A-C-H s 260i | s | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Liebestraum, 3 notturnos s 541 | Claudio Arrau | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Etudes d?apr?s Paganini, | ||||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Ann?es de p?lerinage: 1 ann?e, La Suisse | Ciccolini | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Ann?es de p?lerinage: 2 ann?e, L'Italie | Ciccolini | 3 | s | |
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Supplement: Venezia e Napoli | Ciccolini | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Ann?es de p?lerinage: 3 ann?e, L'Italie | Ciccolini | s | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Apres une lecture de Dante | Ciccolini | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Harmonies po?tiques et religieuses, | ||||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Elegie | Yo-Yo Ma | 3 | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | La lugubre gondole | Yo-Yo Ma | 3 | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Romance oubli | Yo-Yo Ma | 3 | ||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Duxieme elegie | 3 | |||
LISZT Franz | (Doborjan, Hungary, 1811-1886) | 1800 | Lieberstraume | ||||
LLOYD George | (1913-1998) | 1900 | Piano concerto n 1 (The Scapegoat) | 3 | |||
LLOYD George | (1913-1998) | 1900 | Piano concerto n 2 | ||||
LLOYD George | (1913-1998) | 1900 | Requiem (in memory of lady Diana) | ||||
LLOYD George | (1913-1998) | 1900 | Le Ebridi | Ouverture | |||
LLOYD WEBBER Andrew | (London, 1948) | 1900 | Requiem | Placido Domingo, Sarah Brightman, Lorin Maazel | |||
LOCATELLI Pietro Antonio | (1695-1764) | 1650 | L?arte del violino op.3 - 12 concerti | ||||
LOCATELLI Pietro Antonio | (1695-1764) | 1650 | L?arte del violino op.3 - 24 capricci | ||||
LOEFFLER Charles M | (1861-1935) | 1850 | Music for 4 stringed instruments | 1917 | Kohon quartet - Unknown string quartets | ||
LOEFFLER Charles M | (1861-1935) | 1850 | 2 rhapsodies for oboe, viola & piano | John Mach | 3 | ||
LOEILLET Jean-Baptiste | (1653-1728) | 1650 | Trumpet Sonata in A | Andr | |||
LONATI Carlo Ambrogio | (Milano, 1645-1710) | 1600 | Sonate per violino (n 2, 3, 4, 10, 11 e 12) | 1701 | Christoph Timpe, Accademia per Musica | 4 | |
LOTT Ryan (Son Lux) | (Denver, 1979) | 1950 | To Love | Eight Blackbird | |||
LOTT Ryan (Son Lux) | (Denver, 1979) | 1950 | This is my line | Eight Blackbird | |||
LOTTI Antonio | (Venezia, 1667-1740) | 1650 | concerto per oboe d'amore, archi e continuo in la magg | Holliger, I Musici | |||
LOTTI Antonio | (Venezia, 1667-1740) | 1650 | Requiem | Thomas Helgelbrock, Balthasar Neumann choir | 4 | ||
LOTTI Antonio | (Venezia, 1667-1740) | 1650 | Miserere | Thomas Helgelbrock, Balthasar Neumann choir | 4 | ||
LOTTI Antonio | (Venezia, 1667-1740) | 1650 | Credo | Thomas Helgelbrock, Balthasar Neumann choir | 3 | ||
LOUSSIER Jacques | (b. 1934) | 1900 | Lumieres - Messe baroque du XXI siecle | 3 | |||
LUCHESI Andrea | (Motta di Livenza, 1741-1801) | 1700 | Sinfonia della passione di N.S. Ges? Cristo | 1774-6 | Orch barocca di Cremona, G. B. Columbro | ||
LUCHESI Andrea | (Motta di Livenza, 1741-1801) | 1700 | Aria di Giuseppe torbido mar ceh freme | Orch barocca di Cremona, G. B. Columbro | |||
LUCHESI Andrea | (Motta di Livenza, 1741-1801) | 1700 | Aria di Giovanni Come a vista di pene si fiere | Orch barocca di Cremona, G. B. Columbro | |||
LUCHESI Andrea | (Motta di Livenza, 1741-1801) | 1700 | Sinfonia avanti l'opera da L'Ademira | 1784 | Orch barocca di Cremona, G. B. Columbro | ||
LUCHESI Andrea | (Motta di Livenza, 1741-1801) | 1700 | Dal Requiem e Dies Irae: Quantus tremor | 1771 | Orch barocca di Cremona, G. B. Columbro | ||
LUCHESI Andrea | (Motta di Livenza, 1741-1801) | 1700 | Dal Requiem e Dies Irae: Qui Mariam | 1771 | Orch barocca di Cremona, G. B. Columbro | ||
LUCHESI Andrea | (Motta di Livenza, 1741-1801) | 1700 | Dal Requiem e Dies Irae: Oro supplex | 1771 | Orch barocca di Cremona, G. B. Columbro | ||
LUCHESI Andrea | (Motta di Livenza, 1741-1801) | 1700 | Dal Requiem e Dies Irae: Lacrimosa | 1771 | Orch barocca di Cremona, G. B. Columbro | ||
LUTOSLAWSKI Witold | (Warsaw, 1913-1994) | 1900 | Cello concerto | 3 | |||
LUTOSLAWSKI Witold | (Warsaw, 1913-1994) | 1900 | Dance preludes | ||||
LUTOSLAWSKI Witold | (Warsaw, 1913-1994) | 1900 | Concerto for oboe and harp | ||||
LUTOSLAWSKI Witold | (Warsaw, 1913-1994) | 1900 | Concerto x orchestra, | ||||
LUTOSLAWSKI Witold | (Warsaw, 1913-1994) | 1900 | Sinfonia n.3 | ||||
LUTOSLAWSKI Witold | (Warsaw, 1913-1994) | 1900 | String quartets n 1 & 2 | 1 | |||
MAASZ Gerhard | (1906?1984) | 1900 | Toccata | ||||
MAASZ Gerhard | (1906?1984) | 1900 | Gavotte und musette | ||||
MAASZ Gerhard | (1906?1984) | 1900 | Air | ||||
MAASZ Gerhard | (1906?1984) | 1900 | Gigue | ||||
MAAZEL Lorin | (Neuilly-sur-Seine, 1930) | 1900 | Music for violoncello and orchestra op 10 | ||||
MAAZEL Lorin | (Neuilly-sur-Seine, 1930) | 1900 | Music for flute and orchestra op 11 | Galway | |||
MAAZEL Lorin | (Neuilly-sur-Seine, 1930) | 1900 | Music for violin and orchestra op 12 | Maazel (violin) | |||
MACDOWELL Edward | (NYC, 1860-1908) | 1850 | Piano concerto n 2 op 23 | ||||
MACHA Otmar | (b. 1922) | 1900 | Variations on a theme by and on the Death of Jan Rychlik | Karel Ancerl, Czech P. O. | |||
MACKENZIE Alexander | (1847-1935) | 1800 | Violin cto in C sharp minor op 32 | Malcom Steward, Royal Scottish orch | 3 | ||
MACKENZIE Alexander | (1847-1935) | 1800 | Pibroch op 42 | Malcom Steward, Royal Scottish orch | |||
MACONCHY Elizabeth | (Broxbourne, Hertfordshire, 1907-1994) | 1900 | String quartets 1-4 | 3 | |||
MADERNA Bruno | (Venezia, 1920 - 1973) | 1900 | Concerto per violino | ||||
MADERNA Bruno | (Venezia, 1920 - 1973) | 1900 | Concerto n 2 per oboe | ||||
MADERNA Bruno | (Venezia, 1920 - 1973) | 1900 | Quadrivium | ||||
MADETOJA Leevi | (Oulu, Finland, 1887-1947) | 1850 | Comedy overture op 53 | The Iceland Symphony Orchestra, Petri Sakari | |||
MADETOJA Leevi | (Oulu, Finland, 1887-1947) | 1850 | Symphony n 3 op 55 | 1926 | The Iceland Symphony Orchestra, Petri Sakari | ||
MADETOJA Leevi | (Oulu, Finland, 1887-1947) | 1850 | Okon Fuoko op 58 | 1927 | The Iceland Symphony Orchestra, Petri Sakari | ||
MADETOJA Leevi | (Oulu, Finland, 1887-1947) | 1850 | Pohjalainen sarja op 52 | 1924 | The Iceland Symphony Orchestra, Petri Sakari | 3 | |
MAGGINI Ermanno | (Intragna in Ticino, 1931-1991) | 1900 | Via Crucis | Erich Vollenwyder | |||
MAGGINI Ermanno | (Intragna in Ticino, 1931-1991) | 1900 | Ultima verba Christi | Erich Vollenwyder | |||
MAGGINI Ermanno | (Intragna in Ticino, 1931-1991) | 1900 | Patmos | Erich Vollenwyder | |||
MAGI Ester (Maegi) | (Estonia, 1922) | 1900 | Serenade (1982) | 3 | |||
MAGI Ester (Maegi) | (Estonia, 1922) | 1900 | Haiku (1977) | ||||
MAGI Ester (Maegi) | (Estonia, 1922) | 1900 | Cantus (1987) | ||||
MAGI Ester (Maegi) | (Estonia, 1922) | 1900 | Huiked (1995) | ||||
MAGI Ester (Maegi) | (Estonia, 1922) | 1900 | Dialoge (1976) | ||||
MAGI Ester (Maegi) | (Estonia, 1922) | 1900 | Variationen (1972) | ||||
MAGI Fortunato | (1839-92) | 1800 | Sinfonia a piena orchestra e banda | Orch Lirico sinfonica di Lucca, Giuliano Carella | |||
MAGI Fortunato | (1839-92) | 1800 | Christus, mottetto a cinque voci | Coro cappella Santa Cecilia di Lucca | |||
MAGI Fortunato | (1839-92) | 1800 | Ecce lux nova | Orch Lirico sinfonica di Lucca, Giuliano Carella | |||
MAGNARD Alberique | (1865-1914) | 1850 | Symphony n 2 op 6 | 1892-6 | |||
MAGNARD Alberique | (1865-1914) | 1850 | Symphony n 4 op 21 | 1911-2 | |||
MAHAUT Antoine | (Namur, 1719-1775) | 1700 | Cto in mi minore per flauto, archi e continuo | Camerata Leodiensis, H. Schoonbroodt | |||
MAHAUT Antoine | (Namur, 1719-1775) | 1700 | Sinfonia n 1 in fa magg per archi e continuo | Camerata Leodiensis, H. Schoonbroodt | |||
MAHAUT Antoine | (Namur, 1719-1775) | 1700 | Sinfonia op II n 4 per archi e continuo | Camerata Leodiensis, H. Schoonbroodt | |||
MAHAUT Antoine | (Namur, 1719-1775) | 1700 | Sinfonia n 5 in re magg per archi e continuo | Camerata Leodiensis, H. Schoonbroodt | |||
MAHAUT Antoine | (Namur, 1719-1775) | 1700 | Cto in re minore per flauto, archi e continuo | Camerata Leodiensis, H. Schoonbroodt | |||
MAHAUT Antoine | (Namur, 1719-1775) | 1700 | Sinfonia op II n 6 per archi e continuo | Camerata Leodiensis, H. Schoonbroodt | |||
MAHLER Gustav | (Kalischt, Austria, 1860-1911) | 1850 | Sinfonie: n.1 - 10 | s | |||
MAHLER Gustav | (Kalischt, Austria, 1860-1911) | 1850 | Das Lied von der Erde per contralto/tenore/orchestra | s | |||
MAHLER Gustav | (Kalischt, Austria, 1860-1911) | 1850 | Lieder eines fahrenden Gesellen, | s | |||
MAHLER Gustav | (Kalischt, Austria, 1860-1911) | 1850 | Das klagende lied, | ||||
MAHLER Gustav | (Kalischt, Austria, 1860-1911) | 1850 | Kindertotenlieder | ||||
MAHLER Gustav | (Kalischt, Austria, 1860-1911) | 1850 | Des Knaben Wunderhorn Lieder | s | |||
MAINERIO Giorgio | (1535ca-1582) | 1500 | Il primo libro dei balli | Consort veneto | |||
MALEC Ivo | (Zagreb, 1925) | 1900 | Ottava bassa (1984 | ||||
MALEC Ivo | (Zagreb, 1925) | 1900 | Arco 11 | ||||
MALEC Ivo | (Zagreb, 1925) | 1900 | Cantata pour elle (1966) | ||||
MALIPIERO Gian Francesco | (Venezia, 1882-1973) | 1850 | Rispetti e strambotti, | ||||
MALIPIERO Gian Francesco | (Venezia, 1882-1973) | 1850 | Cantari alla madrigalesca, | ||||
MALIPIERO Gian Francesco | (Venezia, 1882-1973) | 1850 | I selvaggi | grotteco | |||
MALIPIERO Gian Francesco | (Venezia, 1882-1973) | 1850 | Sonatina (1942) | cello&piano | |||
MALIPIERO Gian Francesco | (Venezia, 1882-1973) | 1850 | Sinfonia n.4 | ||||
MANFREDINI Francesco | (Pistoia, 1684-1762) | 1600 | 12 concerti op 3 (n 12 Pastorale per il SS Natale ) | 1718 | Les Amis de Philippe, Ludger Remy | 4 | |
MANIERO Giorgio | (Parma, 153?-1582) | 1500 | Il primo libro de balli | Consort Veneto | |||
MANSURIAN Tigran (Manssurjan) | (Beirut, 1939) Armenian | 1900 | Monodia | 3 | |||
MANSURIAN Tigran (Manssurjan) | (Beirut, 1939) Armenian | 1900 | concerto per violoncello n 2 | 4 | |||
MANSURIAN Tigran (Manssurjan) | (Beirut, 1939) Armenian | 1900 | Concerto per violino e violoncello | 3 | |||
MANSURIAN Tigran (Manssurjan) | (Beirut, 1939) Armenian | 1900 | Concerto per violino e orchestra | 3 | |||
MANZONI Giacomo | (b. 1932) | 1900 | Masse: omaggio a Edgar Varese | 1977 | Pollini, Berliner Ph./Sinopoli | ||
MARAIS Marin | (Paris, 1656-1728) | 1650 | Pieces de viole book 2, suite n 4 | Savall, Lex voix humaines | |||
MARAIS Marin | (Paris, 1656-1728) | 1650 | Pieces de viole book 2, Tombeau pour Saint-Colombe | Savall, Toutes les matins du monde | |||
MARAIS Marin | (Paris, 1656-1728) | 1650 | Pieces de viole book 3, Musette 1&2 | Savall, Toutes les matins du monde | |||
MARAIS Marin | (Paris, 1656-1728) | 1650 | Pieces de viole book 4, Le Badinage | Savall, Toutes les matins du monde | |||
MARAIS Marin | (Paris, 1656-1728) | 1650 | Pieces de viole book 4, L'arabesque | Savall, Toutes les matins du monde | |||
MARAIS Marin | (Paris, 1656-1728) | 1650 | Sarabande a l'Espagnol | Savall, Lex voix humaines | |||
MARAIS Marin | (Paris, 1656-1728) | 1650 | La folia | Brunello-Battiston | |||
MARCELLO Alessandro | (Venezia, 1673-1747) | 1650 | Concerto per oboe, archi e continuo in re min | Holliger, I Musici/Schellenberger, I solisti italiani | s | ||
MARCELLO Alessandro | (Venezia, 1673-1747) | 1650 | Trumpet concerto in C minor | Maurice Andr | |||
MARCELLO Alessandro | (Venezia, 1673-1747) | 1650 | 6 concerti La Cetra | Heinz Holliger, Louise Perrin, Camerata Bern | |||
MARCELLO Benedetto | (Venezia, 1686-1739) | 1650 | 6 concerti | ||||
MARCELLO Benedetto | (Venezia, 1686-1739) | 1650 | Trumpet sonata in G major | Maurice Andr | |||
MARCELLO Benedetto | (Venezia, 1686-1739) | 1650 | Cto for oboe and strings in C minor | ||||
MARCELLO Benedetto | (Venezia, 1686-1739) | 1650 | Requiem SF. B660 cantato secondo l'usanza Venetiana | Athestis chorus, Acdemia de li musici, Filippo Maria Bressan | 4 | ||
MARCELLO Benedetto | (Venezia, 1686-1739) | 1650 | Cello sonata in G minor, op 1 n 4 | Junghanel, van der Meer Kohnen Dieltiens | |||
Marchetto da Padova | (Padova, 1279-13??) | 1250 | Ave Regina, Mater innocencie | Nova Cantica | |||
MARINI Biagio | (Brescia, 1587-1663) | 1550 | Curiose et moderne inventioni op 22 | 1655 | Andrew Manze, Romanesca | 3 | |
MARINI Biagio | (Brescia, 1587-1663) | 1550 | Allegrezza del nuovo maggio | Ensemble Galilei, Paul Beier | |||
MARINUZZI Gino | (Palermo, 1882-1945) | 1850 | Sicania | 1912 | SO of the Croatian Radio Television, Niksa Bareza | 3 | |
MARINUZZI Gino | (Palermo, 1882-1945) | 1850 | Sinfonia in la | 1943 | SO of the Croatian Radio Television, Niksa Bareza | ||
MARINUZZI Gino | (Palermo, 1882-1945) | 1850 | Preludio e preghiera | SO of the Croatian Radio Television, Niksa Bareza | |||
MARKEVITCH Igor | (1912-1983) | 1900 | Bach/Markevitch - The musical offering | ||||
MARTIN Frank | (Eaux-Vives, Suisse, 1890-1974) | 1850 | Messa per coro doppio | Anders Eby, Mikaeli kammankor | |||
MARTIN Frank | (Eaux-Vives, Suisse, 1890-1974) | 1850 | Die Weise von Liebe und Tod des Cornets Cristoph Rilke x voce e orchestra, | ||||
MARTIN Frank | (Eaux-Vives, Suisse, 1890-1974) | 1850 | Requiem, | ||||
MARTIN Frank | (Eaux-Vives, Suisse, 1890-1974) | 1850 | Piccola sinfonia concertante x arpa/clavicembalo/pianoforte e orchestra d?archi | ||||
MARTINI Giovanni Battista | (Bologna, 1706-1784) | 1700 | Cto a quattro pieno in re magg | Accademia degli astrusi/Ferri | |||
MARTINU Bohuslav | (1890-1959) | 1805 | Sonata n 1 | Rudolf Firkusny (P) | 3 | ||
MARTINU Bohuslav | (1890-1959) | 1850 | Nonetto | ||||
MARTINU Bohuslav | (1890-1959) | 1850 | Cello cto n 1 H 196 | 1930 | Angelica May | 3 | |
MARTINU Bohuslav | (1890-1959) | 1850 | Cello cto n 2 H 304 | 1944 | Angelica May | 3 | |
MARTINU Bohuslav | (1890-1959) | 1850 | Cello sonata n 1 | 1939 | Isserlis (c), Evans (p) | 4 | |
MARTINU Bohuslav | (1890-1959) | 1850 | Cello sonata n 2 | 1941 | Isserlis (c), Evans (p) | 4 | |
MARTINU Bohuslav | (1890-1959) | 1850 | Cello sonata n 3 | 1952 | Isserlis (c), Evans (p) | 4 | |
MARTINU Bohuslav | (1890-1959) | 1850 | Sinfonia n 3 | Vaclav Neumann, Czech PO | |||
MARTINU Bohuslav | (1890-1959) | 1850 | Sinfonia n 5 | Karel Ancerl, Czech P. O. | |||
MARTINU Bohuslav | (1890-1959) | 1850 | Sinfonia n 6 Fantaties symphoniques | Vaclav Neumann, Czech PO | 3 | ||
MARTINU Bohuslav | (1890-1959) | 1850 | Sonata n 1 | 1945 | Galway (flauto), Moll (p) | ||
MARTINU Bohuslav | (1890-1959) | 1850 | Les ritounelles | Rudolf Firkusny (P) | |||
MARTINU Bohuslav | (1890-1959) | 1850 | Fantasie et toccata | Rudolf Firkusny (P) | |||
MARTINU Bohuslav | (1890-1959) | 1850 | Julietta (act II scene 3) | Rudolf Firkusny (P) | |||
MARTINU Bohuslav | (1890-1959) | 1850 | Etudes et polkas | Rudolf Firkusny (P) | |||
MARTINU Bohuslav | (1890-1959) | 1850 | Concerto for oboe and small orchestra | Goritzki | |||
MARTINU Bohuslav | (1890-1959) | 1850 | Concert pour violon, violoncelle e piano avec orch a cordes | 1933 | Gobel trio, Filharmonia Pomorska, Takao Ukigaya | 4 | |
MARTINU Bohuslav | (1890-1959) | 1850 | La bagarre | Gobel trio, Filharmonia Pomorska, Takao Ukigaya | |||
MARTINU Bohuslav | (1890-1959) | 1850 | Concertino pour trio avec piano et orch a cordes | 1933 | Gobel trio, Filharmonia Pomorska, Takao Ukigaya | ||
MARTTINEN Tauno | (b. 1922) | 1900 | Symphony n 1 op 2 | ||||
MARTTINEN Tauno | (b. 1922) | 1900 | Symphony n 8 op 224 | ||||
MARTTINEN Tauno | (b. 1922) | 1900 | Violin concerto op 13 | ||||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | La canzone dei ricordi x soprano/orchestra | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Sonata in F sharp minor op 52 | Enrico e Andrea Dindo | 4 | ||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Tre pezzi op 69 | Enrico e Andrea Dindo | 4 | ||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Due romanze op 72 | Enrico e Andrea Dindo | 3 | ||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Notturno op 70 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Tarantella op 44 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Novelletta op 82 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Sinfonia n 1 op 75 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Sinfonia n 2 op 81 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Andante op 69 | 1907 | The Philarmonia, D'Avalos | ||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Colore orientale op 44 | 1988 | The Philarmonia, D'Avalos | ||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Piano concerto n 1 in D minor | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Piano concerto n 2 op 66 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Canzonett op 55/1 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Gavotta op 55/2 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Giga op 61 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Serenata op 57/1 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Minuetto op 57/2 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Momento musicale op 57/3 | The Philarmonia, D'Avalos | |||
MARTUCCI Giuseppe | (Capua, 1856-1909) | 1850 | Melodia per violino e piano | Grazia Raimondi, Giuliano Mazzoccante | |||
MARTYNOV Vladimir | (Moscow, 1946) | 1900 | Come in! | ||||
MARTYNOV Vladimir | (Moscow, 1946) | 1900 | Autumn ball of the elves | ||||
MARTYNOV Vladimir | (Moscow, 1946) | 1900 | L'apres midi du Bach | 3 | |||
MASCAGNI Pietro | (Livorno, 1863-1945) | 1850 | Cavalleria rusticana | s | |||
MASCAGNI Pietro | (Livorno, 1863-1945) | 1850 | L'amico Fritz | ||||
MASON Daniel G. | (1873-1953) | 1850 | String quartet in G minor based on black themes op 19 | 1918 | Kohon quartet - Unknown string quartets | ||
MASSAINO Tiburtio | (160??-17??) | 1600 | Canzone n XXIV | Hans-Martin Linde, Linde consort, Tolzer Knabenchor | |||
MASSENET Jules | (1842-1912) | 1850 | Don Quichotte | s | |||
MASSENET Jules | (1842-1912) | 1850 | Werther | s | |||
MASSENET Jules | (1842-1912) | 1850 | Manon | s | |||
MATALON Martin | (Buenos Aires, 1958) | 1950 | Polvo (after Colombi's Chiacona) | Karttunen | |||
MATTHES Carl Ludewig | (c. 1751-??) | 1750 | Sonate C-dur for oboe and basso continuo | Paradise, Meyer | |||
MATTHEWS Colin | (London, 1946) | 1900 | Drammatico (after Colombi's Chiacona) | Karttunen | |||
MAW Nicholas | (1935-2009) | 1900 | Odissey | ||||
MAXWELL DAVIES Peter | (Salford, Lancashire, 1934) | 1900 | Concerto x violino/orchestra | Stern vol 13 | |||
MAXWELL DAVIES Peter | (Salford, Lancashire, 1934) | 1900 | Eight songs for a Mad King | ||||
MAXWELL DAVIES Peter | (Salford, Lancashire, 1934) | 1900 | Synfonia n 2 e n 3 | ||||
MAYER Emilie | (1821-1883) | 1800 | Cello sonata op 47 | Thomas Blees, Maria Bergmann | 4 | ||
MAYER Wlhelm | (Praga, 1831-1898) | 1800 | Flute concerto | Galway | |||
MAYUZUMI Toshiro | (Yokohama, 1929 - 1997) | 1900 | Prelude for string quartet | 1962 | |||
MAZZAFERRATA Giovanni Battista | (Pavia 16??-1691) | 1600 | Il primo libro delle sonate a 2 violini op 5 | La Ghirlanda Musicale | |||
MAZZOCCHI Domenico | (Civita Castellana, Viterbo, 1592-1665) | 1550 | Sacrae Concertationes | Nederlands Kamerkoor, Ren? Jacobs | |||
MEDTNER Nicolas | (1880-1951) | 1850 | Piano concerto n 3 (Ballade) op 60 | Geoffrey Douglas Madge, A. Rubinstein PO | |||
MEDTNER Nicolas | (1880-1951) | 1850 | Sonata reminiscenza op 38 n 1 | Geoffrey Douglas Madge, A. Rubinstein PO | |||
MENDELSSOHN-BARTHOLDY Fanny | (Hamburg, 1805-1847) | 1800 | Piano trio in D major op 11 | The Dartington piano trio | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Paulus op.36 | (oratorio), | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Elias op.70 | (oratorio), | nd | s | |
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Ave Maria Stella, | ||||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Cantata ?Vom Himmel hoch? | ||||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Sinfonie: n.2 ?Lobgesang? | ||||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Sinfonie: n.3 ?Scozzese | s | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Sinfonie: n.4 ?Italiana? | s | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Sinfonie: n.5 ?Riforma? | s | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | A Midsummer Night?s Dream op 61 | Ouverture | s | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Concerto per violino/orchestra op.64 | Stern/Ughi/Grumiaux | 5 | s | |
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Concerto i D minor for violin and string orch | Grumiaux/Nordio | 3 | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Rond? brillante x pianoforte/orchestra op.29, | ||||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Capriccio brillante per piano e orch op 22 | Argerich | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Concerto x pianoforte/orchestra n. 1 op 25 | ||||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Concerto x pianoforte/orchestra n 2 op.40 | Argerich | 3 | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Cto n 2 per 2 pianoforti e orchestra | Argerich | 4 | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Piano trio n 1 op 49 | Borodin Trio/Argerich | s | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Ottetto x archi op.20 | 3 | s | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Quartetto per archi n 6 op 80 | Quartetto Nous | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Cello sonatas n 1 op 45 | Luca Colardo, violoncello / Sandra Conte, pianoforte | 3 | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Cello sonata n 2 op 58 | Isserlis, Hough | 4 | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Songs without words book 1 and book 5 | 4 | s | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | The Hebrides ouverture op 26 | Abbado, London Sym. Orch. | s | ||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Rond? capriccioso x pianoforte op 14 | ||||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | 6 songs op 34 | s | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Konzertstucke fur klarinette op 113 | Sabine Meyer | |||
MENDELSSOHN-BARTHOLDY Felix | (Hamburg, 1809-1847) | 1800 | Konzertstucke fur klarinette op 114 | Sabine Meyer | |||
MENNIN Peter (Mennini) | (Erie, Pennsylvania, 1923-1983) | 1900 | 5th symphony | ||||
MENNIN Peter (Mennini) | (Erie, Pennsylvania, 1923-1983) | 1900 | 4th Symphony The cycle | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | The Saint of Bleeker street | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | The consul | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | Violin concerto | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | The telephone or L'amour a trois | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | Ricercare e toccata | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | Triplo concerto a te | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | Canti della lontananza | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | Sebastian | ||||
MENOTTI Gian Carlo | (Cadegliano-Viconago, 1911-2007) | 1900 | Apocalypse | ||||
MERCADANTE Saverio | (1795-1870) | 1750 | Wind quartets | Rossini quartet | |||
MERCADANTE Saverio | (1795-1870) | 1750 | Concerti per flauto | Galway | |||
MERCADANTE Saverio | (1795-1870) | 1750 | Concerto per clarinetto in Si | Donizetti/Mercadante/Grieg/Sibelius | |||
MERCADANTE Saverio | (1795-1870) | 1750 | Sinfonia fantastica | ||||
MERIKANTO Aarre | (1893 - 1958) | 1850 | Piano concerto n 2 | ||||
MERIKANTO Aarre | (1893 - 1958) | 1850 | Piano concerto n 3 | ||||
MERIKANTO Aarre | (1893 - 1958) | 1850 | 2 studies for small orchestra | ||||
MERIKANTO Aarre | (1893 - 1958) | 1850 | 2 pieces for orchestra | ||||
MESSIAEN Olivier | (1908-1992) | 1900 | Il quatuor pour la fin du temps x clarinetto/violino/violoncello e pianoforte, | s | |||
MESSIAEN Olivier | (1908-1992) | 1900 | Turangalila-Symphonie x pianoforte/onde Martenot e orchestra, | s | |||
MESSIAEN Olivier | (1908-1992) | 1900 | Concert a quatre | ||||
MIGLIAVACCA Luciano | (1919-2013) | 1900 | Alinenigenae non transibunt | Cappella musicale Duomo Milano | |||
MIGLIAVACCA Luciano | (1919-2013) | 1900 | Ave verum corpus | Cappella musicale Duomo Milano | |||
MIGLIAVACCA Luciano | (1919-2013) | 1900 | Victimae paschali laudes | Cappella musicale Duomo Milano | |||
MIKROUTSIKOS Thanos | (Patrasso, Grecia, 1947) | 1900 | Slow motion (1990) | ||||
MIKROUTSIKOS Thanos | (Patrasso, Grecia, 1947) | 1900 | Concerto for guitar and orchestra (1992) | ||||
MIKROUTSIKOS Thanos | (Patrasso, Grecia, 1947) | 1900 | The hell of a season | ||||
MILHAUD Darius | (1892-1974) | 1850 | Le boeuf sur le toit | Bernstein, O national de France | |||
MILHAUD Darius | (1892-1974) | 1850 | La Cr?ation du monde | Bernstein, O national de France | |||
MILHAUD Darius | (1892-1974) | 1850 | Saudade do Brasil | Bernstein, O national de France | |||
MILHAUD Darius | (1892-1974) | 1850 | Scaramouche, suite per sax e orch | ||||
MILHAUD Darius | (1892-1974) | 1850 | Concerto for marimba, vibraphone and orchestra | Chelibidache | |||
MILHAUD Darius | (1892-1974) | 1850 | Tijuca from Saudades do Brasil | Stern 31 | |||
MILHAUD Darius | (1892-1974) | 1850 | Suite francaise op 248 | Chelibidache | |||
MILHAUD Darius | (1892-1974) | 1850 | Prelude I & II | Sarah Leonard soprano, Christopher Bowers-Broadbent organ | |||
MOENE Alain | (b. 1942) | 1900 | Trio a cordes | 1942 | Trio a cordes de Paris | ||
MOERAN Ernst John | (Heston, GB, 1894-1950) | 1850 | Cello concerto | ||||
MOERAN Ernst John | (Heston, GB, 1894-1950) | 1850 | Sinfonietta | ||||
MOLINELLI Roberto | (Ancona, 1963) | 1950 | Twin legends per violoncello e archi | 2004 | I solisti di Pavia, Enrico Dindo | 4 | |
MONN Matthias Georg | (1717-1750) | 1700 | Cello concerto in G minor | in J. Du Pr?, concerto collection | 4 | ||
MONTEVERDI Claudio | (1567-1643) | 1550 | L?Orfeo | opera | s | ||
MONTEVERDI Claudio | (1567-1643) | 1550 | L'incoronazione di Poppea | s | |||
MONTEVERDI Claudio | (1567-1643) | 1550 | 6? libro dei madrigali (incl. Il Lamento di Arianna) | The Consort of Musicke | |||
MONTEVERDI Claudio | (1567-1643) | 1550 | I Vespri della Beata Vergine, | Taverner choir, A. Parrot | |||
MONTEVERDI Claudio | (1567-1643) | 1550 | Selva morale e spirituale | ||||
MONTEVERDI Claudio | (1567-1643) | 1550 | Combattimento di Tancredi e Clorinda | Accademia degli astrusi/Ferri | |||
MONTI Vittorio | (Napoli, 1868-1922) | 1850 | Csardas | 1904 | Emma Johnson, Carducci string quartet | 3 | |
MONZA Carlo | (1735-1801) | 1700 | Magnificat | Cappella musicale Duomo Milano | |||
MOORE Douglas | (Long Island, 1893 - 1969) | 1850 | In memoriam | 2 | |||
MOORE Douglas | (Long Island, 1893 - 1969) | 1850 | The devil and Daniel Webster | 1938 | opera | ||
MOORE Douglas | (Long Island, 1893 - 1969) | 1850 | The ballad of Baby Doe | 1956 | opera | ||
MORAN Robert | (Denver, 1937) | 1900 | Rocky road to Kansas | 2 | |||
MORAN Robert | (Denver, 1937) | 1900 | Requiem: chant du cygne | 2 | |||
MORAN Robert | (Denver, 1937) | 1900 | 32 cryptograms for Derek Jarman | 2 | |||
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Tempest Fantasy | 2002 | Trio solisti + David Krakauer | 4 | |
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Mood Swings | 1998 | Trio solisti + David Krakauer | ||
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | B.A.S.S. variations | 1999 | Trio solisti + David Krakauer | ||
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Scherzo | 2003 | Trio solisti + David Krakauer | ||
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Northern lights electric | 2000 | Boston modern orch project & Gil Rose | ||
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Monserrat: cello concerto | 2001 | Boston modern orch project & Gil Rose | 3 | |
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Clarinet concerto | Boston modern orch project & Gil Rose | 4 | ||
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Sempre Diritto! | 1991 | Boston modern orch project & Gil Rose | 3 | |
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Chamber symphony | Stephen Williamson, Cynthia Phelps & Jessica Lee | |||
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Cool Fire | Stephen Williamson, Cynthia Phelps & Jessica Lee | |||
MORAVEC Paul | (Buffalo, NY, 1957) | 1950 | Autumn song | Stephen Williamson, Cynthia Phelps & Jessica Lee | |||
MORET Norbert | (Menieres , Switzerland, 1921-1998) | 1900 | Concerto pour violoncelle | Rostropovitch | |||
MORET Norbert | (Menieres , Switzerland, 1921-1998) | 1900 | Hymnes de silence | ||||
MOSOLOV Alexander | (Kiev, 1900-1973) | 1900 | Soldier's song | ||||
MOSOLOV Alexander | (Kiev, 1900-1973) | 1900 | Front roads, nine chorus | ||||
MOSOLOV Alexander | (Kiev, 1900-1973) | 1900 | Piano concerto n 1 | ||||
MOSOLOV Alexander | (Kiev, 1900-1973) | 1900 | Collective farm meadows | ||||
MOSOLOV Alexander | (Kiev, 1900-1973) | 1900 | Zadov (Iron foundry) | ||||
MOSZKOWSKI Moritz | (1854-1925) | 1850 | Violin cto op 30 | T. Christian (vl), Baberger Sym. | 3 | ||
MOURET Jean-Joseph | (1682 - 1738) | 1650 | Suites de Symphonies | Maurice Andr | |||
MOUTON Jean de (Jean de Holligue) | (Wirwigne, France, 1459-1522) | 1450 | Salva nos Domine | The Tallis scholars | |||
MOUTON Jean de (Jean de Holligue) | (Wirwigne, France, 1459-1522) | 1450 | Ave Maria ? virgo serena | The Tallis scholars | |||
MOZART Leopold | (1719-1787) | 1700 | Trumpet cto in D major | Maurice Andr? (Leopold ? il padre di Amadeus) | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Don Giovanni K 527 | opera | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Die Zauberfl?te K 620 | opera | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Le Nozze di Figaro K 492 | opera | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Cos? fan Tutte K 588 | opera | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Idomeneo K 366 | opera | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | La clemenza di Tito K 621 | opera | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Vorrei spiegarvi, oh Dio | Arie x soprano | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Requiem K 626 | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Ave verum Corpus K 618 | (mottetto), | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Exsultate Jubilate K 165 | (mottetto), | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa breve k 65 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa k66 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa k139 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa k167 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa breve k 220 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa k258 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa breve k 259 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa Solemnis K.337, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa K 317 Coronation Mass | 4 | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa K.317 ?Kr?nungsmesse?, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Messa K.427 ?Grosse-Messe? | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Ouverture del Flauto Magico | Schreirer, Blochwitz, Schmidt voices, chStaatskapelle Dresden | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Ouverture Le nozze di Figaro | Kemplerer, New Philarmonia orch | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Ouverture Don Giovanni | Kemplerer, New Philarmonia orch | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Ouverture Die Entfuhrung aus del Serail | Kemplerer, New Philarmonia orch | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Ouverture Cos? fan tutte | Kemplerer, New Philarmonia orch | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Ouverture La clemenza di Tito | Kemplerer, New Philarmonia orch | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Cantata k 471 | Schreirer, Blochwitz, Schmidt voices, chStaatskapelle Dresden | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Masonic funeral music k 477/479b | Schreirer, Blochwitz, Schmidt voices, chStaatskapelle Dresden | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Cantata k 483 | Schreirer, Blochwitz, Schmidt voices, chStaatskapelle Dresden | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Cantata k 484 | Schreirer, Blochwitz, Schmidt voices, chStaatskapelle Dresden | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia n.31 ?Paris? | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia n.35 ?Haffner? | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia n.36 ?Linz? | Filippini (cello e dir), Orch da camera di Mantova | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia n.37 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia n.38 ?Prague? | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia n.39 | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia n.40 | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia n.41 ?Jupiter? | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Serenata notturna K.239, | Orpheus chamber orch/Karajan, Berliner | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Serenata ?Haffner? K.250, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Serenata ?Eine kleine Nachmusik? K.525 | Karajan, Berliner/Galway, Chamber orch of Europe | 5 | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Serenata ?Posthorn? K.320, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Serenata x fiati ?Gran Partita? K.361, | Kemplerer, London wind quintet & Ensemble | 3 | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Serenata per fiati k 388 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Divertimento n 1 k136 | Muti, Berliner | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Divertimento K.251 ?Nannerel-Septett?, | Orpheus chamber orch | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Divertimento Kv 270 | Orpheus chamber orch | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Divertimento Kv 287 | Karajan, Berliner | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Divertimento K.334, | Karajan, Berliner | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Eine musikalischer Spass K.522 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerto x clarinetto/orchestra K.622, | Alfred Prinz Bohm, Wiener | 4 | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia concertante k 364 | 4 | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sinfonia concertante x oboe/clarinetto/corno/fagotto e orch. K.297b, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerti per corno e orchestra K.412, 417, 447, 495 | 5 | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerto x oboe/orchestra K.285d, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerto x oboe/orchestra K.314 | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | 26 Concerti x pianoforte/orchestra | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Piano cto n 23 k 488 | Emilio Aversano | 4 | s | |
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Cto per 2 pianoforti e orch K365 | Argerich | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerti x violino/orchestra n.1 k 207 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerti x violino/orchestra n.2 k 211 | Carmignoli (vl), DE Martini, Il Quartettone | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerti x violino/orchestra n.3 K.216 | Carmignoli (vl), DE Martini, Il Quartettone | 3 | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerti x violino/orchestra n.4 K.218 | Carmignoli (vl), DE Martini, Il Quartettone | 3 | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerti x violino/orchestra n.5 K.219 the Turkish | Carmignoli (vl), DE Martini, Il Quartettone | 5 | s | |
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerto per flauto k 313 | Galway, Chamber orch of Europe | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerto per flauto k 314 | Galway, Chamber orch of Europe | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Concerto per flauto e arpa k 299 | Galway, Marisa Robles (harp), Chamber orch of Europe | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quintetto x clarinetto/archi K.581, | Amadeus quartet/Meyer, Wiener strichsextet | 4 | s | |
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quintetto x corno/archi K.407, | Schneider, Wiener strichsextett | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quart. X oboe/archi K.370, | Perlman/Mach | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quintetto x pf/fiati K.452, | Brendel, Holliger, Baumann, Thunemann, Brunner | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quintetti x archi K.406, K.515, K.516, K.593, K.614, | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quartetto per flauto in Re, k 285 | Debost, Menuhin, Bianchi, Gendron | 4 | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Adagio x corno inglese/archi K.580?, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quartetti x pf/archi K.478, K.493, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quartetti x archi nn.14-19 ?6 Haydn-Quartette? | 4 | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Quartetti x archi nn.21-23 ?Preussische Quartette?, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Trio x clarinetto/viola/pianoforte K.498, | Meyer, Zimmermann, Holl | 3 | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Trii x pianoforte/violino/violoncello nn.1-5, | tutti | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Complete Sonate per violino/pianoforte (20) | Accardo, Canino | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | 12 variazioni in G major k359 | Accardo, Canino | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | 6 variazioni in G minor k 360 | Accardo, Canino | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sonate per violino/pianoforte K.378 (arr. For flute) | Linde (Flute), Nicholson (fortepiano) | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sonata x 2 pianoforti K.448, | Schiff, Serkin | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | 22 Sonate x pianoforte, | Eschenbach | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Minuetto x pianoforte K.355, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Fuga in Do minore per due piano K426 | Schiff, Serkin | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Variazioni su A vous dirais je maman k 265 | Aldo Ciccolini | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Giga K.574, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Andante k315 | Galway, Chamber orch of Europe | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Andante K.616, | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Rond? k373 | Galway, Chamber orch of Europe/Carmignoli (vl), DE Martini, Il Quartettone | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Rond? K.511, | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Fantasia k396 | Emile Naoumoff | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Fantasia K 475 | Eschenbach | s | ||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Fantasia for 2 mechanical organs K 608 | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Adagio e fuga in C minor k 546 | s | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Adagio epr violino e orch k 261 | Carmignoli (vl), DE Martini, Il Quartettone | |||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Adagio k 410/484d per due bassi e fagotto | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Adagio k 411/484a per 2 clarinetti e 3 bassi | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Adagio K.540 | ||||
MOZART Wolfang Amadeus | (Salzburg, 1756-1791) | 1750 | Sonata for bassoon and cello k292 | Simon van Holen, Honorine Schaeffer | |||
MUHLY Nico | (Vermont, 1981) | 1950 | Doublespeak | Eight Blackbird | |||
MUHLY Nico | (Vermont, 1981) | 1950 | Cello concerto | Zuill Bailey, Indianapolis Symphony Orchestra & Jun Markl | |||
MUNDY William | (1529-1591) | 1500 | Vox Patris Caelestis | Tallis scholars | |||
MURGIER Jacques | (1912-1986) | 1900 | Concerto pour saxophone et orch | ||||
MURGIER Jacques | (1912-1986) | 1900 | Concerto pour violon et orch | ||||
MURGIER Jacques | (1912-1986) | 1900 | Suite concertante pour clavier et orch | ||||
MUSSORGSKIJ Modest | (Karevo, 1839-1881) | 1800 | ?Boris Godunov? | opera | s | ||
MUSSORGSKIJ Modest | (Karevo, 1839-1881) | 1800 | ?La Kovancina? (preludio) | Orch e coro del Maggio Musicale Fiorentino, Zubin Metha | |||
MUSSORGSKIJ Modest | (Karevo, 1839-1881) | 1800 | Una Notte sul Monte Calvo | 4 | s | ||
MUSSORGSKIJ Modest | (Karevo, 1839-1881) | 1800 | Quadri di un?esposizione (piano) | Previn Richter Askenazy Berman | 5 | s | |
MUSSORGSKIJ Modest | (Karevo, 1839-1881) | 1800 | Quadri di un?esposizione (orch) | 4 | |||
MUSSORGSKIJ Modest | (Karevo, 1839-1881) | 1800 | Canti e Danze della Morte | ||||
MYASKOVSKY Nicolaj Yakovlevich | (1881-1950) | 1850 | Cello sonata nr 1 op 12 e n 2 op 81 | 3 | |||
MYASKOVSKY Nicolaj Yakovlevich | (1881-1950) | 1850 | Violin concerto op 44 | ||||
MYASKOVSKY Nicolaj Yakovlevich | (1881-1950) | 1850 | Cello concerto op 66 | Julian Lloyd Webber, London SO, Maxim Shostakovich | 3 | ||
MYASKOVSKY Nicolaj Yakovlevich | (1881-1950) | 1850 | Piano sonatas op 6, 7 , 8 e 9 | ||||
MYASKOVSKY Nicolaj Yakovlevich | (1881-1950) | 1850 | Symphony n 22 | ||||
NANCARROW Conlon | (Texarkana, Arkansas, 1912 - 1997) | 1900 | String Quartet | Kronos | |||
NANCARROW Conlon | (Texarkana, Arkansas, 1912 - 1997) | 1900 | Piece n 2 for small orch | ||||
NANCARROW Conlon | (Texarkana, Arkansas, 1912 - 1997) | 1900 | Trio | 3 | |||
NANCARROW Conlon | (Texarkana, Arkansas, 1912 - 1997) | 1900 | Sarabande & scherzo | 3 | |||
NANCARROW Conlon | (Texarkana, Arkansas, 1912 - 1997) | 1900 | Studies for player piano | 3 | |||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Violin sonata in D | Grumiaux, Hajdu | 4 | ||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Sonata per violino e basso in Fa magg | ensemble Ardi Cor Mio | |||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Sonata per violino e basso in Sol magg | ensemble Ardi Cor Mio | |||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Sonata per violino e basso in La magg | ensemble Ardi Cor Mio | |||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Sonata per violino e basso in La magg con variazioni | ensemble Ardi Cor Mio | |||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Cto in C major for vln, strings and continuo | Mauro Rossi, Orch da camera Milano classica | |||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Cto in G major for vln, strings and continuo | Mauro Rossi, Orch da camera Milano classica | |||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Cto in D major for vln, strings and continuo | Mauro Rossi, Orch da camera Milano classica | |||
NARDINI Pietro | (Montelupo Fiorentino o Livorno, 1722-1793) | 1700 | Cto in A major for vln, strings and continuo | Mauro Rossi, Orch da camera Milano classica | |||
NEGRI Cesare | (15??-16??) | 1550 | Leggiadra marina per liuto | Christian Zimmermann | |||
NEGRI Cesare | (15??-16??) | 1550 | Alta mendozza | Christian Zimmermann | |||
NEIKRUG Mark | (American, 1946) | 1900 | Tiny Colombi (after Colombi's Chiacona) | Karttunen | |||
NIELSEN Carl | (1865-1931) | 1850 | Two fantasy pieces op 2 | Albrecht Mayer, Markus Becker | |||
NIELSEN Carl | (1865-1931) | 1850 | Quintetto op 43 (wind quintet) | quintetto Papageno | |||
NIELSEN Carl | (1865-1931) | 1850 | Flute concerto op 119 | Galway | |||
NIN y Castellanos Joaquin | (Havana, 1879-1949) | 1850 | Granadina | Tortelier | |||
NISHIMURA Akira | (Osaka, 1953) | 1950 | Violin concerto n 1 After glow | 1 | |||
NISHIMURA Akira | (Osaka, 1953) | 1950 | River of Karuna | 1 | |||
NISHIMURA Akira | (Osaka, 1953) | 1950 | A mirror of mist | 1 | |||
NONO Luigi | (Venezia, 1924-1990) | 1900 | Como una ola de fuerza y luz | Pollini, Abbado | |||
NONO Luigi | (Venezia, 1924-1990) | 1900 | ?. Sofferte onde serene ?. | ||||
NONO Luigi | (Venezia, 1924-1990) | 1900 | Contrappunto dialettico alla mente | ||||
NORDGREN Pehr Henrik | (Saltvik, Aland Islands, Finland, 1944 - 2008) | 1900 | Piano quintet op 44 | ||||
NORDGREN Pehr Henrik | (Saltvik, Aland Islands, Finland, 1944 - 2008) | 1900 | Portraits of country fiddlers | orchestra | |||
NORDGREN Pehr Henrik | (Saltvik, Aland Islands, Finland, 1944 - 2008) | 1900 | Kwaidan Ballads | Piano | |||
NORHOLM Ib | (Soborg, Denmark, 1934) | 1900 | Symphonic fantasy | 2 | |||
NORHOLM Ib | (Soborg, Denmark, 1934) | 1900 | The shadow | 3 | |||
NORHOLM Ib | (Soborg, Denmark, 1934) | 1900 | Symphony nr 5 | 2 | |||
NOVAK Witozslav | (Kamenice, Bohemia, 1870-1949) | 1850 | Piano quintet op 12 | ||||
NOVAK Witozslav | (Kamenice, Bohemia, 1870-1949) | 1850 | String quartet op 22 | ||||
NOVAK Witozslav | (Kamenice, Bohemia, 1870-1949) | 1850 | In the Tatra mountains op 26 | Karel Ancerl, Czech P. O. | |||
NYMAN Michael | (Stratford, London, 1944) | 1900 | Double concerto for sax and cello | ||||
NYMAN Michael | (Stratford, London, 1944) | 1900 | Hapsichord concerto | ||||
NYMAN Michael | (Stratford, London, 1944) | 1900 | Trombone concerto | ||||
NYMAN Michael | (Stratford, London, 1944) | 1900 | The piano | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | The diary of Anne Frank | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | Drowing by numbers | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | Carrington | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | The end of the affair | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | A zed & 2 noughts | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | Man with a movie camera | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | The draughtsman's contract | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | The claim | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | Wonderland | Valentina Lisitsa | 3 | ||
NYMAN Michael | (Stratford, London, 1944) | 1900 | Gattaca | Valentina Lisitsa | 3 | ||
O'LEARY Jane | (Hartford, Connecticut, 1949) | 1900 | Soundshapes | Golijov, O'Leary, Roth - Dreams and prayers | |||
OCKEGHEM Johannes | (ca1410-1497) | 1400 | Requiem | Turner, Pro Cantione Antiqua London | |||
OFFENBACH Jaques | (1819-1880) | 1800 | Duos for 2 cellos op 49 | Sollima, Noferini | |||
OFFENBACH Jaques | (1819-1880) | 1800 | Duos for 2 cellos op 51 | Sollima, Noferini | |||
OHANA Maurice | (Paris, 1913-1992) | 1900 | Office des miracles | ||||
OHANA Maurice | (Paris, 1913-1992) | 1900 | Messe | ||||
OHGURI Hiroshi | (1918-1982) | 1900 | Violin concerto | ||||
OHGURI Hiroshi | (1918-1982) | 1900 | Fantasy on Osaka folk tunes | ||||
OHGURI Hiroshi | (1918-1982) | 1900 | Legend for orchestra | ||||
OHGURI Hiroshi | (1918-1982) | 1900 | Rhapsody on Osaka nursery rhymes | ||||
OREFICE Giacomo | (1865-1922) | 1850 | Sonata n 1 in mi minore per violino e piano | 1908 | Gianluca Turconi e Marco Sala | 3 | |
OREFICE Giacomo | (1865-1922) | 1850 | Sonata n 2 in re magg per violino e piano | 1908 | Gianluca Turconi e Marco Sala | ||
OREFICE Giacomo | (1865-1922) | 1850 | Musetta | Gianluca Turconi e Marco Sala | |||
ORFF Carl | (1895-1982) | 1850 | Carmina Burana | (cantata scenica), | 4 | s | |
ORFF Carl | (1895-1982) | 1850 | Der Mond | (opera), | |||
ORFF Carl | (1895-1982) | 1850 | Die Kluge | (opera) | |||
Orlando di Lasso | (1532-1594) | 1500 | Hor che la nuova e vaga primavera | Hans-Martin Linde, Linde consort, Tolzer Knabenchor | |||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | Suicide in a airplane. | ||||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | A la chinoise | ||||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | Dance sauvage op 13/2 | ||||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | Poems of 1917 op 41 | 3 | |||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | Impressions de la Tamise op 13/1 | 3 | |||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | Piano sonata n 8 | 4 | |||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | Arabesques op 42 | 3 | |||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | Sonata op 52 for cello and piano | 4 | |||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | Piano quintet | Lydian string q, Janice Weber (p) | |||
ORNSTEIN Leo | (Kremenchug, Ucraina, 1892-2002) | 1900 | String quartet n 3 | Lydian string q | |||
ORTIZ Diego | (Toledo, 1510-1570) | 1500 | Recercadas del tratado de glosas | Jordi Savall | 4 | ||
OSTENDORF Jens-Peter | (Amburgo, 1944-2006) | 1900 | Second string quartet | Parnasso quartet | |||
OTTO Hans | (Leipzig, Saxony, 1922-1996) | 1900 | Das Buch der Klange | 1999 | Herbert Henck (p) | ||
OTTO Luigi | (ca. 1750) | 1750 | Trumpet cto in E flat major | Maurice Andr | |||
PACE Pietro | (Loreto, 1559-1622) | 1550 | O dolcissima Maria, il libro V dei mottetti | 1615 | Sacro & Profano, Marco Mencoboni | ||
PACHELBEL Johann | (Nuremberg, 1653-1706) | 1650 | Canone e giga in re magg per tre violini e basso c | 4 | s | ||
PACHELBEL Johann | (Nuremberg, 1653-1706) | 1650 | Musicalische ergotzung, Partite n 1-6 | ||||
PACHELBEL Johann | (Nuremberg, 1653-1706) | 1650 | Suite in mi minore per clavicembalo | ||||
PACHELBEL Johann | (Nuremberg, 1653-1706) | 1650 | Aria con variazioni per organo da Hexachordum Apollinis | ||||
PACHELBEL Johann | (Nuremberg, 1653-1706) | 1650 | Magnificat in 11 Ton | ||||
PAER Fedinando (PAR) | (Parma 1771-1839) | 1750 | Cto in re magg per organo e orchestra | Stefano Innocenti, I Pomeriggi Musicali, Marco Balderi | |||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Concerto x violino e orchestra n. 0, 1, 2, 3, 4, 5 | Accardo (0-5)/ Menuhin (1)/Grumiaux (1-4) | s | ||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | La campanella | Menuhin | |||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Moto perpetuo op 11 | Menuhin/Tortelier | s | ||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Intro e variations from Dal tuo stellato soglio | Menuhin | |||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Intro e variations from Dal tuo stellato soglio per cello & orch - adagio | Rocco Filippini | |||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | 24 Capricci per violino solo op 1 | Accardo/ Menuhin (9, 23, 24)/Perlman | s | ||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | capricci n 9, 13, 14, 17, 24 | adattati per violoncello - Yo-Yo Ma | |||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Cantabile per violino e piano | Grazia Raimondi, Giuliano Mazzoccante | |||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Tarantella x violino/orchestra, | ||||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Maestosa sonata sentimentale x violino/orchestra, | ||||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Quartetti x violino,viola,chitarra e violoncello, | ||||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Terzetti concertanti x violino, violoncello e chitarra, | ||||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Duetti concertanti per violino e violoncello n 1, 2 & 3 | 1802 | Vera Hilger, Norbert Hilger | ||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | Rond? per violino e violoncello | 1831 | Vera Hilger, Norbert Hilger | ||
PAGANINI Niccol | (Genova, 1782-1840) | 1750 | ?Centone di Sonate? x violino/chitarra | ||||
PAISIELLO Giovanni | (Roccaforzata, Taranto, 1740-1816) | 1700 | La serva padrona | opera | |||
PAISIELLO Giovanni | (Roccaforzata, Taranto, 1740-1816) | 1700 | Concerti per piano n 1, 3, 4 e 7 | ||||
PAISIELLO Giovanni | (Roccaforzata, Taranto, 1740-1816) | 1700 | Il barbiere di Siviglia | opera | |||
PAISIELLO Giovanni | (Roccaforzata, Taranto, 1740-1816) | 1700 | Concerti x mandolino/archi e basso continuo | ||||
PAISIELLO Giovanni | (Roccaforzata, Taranto, 1740-1816) | 1700 | XII divertimenti | ||||
PAISIELLO Giovanni | (Roccaforzata, Taranto, 1740-1816) | 1700 | Concerto for Hapsichord and string | I Musici | |||
PALADILHE Emile | (Montpellier, 1844-1926) | 1800 | Solo de concert | John Mach oboe | |||
PALESE Pascottino | (1782-1859) | 1750 | Tema e sei variazioni per flauto solo | 1849 | Luisa Sello | ||
PALESTRINA Pierluigi da | (Palestrina, Roma, 1525-1594) | 1500 | Missa Papae Marcelli, | Tallis scholars | s | ||
PALESTRINA Pierluigi da | (Palestrina, Roma, 1525-1594) | 1500 | Missa Assumpta es Maria, | ||||
PALESTRINA Pierluigi da | (Palestrina, Roma, 1525-1594) | 1500 | Alma Redentoris mater | Tallis Scholars | s | ||
PALESTRINA Pierluigi da | (Palestrina, Roma, 1525-1594) | 1500 | Tu es Petrus | ||||
PANUFNIK Adrzej | (Warsaw, 1914-1991) | 1900 | Cello conerto | Rostropovich | |||
PARRY Hubert | (Bournemouth, 1848-1918) | 1800 | An English Suite | Richard Hickox, City of London Sinfonia | |||
PARRY Hubert | (Bournemouth, 1848-1918) | 1800 | Suie in F Lady Radnor's suite | Richard Hickox, City of London Sinfonia | |||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Sinfonia n 1 polyphonic | 1964 | Bamberg SO, Neeme Jarvi | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Sinfonia n 2 | 1966 | Bamberg SO, Neeme Jarvi | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Sinfonia n 3 | 1971 | Bamberg SO, Neeme Jarvi | 3 | |
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | I Sumfoonia | ||||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Psalom | Kronos 4tet | 3 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Summa for strings | 1991 | Kronos 4tet/Tapiola sinfonietta, Kantorow | 3 | |
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Summa for choir | 1990 | Oxford pro musica singers, Michael Smedley/Jauna muzika choir, Augustinas | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Spiegel im spiegel for violin and piano | 1978 | Vladim Gluzman, Angela Yoffe | 3 | s |
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Tabula rasa for 2 violins, prepared piano and strings | 1977 | Tapiola sinfonietta, Jean Jacques Kantorow | 4 | s |
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Concerto piccolo uber B-A-C-H for trumpet, strings, hapsochord and piano | 1994 | Gothenburg SO, Neeme Jarvi | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Pro et contra for cello and orchestra | 1966 | Frans Hemerson, Bamberg PO, Neeme Jarvi | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Quintettino op 13 | 1964 | Berlin philarmonic wind quintet, Hermann Baumer | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Missa syllabica | Kronos 4tet | 3 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Fratres for wind octet and percussions | 4 | |||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Fratres x violino e pianoforte | 1977/80 | Vladim Gluzman, Angela Yoffe | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Fratres for cello&piano | 4 | |||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Fratres for strings and percussions | 1977/91 | Tapiola sinfonietta, Juho Vartiainen | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Magnificat for choir | 1989 | Oxford pro musica singers, Michael Smedley | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Sieben Magnificat - Antiphonen for choir | 1991 | Jauna Muzica choir, Vlacovas Augustinas | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Cantus in mamoriam Benjamin Britten | 1977 | Berger PO, Neeme Jarvi | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | The beatitudes for choir and organ | 1991 | Jauna Muzica choir, Vlacovas Augustinas | 4 | |
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Fetina lente for strings and harp | 1990 | Tapiola sinfonietta, Kantorow | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Perpetuum mobile for orchestra op 10 | 1963 | |||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Adam's lament | (nomination grammy 2014) Latvian radio choir, Vox clamantis, Sinfonietta Riga, Tonu Kaliuste | 5 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Beatus Petronius | Latvian radio choir, Vox clamantis, Sinfonietta Riga, Tonu Kaliuste | 4 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Salve Regina | Latvian radio choir, Vox clamantis, Sinfonietta Riga, Tonu Kaliuste | 4 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Statuit et Dominus | Latvian radio choir, Vox clamantis, Sinfonietta Riga, Tonu Kaliuste | 4 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Alleluja tropus | Latvian radio choir, Vox clamantis, Sinfonietta Riga, Tonu Kaliuste | 5 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | L'Abb? Agathon | Latvian radio choir, Vox clamantis, Sinfonietta Riga, Tonu Kaliuste | 5 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Estonian lullaby | Latvian radio choir, Vox clamantis, Sinfonietta Riga, Tonu Kaliuste | 4 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Chistmas lullaby | Latvian radio choir, Vox clamantis, Sinfonietta Riga, Tonu Kaliuste | 4 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Te Deum | ||||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Kanon Pokajanen | ||||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Fur Alina | Alexei Lubimov | |||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Miserere | ||||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Johannes Passion | ||||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Annuum per annum for organ | 1980 | Hans-Ola Ericsson | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Pari intervallo | ||||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Trivium | ||||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Mein Weg Hat Gipfel Und Wallentaler | ||||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | In principio | Estonian Phil Chamber Choir and Tallin PO | 3 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | La Sindone | Estonian Phil Chamber Choir and Tallin PO | |||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Cecilia vergine romana | Estonian Phil Chamber Choir and Tallin PO | 3 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | De Pacem Domine | Estonian Phil Chamber Choir and Tallin PO | 4 | ||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Fur Lennart in memoriam | Estonian Phil Chamber Choir and Tallin PO | |||
PART Arvo | (Paide, Jarva county, Estonia, 1935) | 1900 | Tintinnabulum | organo, Lorenzo Ghelmi | |||
PASCHER Hartmut | (Lodz, 1941) | 1900 | String quartet n 1 | Franz Schubert quartet | |||
PAUS Ramon | (Castellon, 1959) | 1950 | Madera Ocaso | Yuval Gotlibovich, Catalan Chamber Orchestra & Joan P?mies | 4 | ||
PAUS Ramon | (Castellon, 1959) | 1950 | Cobalto azul, en transito | Yuval Gotlibovich, Catalan Chamber Orchestra & Joan P?mies | 3 | ||
PAUS Ramon | (Castellon, 1959) | 1950 | Elegia primera, la deriva | Yuval Gotlibovich, Catalan Chamber Orchestra & Joan P?mies | 4 | ||
PEDEMONTI Giuseppe | (b. 1910) | 1900 | Le sette parole di Ges? in croce | 1957 | |||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Concerto x violino/orchestra | 1963 | Stern vol 14 | ||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Requiem Polacco | ||||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Quartetto per archi, | ||||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Treni x le vittime di Hiroshima per orchestra d?archi, | ||||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Passione secondo San Luca, | ||||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Quartetto x archi n.1 | ||||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Cello concerto n 2 | 4 | |||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Violin concerto n 2 | 3 | |||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Piano concerto Resurrection | Antoni Wit, Warsaw PO, Barry Douglas | 4 | ||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Flute concerto | Lukasz Dlucosz, Warsaw PO, Barry Douglas | 3 | ||
PENDERECKI Krzystof | (Debica, Poland, 1933) | 1900 | Violoncello totale | 3 | |||
PERGOLESI Giovanni Battista | (Iesi, Ancona, 1710-1736) | 1700 | Stabat Mater | Orch Scarlatti di Napoli, Ettore Gracis | 4 | s | |
PERGOLESI Giovanni Battista | (Iesi, Ancona, 1710-1736) | 1700 | concerto per violino e orchestra d'archi in sib magg | Bettina Mussumel, I solisti veneti e Claudio Scimone | 4 | ||
PERGOLESI Giovanni Battista | (Iesi, Ancona, 1710-1736) | 1700 | Cto per due clavicembali e orchestra d'archi | Emer Buckley, Claudio Scimone, I solisti veneti | |||
PERLE George | (Bayonne, New Jersey, 1915-2009) | 1900 | Complete wind quintets | 4th quintet - Pulitzer 1986 | |||
PERNES Thomas | (Vienna, 1956) | 1950 | Streichquartett n 1 | 1976 | Franz Schubert quartet | ||
PEROSI Lorenzo | (Tortona, 1872-1956) | 1850 | Il giudizio universale | ||||
PEROSI Lorenzo | (Tortona, 1872-1956) | 1850 | Stabat Mater | ||||
PEROSI Lorenzo | (Tortona, 1872-1956) | 1850 | Inno alla pace | ||||
PEROSI Lorenzo | (Tortona, 1872-1956) | 1850 | La passione di Cristo secondo san Marco | ||||
PERRIN Jean | (Lausanne, 1900-1989) | 1900 | De Profundis | ||||
PERRIN Jean | (Lausanne, 1900-1989) | 1900 | Cello concerto | ||||
PERSICHETTI Vincent | (Philadelphia, 1915-1987) | 1900 | Symphony n 8 | ||||
PERSICHETTI Vincent | (Philadelphia, 1915-1987) | 1900 | Symphony n 5 | ||||
PERSICHETTI Vincent | (Philadelphia, 1915-1987) | 1900 | Piano concerto | ||||
PERSICHETTI Vincent | (Philadelphia, 1915-1987) | 1900 | Parable for solo oboe | Peter Christ | |||
PERSICHETTI Vincent | (Philadelphia, 1915 - 1987) | 1900 | Third Piano Sonata | Wehr, American 20th century piano music | |||
PERSICHETTI Vincent | (Philadelphia, 1915 - 1987) | 1900 | Parables | for different set of instruments | |||
PERTI Giacomo Antonio | (1661-1756) | 1650 | Ges? al sepolcro (Oratorio della Passione) | Cappella musicale di S. Petronio, Sergio Vartolo | |||
PERTI Giacomo Antonio | (1661-1756) | 1650 | Magnificat a 4 concertato con tromba e violini | 1682 | coro e orch della cappella musicale di S. Petronio | ||
PETERSON-BERGER Wilhelm | (1867-1942) | 1850 | Symphony n 5 Solitudo | Norrkoping SO | |||
PETERSON-BERGER Wilhelm | (1867-1942) | 1850 | Violin cto | Ulf Wallin, Norrkoping SO | 3 | ||
PETRASSI Goffredo | (Zagarolo, Roma, 1904-2003) | 1900 | Partita x orchestra, | ||||
PETRASSI Goffredo | (Zagarolo, Roma, 1904-2003) | 1900 | Salmo IX, | ||||
PETRASSI Goffredo | (Zagarolo, Roma, 1904-2003) | 1900 | Magnificat, | ||||
PETRASSI Goffredo | (Zagarolo, Roma, 1904-2003) | 1900 | Coro di morti, | ||||
PETRASSI Goffredo | (Zagarolo, Roma, 1904-2003) | 1900 | La follia d?Orlando | ||||
PETRASSI Goffredo | (Zagarolo, Roma, 1904-2003) | 1900 | Elogio per un'ombra | Makarski, Larcher | |||
PETRASSI Goffredo | (Zagarolo, Roma, 1904-2003) | 1900 | Introduzione e allegro | Grazia Raimondi, Giuliano Mazzoccante | |||
PETTERSSON Allan | (Vastra Rya, Sweden, 1911-1980) | 1900 | Symphony n 14 | 1978 | Sergiu Commissiona, Stockolm SO | ||
PHAN Quang Phuc | (Vietnam, 1962) | 1950 | Tragedy at the opera | Kronos XXV | |||
PHILIDOR Anne Danican | (1681-1728) | 1650 | Suite n 1 in G minor | Andr | |||
PIATTI Alfredo | (Bergamo 1822-1901) | 1800 | 12 capricci op 25 per solo cello | Antonio Meneses | 4 | ||
PIATTI Alfredo | (Bergamo 1822-1901) | 1800 | Capriccio sopra un tema della Niobe di Pacini, Op. 21 | Antonio Meneses | |||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Five tango sensations | Kronos XXV | |||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Asleep | Kronos XXV | 3 | ||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Concierto para bandoneon y orquestra | 4 | |||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Milonga del Angel | ||||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Adios nonino | ||||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Fuga y misterio | ||||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Maria de Buenos Aires | 3 | |||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Muerte d Angel | ||||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Eight season (su 4 stagioni di Vivaldi) | Vivaldi-Piazzolla, Eight seasons | |||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Chiquilin de Bachin | ||||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Four, for tango | Kronos XXV | 3 | ||
PIAZZOLLA Astor | (Mar del Plata, 1921 - 1992) | 1900 | Le grand tango | Brunello-Battiston | |||
PICCININI Alessandro | (1566-1638) | 1550 | Toccata XXIII per liuto | Christian Zimmermann | |||
PICCININI Alessandro | (1566-1638) | 1550 | Toccata XX per liuto | Christian Zimmermann | |||
PICKER Tobias | (NYC, 1954) | 1950 | Old and lost rivers | ||||
PICKER Tobias | (NYC, 1954) | 1950 | The encantadas | ||||
PICKER Tobias | (NYC, 1954) | 1950 | Romances and interludes | ||||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | Concerto for 2 piano and orch | Gould, Piston, Copland | |||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | The incredible flutist | ballet | |||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | Quintet for flute and string quartet | ||||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | String quartet n 4 | ||||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | String quartet n 5 | Critics' circle award | |||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | Symphony n 3 | ||||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | Symphony n 5 | ||||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | Symphony n 7 | ||||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | Symphony n 8 | ||||
PISTON Walter (Pistone) | (Rockland, Maine, 1894-1976) | 1850 | Suite | Donovetsky, Mitchell | |||
PIXIS Johann Peter | (1788-1874) | 1750 | Gran sonata for oboe and piano op 38 | Paul Dombrech, Jos van Immerseel | |||
PIZZETTI Ildebrando | (1880-1968) | 1850 | Messa da requiem | 1922 | Andres Eby, Malaili KammerKor | ||
PLATTI Giovanni Benedetto | (1697-1763) | 1650 | 14 sonate per clavicembalo | Setefano Innocenti | |||
PONCHIELLI Amilcare | (Paderno Ponchielli, CR, 1834-1886) | 1800 | Danza delle ore | Accademia nazionale di santa Cecilia, Pappano | |||
POPPER David | (1843-1913) | 1800 | Hohe Schule des Violoncello-Spiels, Op. 73: ?tude No. 29 in F-Sharp Minor, Moderato | Antonio Meneses | |||
POPPER David | (1843-1913) | 1800 | Gavotte | Tortelier | |||
PORPORA Nicol | (Napoli, 1686-1768) | 1650 | Dixit Dominus x voci/coro/orch. Da camera, | ||||
PORPORA Nicol | (Napoli, 1686-1768) | 1650 | 6 sinfonie da camera op 2 | Artifizii musicali, Guy Delvaux | |||
PORPORA Nicol | (Napoli, 1686-1768) | 1650 | Cto per violoncello e orchestra d'archi in sol magg | Susan Moses, I solisti veneti. Claudio Scimone | 4 | ||
PORPORA Nicol | (Napoli, 1686-1768) | 1650 | 6 sonate per violoncello | Adriano Fazio | 4 | ||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Les dialogues des carm?lites | (opera), | |||
POULENC Francis | (Parigi, 1899-1963) | 1850 | La voix humaine | (monologo), | |||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Stabat Mater, | 3 | |||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Salve Regina | Ave verum - Olivier Vernet orgue | |||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Ave Verum Corpus | Ave verum - Olivier Vernet orgue | |||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Gloria, | 3 | |||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Concert champetre x clavicembalo/orchestra, | ||||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Aubade x pianoforte/orchestra, | ||||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Concerto per 2 pianoforti/orchestra, | ||||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Concerto x pianoforte/orchestra, | ||||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Les biches | (balletto) | |||
POULENC Francis | (Parigi, 1899-1963) | 1850 | Sonata for oboe and piano | Schellenberger, Koenen | |||
POUSSEUR Henri | (Malmedy, Belgique, 1929-2009) | 1900 | Les litanies d'Icare | Pierre Bartholom?e, Frederic Rzewski & Beethoven Academie | |||
POUSSEUR Henri | (Malmedy, Belgique, 1929-2009) | 1900 | Danseurs Gnidiens Cherchant la Perle Cl?mentine | Pierre Bartholom?e, Frederic Rzewski & Beethoven Academie | |||
POUSSEUR Henri | (Malmedy, Belgique, 1929-2009) | 1900 | Les Fouilles de J?rusona | Pierre Bartholom?e, Frederic Rzewski & Beethoven Academie | |||
POUSSEUR Henri | (Malmedy, Belgique, 1929-2009) | 1900 | Icare Aux Jardins Du Verseau | Pierre Bartholom?e, Frederic Rzewski & Beethoven Academie | |||
POWER Leonell | (13??-1445) | 1350 | Missa Alma Redemptoris | ||||
POWER Leonell | (13??-1445) | 1350 | Gloria | ||||
POWER Leonell | (13??-1445) | 1350 | Salve Regina | ||||
POZDRO John Walter | (b. 1923) | 1900 | Preludes n 1, 2 & 3 | David Allen Wehr - American 20th Century Piano Music | |||
PREISNER Zbigniew | (Bielsko-Biala, Poland, 1955) | 1950 | Requiem for my friend | 4 | |||
PREISNER Zbigniew | (Bielsko-Biala, Poland, 1955) | 1950 | Diaries of hope | 3 | |||
PREVIN Andr? George | (Berlin, 1929) | 1900 | Honey and Rue | Kathleen Battle | 3 | ||
PREVIN Andr? George | (Berlin, 1929) | 1900 | Cello concerto n 1, 2 | ||||
PREVIN Andr? George | (Berlin, 1929) | 1900 | Sonata for cello and piano | 1993 | Yo-Yo Ma | 4 | |
PREVIN Andr? George | (Berlin, 1929) | 1900 | Four songs for Soprano, Cello and Piano | Yo-Yo Ma | |||
PREVIN Andr? George | (Berlin, 1929) | 1900 | Vocalise for soprano, cello and piano | 1995 | Yo-Yo Ma | ||
PROCACCIOLI Stefano | (b. 1960) | 1950 | NyrPxis | 1998 | Luisa Sello | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | L?angelo di fuoco | opera | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Lieutenant Kij? op 60 | Fritz Reiner, Chicago Symphony | s | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Alexander Nevsky op 78 | Fritz Reiner, Chicago Symphony | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Guerra e Pace | opera | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Pierino e il Lupo | (favola musicale) | s | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Romeo e Giulietta op 64 | (balletto) | s | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | 10 pieces from Romeo and Juliet op 75 | s | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sinfonie n.1 ?classica? | s | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sinfonia n 2 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sinfonia n 3 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sinfonia n 4 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sinfonia n 5 | s | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sinfonia n 6 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sinfonia n 7 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Suite Scita, | in Abbado: Bartok, Prokofiev | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sinfonia concertante | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Ouverture su temi ebraici op 34 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | L?incontro del Volga con il Don | (poema sinf.), | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Concerto per pianoforte e orchestra n 1 | Argerich, Dutoit, O de Montreal/Ashkenazy, Previn, London S O | 3 | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Concerto per pianoforte e orchestra n 2 | Ashkenazy, Previn, London S O | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Concerto per pianoforte e orchestra n 3 | Argerich, Dutoit, O de Montreal/Ashkenazy, Previn, London S O | 3 | s | |
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Concerto per pianoforte e orchestra n 4 | Ashkenazy, Previn, London S O | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Concerto per pianoforte e orchestra n 5 | Ashkenazy, Previn, London S O | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Concerto per violino/orchestra n.1 | (Stern vol 10)/Perlman | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Concerto per violino/orchestra n.2 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Concerto sinfonico x violoncello/orchestra | Mork | 4 | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Quartetto x archi n.1 op 50 | Emerson quartet | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Quartetto x archi n.2 op 92 | Emerson quartet | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sonata x violino/pianoforte n.1 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sonata x violino/pianoforte n.2 | ||||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sonata for 2 violins op 56 | Emerson quartet | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Visions fugitives op 22 | Richter | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Ballata x violoncello/pianoforte op.15, | Dimitri Ferschtman | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Adagio for cello and piano op 97 | Dimitri Ferschtman | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Sonata for cello and piano op 119 | Dimitri Ferschtman/Leonard Elschenbroich | 4 | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | March for solo cello op 65 | Dimitri Ferschtman | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Suite for cello and piano from the tale of buffoon op 21 | Dimitri Ferschtman | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Piano sonata n 2 op 14 | Barry Douglas | s | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Piano sonata n 4 op 29 | Richter | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Piano sonata n 7 op 83 | Barry Douglas | s | ||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | The stone flower: valse | Leonard Elschenbroich | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | Music for children op 65 (Cello solo) | Weilerstein | |||
PROKOFIEV Sergej | (Sontsovka, Donetsk, 1891-1953) | 1850 | The Love for Three Oranges, Op. 33: March | Leonard Elschenbroich | |||
PROVESI Ferdinando | (Parma, 1770-1833) | 1750 | Sinfonia in Do magg per organo | Stefano Innocenti, I Pomeriggi Musicali, Marco Balderi | |||
PRZYBYLSKI Bonislaw | (Lodz, 1941) | 1900 | ArnoLD SCHonBErG in memoriam | Franz Schubert quartet | |||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Le Villi | opera | |||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | ?Edgar?, | opera | |||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Manon Lescaut | opera | s | ||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | La Boh?me | opera | s | ||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Madama Butterfly | opera | s | ||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | ?Tosca?, | opera | s | ||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | La fanciulla del West | opera | |||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | ?Turandot? | opera | s | ||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Messa di Gloria, | ||||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Capriccio sinfonico, | ||||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Crisantemi, | ||||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Requiem x 3 voci, viola e organo | ||||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Salve Regina | ||||
PUCCINI Giacomo | (Lucca, 1858-1924) | 1850 | Vexilla Regis | ||||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Dido and Aeneas | ouverture | s | ||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | The Fairy Queen | ouverture | s | ||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | The Indian Queen | ouverture | |||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Come ye Sons of Art | (ode), | |||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Ode on St. Cecilia?s Day | 1692 | |||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Funeral Music for Queen Mary, | s | |||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Te Deum & Jubilate Deo, | ||||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Anthem, | ||||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Arise, my muse | ode | |||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Welcome to all the pleasures | ode | |||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Now does the glorious day appear | ode | |||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Arie and Songs, | ||||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Sonate per quartetto d'archi | 3 cd | |||
PURCELL Henry | (Westminster, London, 1659-1695) | 1650 | Sonata x tromba ed archi n.1 in Re | s | |||
PUUMALA Veli-Matti | (Kaustinen, Finland, 1965) | 1950 | ? se sillan ? (after Colombi's Chiacona | Karttunen | |||
QUAGLIA Agostino | (1744-1823) | 1700 | Interrogavi angelum | Cappella musicale Duomo Milano | |||
QUAGLIA Agostino | (1744-1823) | 1700 | Erit hic vobis dies | Cappella musicale Duomo Milano | |||
RABINOVITCH Alexandre | (Russia, 1945) | 1900 | La triade | ||||
RABINOVITCH Alexandre | (Russia, 1945) | 1900 | Die zeit | 2000 | |||
RABINOVITCH Alexandre | (Russia, 1945) | 1900 | Recit du voyage | 1976 | |||
RABINOVITCH Alexandre | (Russia, 1945) | 1900 | Perpetuum mobile | 1975 | |||
RABINOVITCH Alexandre | (Russia, 1945) | 1900 | Musique sxpressive | 1976 | |||
RABINOVITCH Alexandre | (Russia, 1945) | 1900 | Das Tibetanische Gebet | ||||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Aleko | (opera), | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Le Campane op.35 | (cantata), | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Romanze Russe op.41, | ||||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Vespri op.37, | St Petersburg choir | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Liturgia di S. Giovanni Crisostomo, | Choir of King's college Cambridge | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Sinfonia n 1 op 13 | 1895 | Mariss Jansons, St Petersburg PO | ||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Sinfonia n 2 op 27 | 1906 | Mariss Jansons, St Petersburg PO | s | |
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Sinfonia n 3 op 44 | 1936 | Mariss Jansons, St Petersburg PO | ||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Danze sinfoniche op.45, | Previn, London SO/Rudy | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | L?isola dei morti op.29, | 1909 | Previn, London SO/Rudy | ||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Scherzo in D minor | 1887 | Mariss Jansons, St Petersburg PO | ||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | La Roccia op.7, | ||||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Vocalise op.34 | 1912 | Previn, London SO/Rudy | 4 | |
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Piano concerto n 1 op 1 | 1891 | Mikhail Rudy, St Petersburg PO, Mariss Jansons | ||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Piano concerto n 2 op 18 | 1900 | Mikhail Rudy, St Petersburg PO, Jansons/Ashkenazy | 4 | s |
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Piano concerto n 3 op 30 | 1909 | Mikhail Rudy, St Petersburg PO, Mariss Jansons | 4 | s |
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Piano concerto n 4 op 40 | 1926 | Mikhail Rudy, St Petersburg PO, Jansons/Ashkenazy | 3 | |
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Rapsodia su un tema di Paganini op.43 x pianoforte/orchestra, | 1934 | Mariss Jansons, St Petersburg PO | s | |
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Trio x pianoforte/violino/violoncello n.1 ?El?giaque? | Beaux arts trio | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Trio x pianoforte/violino/violoncello n.2 ?El?giaque? | Beaux arts trio | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | String quartet n 1 | Budapest string quartet | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | String quartet n 2 | Budapest string quartet | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Sonata per violoncello/pianoforte op.19 | Zilberstein (p), Capucon (v) | 4 | s | |
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Etudes-Tableux op.33 e op.39 x pianoforte, | ||||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | 24 Pr?ludes x pianoforte | s | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | 2 pieces for cello and piano op 2 | 3 | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Piano sonata n.2 | s | |||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Songs op 34 n 5, Op 4 n 3&4, op 21 n 1, 2, 5, 11, op 14 n 2, 4, 8 14, ecc | Dimitri Kharitonov, Leif Ove Andsnes | s | ||
RACHMAMINOV Sergej | (Semyonovo, Great Novgorov, 1873-1943) | 1850 | Morceaux de fantasie op 3 | Howard Shelley | s | ||
RAFF Joseph Joachim | (1822-1882) | 1800 | Konzertstuck op 76 | Antonioli, Lausanne chamber orch | 3 | ||
RAFF Joseph Joachim | (1822-1882) | 1800 | Klavierkonzert op 185 | Antonioli, Lausanne chamber orch | 3 | ||
RAMEAU Jean-Philippe | (Dijon, 1683-1764) | 1650 | Pi?ces de clavecin en concert x clavicembalo ed archi, | s | |||
RAMEAU Jean-Philippe | (Dijon, 1683-1764) | 1650 | Les Indes Galantes versione x clavicembalo | ||||
RAMEAU Jean-Philippe | (Dijon, 1683-1764) | 1650 | 3 pieces from the Hapsichord concertos | ||||
RAUTAVAARA Einojuhni | (Helsinki, 1928) | 1900 | Cantus Articus op.61, | ||||
RAUTAVAARA Einojuhni | (Helsinki, 1928) | 1900 | Concerto x pianoforte/orchestra n.1, | ||||
RAUTAVAARA Einojuhni | (Helsinki, 1928) | 1900 | Sinfonia n.3 | ||||
RAUTAVAARA Einojuhni | (Helsinki, 1928) | 1900 | Cello concerto n 2 | ||||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | L?enfant et les sortil?ges | (fantasia lirica), | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Sh?h?razade | Abbado, London Sym Orch/B. Hendricks | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | 2 melodies hebraiques | Barbara Hendricks, Gardiner, Orch de Lyon | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | 5 melodies populaires grecques | Barbara Hendricks, Gardiner, Orch de Lyon | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Vocalise en forme de Habanera | Barbara Hendricks, Gardiner, Orch de Lyon | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Jeux d'eau | Anne Queffelec | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Daphnis et Chlo | ||||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Miroirs | s | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Bolero | 5 | s | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | La valse, | Abbado, London Sym Orch | s | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Rhapsodie espagnole, | s | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Valses nobles et sentimentales, | Hans Rosbaud/Anne Queffelec | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Sonatine in F | ||||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Menuet antique, | ||||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Pavane pour une infante d?funte | 4 | s | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Le tombeau de Couperin, | Cecile Ousset, Simon Rattle | s | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Alborada del gracioso, | Abbado, London Sym Orch | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Une barque sur l?oc?an | Abbado, London Sym Orch | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Concerti x pianoforte/orchestra in Sol | Cecile Ousset, Simon Rattle | s | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Concerti x pianoforte/orchestra in Re ?per mano sinistra?, | Cecile Ousset, Simon Rattle | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Tzigane x violino/orchestra | Perlman/Accardo, Abbado | s | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Quartetto x archi in Fa, | s | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Trio x pianoforte/violino/violoncello in La, | Kruysen, Vester, Beths, Bijlsma, van Blerk | |||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Berceuse su le nom de G. Faur? x violino e pf., | ||||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Sonata x volino/pianoforte in Sol, | ||||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Gaspard de la nuit x pianoforte, | Anne Queffelec | s | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Sonata for cello and violin | 1922 | Kruysen, Vester, Beths, Bijlsma, van Blerk | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Histoires naturelles | 1906 | Kruysen, Vester, Beths, Bijlsma, van Blerk | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Chansons Madecasses | 1926 | Kruysen, Vester, Beths, Bijlsma, van Blerk | ||
RAVEL Maurice | (Ciboure (Biarritz), 1875-1937) | 1850 | Ma mere l?Oye x 2 pianoforti | s | |||
RAWSTHORNE Alan | (1905-1971) | 1900 | Fantasy ouverture: corteges | ||||
RAWSTHORNE Alan | (1905-1971) | 1900 | Violin concerto n 1 | ||||
RAWSTHORNE Alan | (1905-1971) | 1900 | violin concerto n 2 | ||||
REGER Max | (1873-1916) | 1850 | Variazioni e fuga su un tema di Beethoven op 86 | Andras Schiff, Peter Serkin (pianos) | |||
REGER Max | (1873-1916) | 1850 | Concerto x pianoforte/orchestra op.114, | ||||
REGER Max | (1873-1916) | 1850 | Sestetto x archi op.118, | ||||
REGER Max | (1873-1916) | 1850 | Quintetto x clarinetto/archi op.146, | ||||
REGER Max | (1873-1916) | 1850 | Suite x violoncello op.131C/1 | Haimovitz | 4 | ||
REICH Steve | (NYC, 1936) | 1900 | Different trains | Kronos quartet | 4 | ||
REICH Steve | (NYC, 1936) | 1900 | Double sextet | 2007 | Ensamble Signal, Brad Lubman | 4 | |
REICH Steve | (NYC, 1936) | 1900 | Music for 18 musicians | 3 | |||
REICH Steve | (NYC, 1936) | 1900 | Cello counterpoint | 2003 | Maya Beiser | 4 | |
REICH Steve | (NYC, 1936) | 1900 | You are (variations), for voices and ensemble | 2004 | Los Angeles Master Chorale, Grant Gershon | 3 | |
REICH Steve | (NYC, 1936) | 1900 | Drumming | ||||
REICH Steve | (NYC, 1936) | 1900 | Six pianos | ||||
REICH Steve | (NYC, 1936) | 1900 | Music for mallet instruments, voices and organ | ||||
REID Daniel | Ringar pa vattnet | Daniel Reid, Jeanette Eriksson, S?rgio Cris?stomo, Adrian Jones & Anna Wallgren | 4 | ||||
REINECKE Carlo | (Altona, Hamburg, 1824-1910) | 1800 | Flute concerto op 283 | Galway | |||
REITZ Heiner | (b. 1925) | 1900 | 12 caprices for violin solo | 1972 | |||
REITZ Heiner | (b. 1925) | 1900 | 12 caprices for cello solo | 1976 | |||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Belfagor | (opera), | |||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Notturno x voce/pianoforte, | ||||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Notturno | Irene Veneziano | 4 | ||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | La boutique fantasque | (balletto), | |||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Fontane di Roma, | s | |||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Pini di Roma, | s | |||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Feste romane, | s | |||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Quintetto per strumenti a fiato P 021 | ||||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Concerto gregoriano x violino/orchestra, | ||||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Concerto all'antica P075 | ||||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | 6 pezzi per piano e violino P031 | ||||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | 5 pezzi per piano e violino P062 | ||||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Adagio and variations for cello and orch | 1920 | Cassado | 4 | |
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Concerto in modo misolidio x pianoforte/orchestra | ||||
RESPIGHI Ottorino | (Bologna, 1879-1936) | 1850 | Sonata per violino e piano P110 | Grazia Raimondi, Giuliano Mazzoccante | |||
REVUELTAS Silvestre | (Santiago Papasquiaro, Durango, Dec. 1, 1899-1940) | 1850 | Sensemaya | ||||
REVUELTAS Silvestre | (Santiago Papasquiaro, Durango, Dec. 1, 1899-1940) | 1850 | Ocho per radio | ||||
REVUELTAS Silvestre | (Santiago Papasquiaro, Durango, Dec. 1, 1899-1940) | 1850 | La noche de los Mayas | ||||
REVUELTAS Silvestre | (Santiago Papasquiaro, Durango, Dec. 1, 1899-1940) | 1850 | Homenaje a Federico Garcia Lorca | ||||
REVUELTAS Silvestre | (Santiago Papasquiaro, Durango, Dec. 1, 1899-1940) | 1850 | Ventanas | ||||
REVUELTAS Silvestre | (Santiago Papasquiaro, Durango, Dec. 1, 1899-1940) | 1850 | 2 little serious pieces | ||||
REYNOLDS Roger | (Detroit, 1934) | 1900 | Colombi Daydream (after Colombi's Chiacona | Karttunen | |||
REYNOLDS Roger | (Detroit, 1934) | 1900 | Whispers outof time | ||||
RHEINBERGER Joseph | (Bologna, 1879-1936) | 1850 | Suites for organ, violin and cello | ||||
RIHM Wolfgang | (Karlsruhe, 1952) | 1950 | Deus passus (St. Luke Passion) | ||||
RIHM Wolfgang | (Karlsruhe, 1952) | 1950 | Kein firmament | ||||
RIHM Wolfgang | (Karlsruhe, 1952) | 1950 | Sine nomine | ||||
RILEY Terry | (Colfax, California, 1935) | 1900 | Cadenza on the night plain | Kronos 4tet | 3 | ||
RILEY Terry | (Colfax, California, 1935) | 1900 | G. Song | Kronos 4tet | |||
RILEY Terry | (Colfax, California, 1935) | 1900 | Salom? dances for peace | Kronos 4tet | |||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | ?Snegurotschka? | opera | |||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | ?La fiaba dello zar Saltan? | opera | s | ||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | ?La leggenda della citt? invisibile di Kitez? | opera | |||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Sinfonia n.2 ?Antar?, | ||||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Sh?h?razade, | Orch e coro del Maggio Musicale Fiorentino, Zubin Metha | s | ||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Capriccio spagnolo, | Orch e coro del Maggio Musicale Fiorentino, Zubin Metha | s | ||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | La Grande Pasqua russa, | ||||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Sadko, | nd | s | ||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Ouverture da Notte di Maggio, | ||||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Il volo del calabrone | ||||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Concerto x pianoforte/orchestra op.30, | ||||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Serenata per violoncello/orchestra op.37 | ||||
RIMSKIJ-KORSAKOV Nicolaj | (Tikhvin, Russia, 1844-1908) | 1800 | Liriche e canti popolari russi | ||||
ROBBINS Richard | (Weymouth, Massachusetts, 1940-2012) | 1900 | Via crucis | 3 | |||
ROCHBERG George | (Paterson, New Jersey, 1818-2005) | 1800 | Oboe concerto | ||||
ROCHBERG George | (Paterson, New Jersey, 1818-2005) | 1800 | Violin concerto | 1975 | Stern 12 | 3 | |
ROCHBERG George | (Paterson, New Jersey, 1818-2005) | 1800 | Caprice variations Paganini n 6, 12, 27, 37 | Makarski/Larcher | |||
ROCHBERG George | (Paterson, New Jersey, 1818-2005) | 1800 | Symphony n 5 | ||||
RODE Pierre | (Bordeaux, 1774-1830) | 1750 | Variazione su Nel cor pi? non mi sento di Paisiello | Friedeman Eichhorn, Jena PO | |||
RODE Pierre | (Bordeaux, 1774-1830) | 1750 | Violin cto n 8 op 13 | Friedeman Eichhorn, Jena PO | |||
RODE Pierre | (Bordeaux, 1774-1830) | 1750 | Violin cto n 2 op 9 | Friedeman Eichhorn, Jena PO | |||
RODE Pierre | (Bordeaux, 1774-1830) | 1750 | Introduzione e variazione brillante Aria Tirolese | Friedeman Eichhorn, Jena PO | |||
RODRIGO Joaqu | (Sagunto, Valencia, 1902-1999) | 1900 | Concierto de Aranjuez x chitarra/orchestra | 4 | s | ||
RODRIGO Joaqu | (Sagunto, Valencia, 1902-1999) | 1900 | Fantasia para un gentilhombre per chitarra/orchestra, | 3 | |||
RODRIGO Joaqu | (Sagunto, Valencia, 1902-1999) | 1900 | Concierto andaluz x 4 chitarre/orchestra, | 4 | |||
RODRIGO Joaqu | (Sagunto, Valencia, 1902-1999) | 1900 | Concierto en moto galante | cello/orchestra | 4 | ||
RODRIGO Joaqu | (Sagunto, Valencia, 1902-1999) | 1900 | Concierto de estio (violin concerto) | ||||
RODRIGO Joaqu | (Sagunto, Valencia, 1902-1999) | 1900 | Zarabanda lejana e Junto al Generalife x chitarra solista | ||||
RODRIGO Joaqu | (Sagunto, Valencia, 1902-1999) | 1900 | Flute concierto pastoral | Galway | |||
ROLLA Alessandro | (Pavia, 1757-1841) | 1750 | Concerto per viola e orch | ||||
ROLLA Alessandro | (Pavia, 1757-1841) | 1750 | Divertimento epr viola | ||||
ROLLA Alessandro | (Pavia, 1757-1841) | 1750 | Concertino per viola | ||||
ROLLA Alessandro | (Pavia, 1757-1841) | 1750 | Duetti a violino e violoncello 1, 2 & 3 | 1818 | Vera Hilger, Norbert Hilger | ||
ROLLA Alessandro | (Pavia, 1757-1841) | 1750 | Sinfonia in Re maggiore | ||||
ROPARTZ Jean-Guy | (Guingamp, Bretagne, 1864-1955) | 1850 | Salve Regina | ||||
ROPARTZ Jean-Guy | (Guingamp, Bretagne, 1864-1955) | 1850 | Symphony n 3 | 2 | |||
ROREM Ned | (Richmond, Indiana, 1923) | 1900 | Violin cto | 1984 | G. Kremer (vl), Bernstein, New York Philarmonia | ||
ROREM Ned | (Richmond, Indiana, 1923) | 1900 | Air music | ||||
ROSETTI Antonio (Franz Anton Rossler) | (Leitmeritz, Bohemia: 1746-92) | 1700 | Oboe cto in C major | Lajos Lencses, Slovak CO, Bohdan Warchal | 3 | ||
ROSETTI Antonio (Franz Anton Rossler) | (Leitmeritz, Bohemia: 1746-92) | 1700 | Oboe cto in D major | Lajos Lencses, Slovak CO, Bohdan Warchal | 3 | ||
ROSETTI Antonio (Franz Anton Rossler) | (Leitmeritz, Bohemia: 1746-92) | 1700 | Oboe cto in F major | Lajos Lencses, Slovak CO, Bohdan Warchal | |||
ROSETTI Antonio (Franz Anton Rossler) | (Leitmeritz, Bohemia: 1746-92) | 1700 | Horn cto in E major k3:44 | Barry Tuckwell, English CO | 3 | ||
ROSETTI Antonio (Franz Anton Rossler) | (Leitmeritz, Bohemia: 1746-92) | 1700 | Horn cto in E flat major k3:39 | Barry Tuckwell, English CO | |||
ROSETTI Antonio (Franz Anton Rossler) | (Leitmeritz, Bohemia: 1746-92) | 1700 | Horn cto in E major k3:42 | Barry Tuckwell, English CO | |||
ROSSI Salomone | (1570 c-1630) | 1550 | Movimenti di danza in 5 parti | Hans-Martin Linde, Linde consort, Tolzer Knabenchor | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Stabat Mater, | ||||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Il barbiere di Siviglia | s | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Guglielmo Tell | s | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | L'italiana in Algeri | s | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Semiramide | s | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Petite messe solennelle | 4 | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Messa di gloria | ||||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | La gazza ladra ouverture | Celibidache, Munich Phil Orch | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Guglielmo Tell ouverture | Celibidache, Munich Phil Orch | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Semiramide ouverture | Celibidache, Munich Phil Orch | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | La scala di seta ouverture | Celibidache, Munich Phil Orch | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Wind quartet n 6 | Aulos wind quartet | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Variazioni per clarinetto e piccola orch | Sabine e Wolfgang Meyer | |||
ROSSINI Gioacchino | (Pesaro, 1792-1868) | 1750 | Introduzione, tema e variazioni per clarinetto e orch | Sabine e Wolfgang Meyer | |||
ROTA Andrea | (Bologna?, 1553-1587) | 1550 | Missa resurrectio Christi | 1595 | coro e orch della cappella musicale di S. Petronio | ||
ROTA Nino | (Milan, 1911-1979) | 1900 | Concerto x archi | ||||
ROTA Nino | (Milan, 1911-1979) | 1900 | musica-balletto ?la strada? | ||||
ROTA Nino | (Milan, 1911-1979) | 1900 | Concerto per violoncello n 2 | 4 | |||
ROTH Nick | (b. 1982) | 1950 | Clarinet quintet for klezmer clarinet and string quartet | Golijov, O'Leary, Roth - Dreams and prayers | |||
ROUSE Christopher | (Baltimore, Maryland, 1949) | 1900 | Trombone concerto | 1991 | |||
ROUSE Christopher | (Baltimore, Maryland, 1949) | 1900 | Concert de Gaud | 1998 | |||
ROUSE Christopher | (Baltimore, Maryland, 1949) | 1900 | Rapture | 2000 | |||
ROUSE Christopher | (Baltimore, Maryland, 1949) | 1900 | Violin concerto | 1991 | |||
ROUSE Christopher | (Baltimore, Maryland, 1949) | 1900 | Der gerettete alberich | ||||
ROUSE Christopher | (Baltimore, Maryland, 1949) | 1900 | Requiem | 2002 | |||
ROUSSEL Albert | (1869-1937) | 1850 | Suite in F op 33 | Chelibidache | |||
ROUSSEL Albert | (1869-1937) | 1850 | Petite suite op 39 | Chelibidache | |||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | String quartet n 1 op 22 | 1950 | |||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | sring quartet n 2 op 38 | ||||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | Rhapsody for cello and piano op 3 | 3 | |||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | Tripartita for orchestra op 33 | 2 | |||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | Theme, variations for cello, violin and orch op 29a | ||||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | Sinfonia concertante op 29 | ||||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | Violin concerto op 24 | 3 | |||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | Piano concerto op 31 | 4 | |||
ROZSA Miklos | (Budapest, 1907-1995) | 1900 | Cello concerto op 32 | 4 | |||
RUBINSTEIN Anton | (1829-1894) | 1800 | Il Demone | (opera), | |||
RUBINSTEIN Anton | (1829-1894) | 1800 | Pevetz Wojewodoi molcha on stoit | (ballata), | |||
RUBINSTEIN Anton | (1829-1894) | 1800 | Notturno per viola e pianoforte op.11/2, | ||||
RUBINSTEIN Anton | (1829-1894) | 1800 | Concerti per violoncello, | ||||
RUBINSTEIN Anton | (1829-1894) | 1800 | Melodia in Fa op.3/1 x pianoforte, | ||||
RUBINSTEIN Anton | (1829-1894) | 1800 | Valzer-capriccio in mi bemolle x pianoforte | ||||
RUDERS Poul | (Ringsted, Denmark, 1949) | 1900 | Gong | ||||
RUDERS Poul | (Ringsted, Denmark, 1949) | 1900 | Tundra | ||||
RUDERS Poul | (Ringsted, Denmark, 1949) | 1900 | Saledes sae Johannes | ||||
RUDERS Poul | (Ringsted, Denmark, 1949) | 1900 | Symphony | ||||
RUDERS Poul | (Ringsted, Denmark, 1949) | 1900 | Piano concerto n 2 | ||||
RUGGLES Carl (Charles Spraue) | Marion, Massachussetts, 1876-1971) | 1850 | Sun treader | ||||
RUTTER John | (London, 1945) | 1900 | Requiem | 3 | |||
RUTTER John | (London, 1945) | 1900 | Hymn to the Creator of light | ||||
RUTTER John | (London, 1945) | 1900 | Cantus | ||||
RUTTER John | (London, 1945) | 1900 | Te Deum | ||||
RUTTER John | (London, 1945) | 1900 | Cantate Domino | ||||
RUTTER John | (London, 1945) | 1900 | Veni Sanctus Spiritus | ||||
RUTTER John | (London, 1945) | 1900 | What sweeter music | ||||
RUTTER John | (London, 1945) | 1900 | Visions | 4 | |||
RUVO Giulio | (16??-17??) | 1650 | Tarantella n 1 | Elinor Frey | |||
RUVO Giulio | (16??-17??) | 1650 | Tarantella n 2 | Elinor Frey | |||
RUVO Giulio | (16??-17??) | 1650 | Romanella n 1 | Elinor Frey | |||
RUVO Giulio | (16??-17??) | 1650 | Romanella n 2 | Elinor Frey | |||
RUZICKA Peter | (Dusseldorf, 1948) | 1900 | String quartets | Arditti 4t, Dietrich Fischer-Dieskau | |||
RZEWSKI Frederick | (Westfield, Massachusetts, 1938) | 1900 | The people united will never be defeated | 1990 | Frederick Rzewski | 4 | |
RZEWSKI Frederick | (Westfield, Massachusetts, 1938) | 1900 | Trio for violin, cello and piano | 1998 | The Lycydas trio | 4 | |
SAARIAHO Kaijia | (Helsinki, 1952) | 1950 | Dreaming Chaconne (after Colombi's Chiacona) | Karttunen | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Samson et Dalila | (opera), | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Messe de requiem op.54, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Sinfonia n.2 op.55, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Sinfonia n.3 op.78 con organo, | s | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Suite alg?rienne op.60, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Danse macabre op.40, | s | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Le carneval des animaux | (fantasia zoologica) J. Du Pr | 3 | s | |
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Le rouet d?Omphale op.31, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Piano concerto n 1 op 17 | 3 | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Piano concerto n 2 op 22 | s | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Piano concerto n 3 op 29 | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Piano concerto n 4 op 44 | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Piano concerto n 5 op 103 ?Egiziano? | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Concerto x violino/orchestra n.1 | Stern vol 8 | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Concerto x violino/orchestra n.3, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Concerto x violoncello/orchestra n1 | Fournier | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Concerto x violoncello/orchestra n.2, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Introduction at Rond? capriccioso x violino/orchestra op.28, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Havanaise per violino/orchestra op.83, | Perlman | |||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Trio x pianoforte/violino/violoncello n.1 op.18, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Settimino op.65, | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | 3 Quartetti x archi | ||||
SAINT-SAENS Camille | (Paris, 1835-1921) | 1800 | Sonata for oboe and piano op 166 | Schellenberger, Koenen | |||
SAINTE-COLOMBE Jean de | (1640-1700) | 1600 | Prelude pour Mr Vauquelin | Savall, Toutes les matins du monde | |||
SAINTE-COLOMBE Jean de | (1640-1700) | 1600 | Gavotte du tendre | Savall, Toutes les matins du monde | |||
SAINTE-COLOMBE Jean de | (1640-1700) | 1600 | Les pleurs | Savall, Toutes les matins du monde | |||
SAINTE-COLOMBE Jean de | (1640-1700) | 1600 | Concert a deaux voiles Le Retour | Savall, Toutes les matins du monde | |||
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Concerto in si bemolle magg per piano e orch | Aldo Ciccolini, I solisti Veneti, Claudio Scimone | |||
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Concerto in do magg per piano e orch | Aldo Ciccolini, I solisti Veneti, Claudio Scimone | 4 | ||
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Concerto per violino, oboe, violoncello e orchestra in re magg | Heinz Holliger | 4 | ||
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Serenata in Si bemolle magg | Il gruppo di Roma | |||
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Armonia per un tempio della notte | 1794 | Il gruppo di Roma | ||
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Picciola serenata | 1778 | Il gruppo di Roma | ||
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Serenata in sol magg | Il gruppo di Roma | |||
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Cto in Do per flauto, oboe e orch | 1774 | Aurele Nicolet, Heinz Holliger, Academy of St Martin in the fields, Kenneth Sillito | 3 | |
SALIERI Antonio | (Legnago, 1750-1825) | 1750 | Cto per l'Organo in Do magg | Stefano Innocenti, I Pomeriggi Musicali, Marco Balderi | 4 | ||
SALLINEN Aulis | (Salmi, 1935) | 1900 | Shadows, prelude for orchestra op 52 | 3 | |||
SALLINEN Aulis | (Salmi, 1935) | 1900 | Cello concerto op 44 | 3 | |||
SALLINEN Aulis | (Salmi, 1935) | 1900 | Symphony n 4 op 49 | ||||
SALLINEN Aulis | (Salmi, 1935) | 1900 | String quartet n 3 | Kronos | |||
SALLINEN Aulis | (Salmi, 1935) | 1900 | Winter was hard op 20 | Kronos | 3 | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Capriccio del primo tono | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Corrente pirma | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Corrente seconda | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Canzone francese pirma | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Canzone francese seconda | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Canzone francese terza | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Toccata prima del primo tono finto | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Toccata prima del primo tono finto | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SALVATORE Giovanni | (Castelvenere, BN, 1610-1688) | 1600 | Messa della Domenica | 1641 | Fabio Bonizzoni, Schola Stirps Jesse, Enrico de Capitani | ||
SAMMARTINI Giovanni Battista | (Milano, 1701-1775) | 1700 | The complete early symphonies | I giovani di nuova cameristica, Daniele Ferrari | |||
SAMMARTINI Giuseppe | (Milano, 1695-1750) | 1650 | Concerto per oboe, archi e continuo op IX n 8 | Holliger, I Musici | |||
SAMMARTINI Giuseppe | (Milano, 1695-1750) | 1650 | Cto for oboe, strings and continuo in E flat major | Schelenberger, I solisti italiani | |||
SAMMARTINI Giuseppe | (Milano, 1695-1750) | 1650 | Concerto per organo op 9 | ||||
SANFORD David | (Pittsburgh, MA, 1963) | 1950 | Es War | Matt Haimowitz | |||
SARASATE Pablo de | (Pamplona, Navarra, 1844-1908) | 1800 | Carmen fantasie op.25 x violino, | ||||
SARASATE Pablo de | (Pamplona, Navarra, 1844-1908) | 1800 | Caprice basque op.24 x violino/pianof., | ||||
SARASATE Pablo de | (Pamplona, Navarra, 1844-1908) | 1800 | Danze spagnole op.21 e op.23 x violino/pianoforte, | ||||
SARASATE Pablo de | (Pamplona, Navarra, 1844-1908) | 1800 | Zigeunerweisen (Zingaresca) op 20/1 | 4 | s | ||
SARASATE Pablo de | (Pamplona, Navarra, 1844-1908) | 1800 | Romanza andalusa op 22/1 | ||||
SARASATE Pablo de | (Pamplona, Navarra, 1844-1908) | 1800 | Introduzione e tarantella op.43 x violino/pianoforte | ||||
SARDELLI Federico Maria | (Livorno, 1963) | 1950 | Dixit Dominus in D major | Federico Maria Sardelli, Modo Antiquo, Accademia dei Dissennati | 4 | ||
SARDELLI Federico Maria | (Livorno, 1963) | 1950 | Cto in D minor for strings and basso continuo | Federico Maria Sardelli, Modo Antiquo, Accademia dei Dissennati | |||
SARDELLI Federico Maria | (Livorno, 1963) | 1950 | Kirie in E minor for 4 parts choir, strings and basso continuo | Federico Maria Sardelli, Modo Antiquo, Accademia dei Dissennati | |||
SARDELLI Federico Maria | (Livorno, 1963) | 1950 | Cto in C major for strings and basso continuo | Federico Maria Sardelli, Modo Antiquo, Accademia dei Dissennati | |||
SARDELLI Federico Maria | (Livorno, 1963) | 1950 | Credo in C major for 4 parts choir, strings and basso continuo | Federico Maria Sardelli, Modo Antiquo, Accademia dei Dissennati | |||
SARRI Domenico | (1679-1744) | 1650 | Flute concerto in A minor | ||||
SARTI Giuseppe | (Faenza, 1729-1802) | 1700 | Miserere in F minor | Chorus Lauda Sion, Chorus and orch of the Ferrara conservatorio, Gianfranco Placci | 3 | ||
SARTI Giuseppe | (Faenza, 1729-1802) | 1700 | Gloria in excelsis Deo | Cappella Musicale Duomo Milano, Claudio Burgio | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Socrate | (dramma sinf. Con voce), | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Parade | (balletto), | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Gymnop?dies n.1 e n.3 versione per orchestra | (orch. Debussy), | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Gymnop?dies n.1, n.2, n.3 x pianoforte, | Roberto Piana | s | ||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | 6 Gnossienne x pianoforte, | s | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Messe des pauvres | Sarah Leonard soprano, Christopher Bowers-Broadbent organ | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Sonatine burocatrique | Roberto Piana | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Avant-dernieres pensees | Roberto Piana | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Sports et divertissements | Roberto Piana | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Embryons desseches | Roberto Piana | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Prelude en tapisserie | Roberto Piana | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Choral n 4, 5, 6 e 10 | Roberto Piana | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Je te veus | Roberto Piana | |||
SATIE Erik | (Honfleur, Normandie, 1866-1925) | 1850 | Vexations | Roberto Piana | |||
SAUGUET Henri | (Bourdeaux, 1901-1989) | 1900 | Symphony n 1 | ||||
SAVALL Jordi | (Igualada, Catalogna, 1941) | 1900 | Fantasie in E minor | Savall, Hexperion XX | |||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | Stabat Mater, | ||||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | Arias con tromba sola | Battle, Marsalis | |||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | Cello sonata n 1 in D minor | Junghanel, Dieltiens, van der Meer, Kohnen | 3 | ||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | Salve Regina, | ||||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | Il giardino d?amore | (serenata x 2 voci e strumenti), | |||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | Cantata pastorale per la nativit? di N.S. Ges? Cristo, | ||||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | Su le sponde del Tebro | Battle, Marsalis | |||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | 5 concerti grossi | ||||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | 6 concerti a sette parti | ||||
SCARLATTI Alessandro | (Palermo, 1660-1725) | 1650 | 3 sonate per violoncello | ||||
SCARLATTI Domenico | (Napoli, 1685-1757) | 1650 | La Dirindina | (farsa teatrale), | |||
SCARLATTI Domenico | (Napoli, 1685-1757) | 1650 | Stabat Mater, | ||||
SCARLATTI Domenico | (Napoli, 1685-1757) | 1650 | Salve Regina, | ||||
SCARLATTI Domenico | (Napoli, 1685-1757) | 1650 | Te Deum, | ||||
SCARLATTI Domenico | (Napoli, 1685-1757) | 1650 | Magnificat, | ||||
SCARLATTI Domenico | (Napoli, 1685-1757) | 1650 | 5 sonate x clavicembalo, | s | |||
SCARLATTI Domenico | (Napoli, 1685-1757) | 1650 | 4 sonate x violino e clavicembalo | s | |||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | 4 Illustrazioni | ||||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | Xnobys | ||||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | 5 incantesimi | ||||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | Du pour violon et violoncelle | ||||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | 4 pezzi per orchestra | ||||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | Anahit | ||||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | Uaxuctum | ||||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | In nomine lucis | ||||
SCELSI Giacinto | (La Spezia, 1905 - 1988) | 1900 | Funerali di Carlo Magno per violoncello e percussioni | Mario Brunello | |||
SCHEIDT Samuel | (1587-1654) | 1550 | Ludi musici | Savall, Music in Europe - Canciones y danzas de Espagna | |||
SCHEIN Johann Hermann | (1586-1630) | 1550 | Banchetto musicale | Savall, Music in Europe - Canciones y danzas de Espagna | |||
SCHICKELE Peter | (Ames, Iowa, 1935) | 1900 | Pentangle | ||||
SCHMIDT Franz | (1874-1939) | 1850 | Piano quintet in G Major | 4 | |||
SCHMIDT Franz | (1874-1939) | 1850 | Clarinet quintet in A major | ||||
SCHMIDT Franz | (1874-1939) | 1850 | Symphony nr 4 | ||||
SCHMIDT William | (Chicago 1926-2009) | 1900 | The aparrow and the amazing | Peter Christ | |||
SCHNEIDER Maria | (Windom, Minnesota, 1960) | 1950 | Winter morning walk | 3 | |||
SCHNEIDER Maria | (Windom, Minnesota, 1960) | 1950 | Concert in the garden | ||||
SCHNITTKE Alfred | (Engels, Volga-German rep., 1934 - 1998) | 1900 | String quartet n 2, n 4 | Kronos 4tet | |||
SCHNITTKE Alfred | (Engels, Volga-German rep., 1934 - 1998) | 1900 | Concerto for mixed choir | Kronos 4tet | |||
SCHNITTKE Alfred | (Engels, Volga-German rep., 1934 - 1998) | 1900 | In memoriam, | ||||
SCHNITTKE Alfred | (Engels, Volga-German rep., 1934 - 1998) | 1900 | Concerto x viola/orchestra, | ||||
SCHNITTKE Alfred | (Engels, Volga-German rep., 1934 - 1998) | 1900 | Concerto grosso n.1 x 2 violini/archi/clavicembalo e pianoforte | ||||
SCHOECK Othmar | (Brunnen, 1886-1957) | 1850 | Sonate fur violoncello und klavier | Goritzki, Levine | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Moses und Aron | (opera), | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Danza del vitello d'oro (Moses und Aron) | Hans Rosbaud | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Gurrelieder x voci soliste/coro e orchestra, | Simon Rattle, Berliner | s | ||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Pelleas und Melisande | Wiener 150 y | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Verkl?rte Nacht op.4 | ||||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Kammersymphonie n 1 op.9, | 1906 | Abbado, Chamber orchestra of Europe/Pollini e Berliner | 4 | |
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Klavierstucke op 19 | Pollini | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Klavierst?cke op.23 | Pollini | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Pierrot lunaire op.21, | Mann, Hillyer, Adam | s | ||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Trio op 45 | Mann, Hillyer, Adam | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | A survivor from Warsaw op.46 | Sinopoli, Staatskapelle Dresden | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Begleitmusik zu einer lichtspielszene op 34 | Sinopoli, Staatskapelle Dresden | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | 6 orchestral songs op 8 | Sinopoli, Staatskapelle Dresden | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Chamber symphony n 1 op 9 | Sinopoli, Staatskapelle Dresden | |||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Concerto x pianoforte/orchestra op.42, | ||||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Concerto x violino e orchestra op.36, | ||||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Variations for orch op 31 | 1929 | Gielen, Sinfonieorchester des Sudwestfunks | s | |
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | 5 pieces for orch op 16 | 1909 | Gielen, Sinfonieorchester des Sudwestfunks | s | |
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Trascrizione x orchestra del Quartetto x pianoforte op.25 di Brahms, | ||||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | 4 Quartetti x archi | ||||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Cto per violoncello | 1932 | Gielen, Sinfonieorchester des Sudwestfunks | ||
SCHOENBERG Arnold | (Vienna, 1874-1951) | 1850 | Moderner psalm | 1950 | Gielen, Sinfonieorchester des Sudwestfunks | ||
SCHOENFIELD Paul | (Detroit, 1947) | 1900 | Caf? music | Eroica trio | |||
SCHREKER Franz | (1878-1934) | 1850 | Chambre symphony for 23 solo instruments | ||||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Fierrebras | (opera), | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Rosamunde | (musica di scena), | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Deutsche Messe D 872 | Wolf, Choer et orchestre de Saint-Augustin de Vienne | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Messa D324 | Wolf, Choer et orchestre de Saint-Augustin de Vienne | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Ave Maria D.839 op 52 | lieder | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sinfonia n.3 | ||||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sinfonia n 4 ?Tragica? | ||||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sinfonia n 5 | s | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sinfonia n 6 ?la piccola? | ||||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sinfonia n 8 ?Incompiuta? | s | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sinfonia n 9 ?La grande? | s | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Konzertst?ck x violino e orchestra D.345 | ||||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Polonaise x violino/archi D.580, | ||||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Ottetto in Fa D.803, | s | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Quintetto x pianoforte e archi D.667 op 114 ?La trota | Menuhin, Amadeus q/Long, Arditti q | 5 | s | |
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Quintetto x archi in Do D.956, | 3 | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Quartetto per archi D 703 ?Quartett Satz? | Amadeus quartet/Auryn quartet | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Quartetto x archi n.13 D.804 ?Rosamunde? | s | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Quartetto x archi n 14 D810 | s | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Quartetto x archi n 15 D887 | Auryn quartet | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Trio x pianof/violino/violoncello n.1 D.898 op 99 | 5 | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Trio per piano, vln e cello n 2 D 929 op 100 | 5 | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Death and the Maiden D 531 op 7 | Amadeus quartet | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | The Sheperd on the rock D 965 op 129 | Hendriks, Schneider, Meyer, Lupu | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | 3 Sonatine x violino/pianoforte D.384, 385, 408, | Grumiaux, Veyron-Lacroix | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Gran duo in La x violino/pianof. D.574, | Grumiaux, Veyron-Lacroix | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Gran duo op 140 D 812 (piano 4 mani) | Richter, Britten | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Fantasia in Fa D.940 x pianoforte a 4 mani, | ||||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Fantasia for vln and piano D 934 | ||||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Fantasia in Do D.760 op 15 ?Wanderer? | Brendel/Schiff | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Impromptus op 90 D 899 | Brendel/Yudina | 4 | s | |
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Impromptus op 142 D 935 | Brendel | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | 3 klavierstucke (impromptus) D 946 | Brendel | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata x pianoforte n 13 D 664 op 120 | Richter | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata per piano op 143 D 784 | Alfred Brendel | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata per piano D 840 | Brendel | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata per piano D 845 | Brendel | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata per piano op 53 D 850 | Alfred Brendel | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata x pianoforte n 18 D894 op 78 | Brendel | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata x pianoforte n 19 D 958 | Pollini/Brendel | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata x pianoforte n 20 D959 | Pollini/Brendel | 4 | s | |
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata x pianoforte n 21 D 960 | Pollini/Brendel | 3 | s | |
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Sonata per arpeggione o cello e piano D821 | Filippini, Campanella/Fournier | 3 | s | |
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Nacht und traume D 827 op 43 | Barbara Hendricks, Radu Lupu | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Heidenroslein 257 op 3 | B. Hendricks, Bruno Schneider, Sabine Meyer, R. Lupu | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Gretchen am Spinnrade D 118 op 2 | Barbara Hendricks, Radu Lupu | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Moments musicaux D.780 op 94 | Brendel | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Deutsche tanze D.783, | Brendel | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Hungarian Melody D 817 | Brendel | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Allegretto D.915, | Pollini/Brendel | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | 3 Klavierst?cke D.946, | Pollini | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Winterreise D 911 op 89 | Schiff (p), Schreier (tenor) | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Rosamunde D 797, op 26, Ouverture | Barenboim, Berlin Philarmonic Orch | s | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Ouverture In stile Italiano D590 | Filippini (cello e dir), Orch da camera di Mantova | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Roond? il la magg per violino e archi D 438 | Nordio, Nuova orch dsa camera Ferruccio Busoni | 4 | ||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Variations op 35 D 813 | Richter, Britten | |||
SCHUBERT Franz | (Vienna, 1797-1828) | 1750 | Fantasie op 103 D 940 | Richter, Britten | |||
SCHULOFF Erwin | (1894-1942) | 1850 | Concertos alla jazz | ||||
SCHULOFF Erwin | (1894-1942) | 1850 | Sonate pour violon et piano op 7 | ||||
SCHULOFF Erwin | (1894-1942) | 1850 | Sonate fur violoncello und klavier op 17 | ||||
SCHULOFF Erwin | (1894-1942) | 1850 | Babnachtigall for contrabassoon solo op 38 | Simon van Holen | 3 | ||
SCHUMAN William | (Manhattan, 1910-1992) | 1900 | Carols of death | Bernstein, Chichester psalms | |||
SCHUMAN William | (Manhattan, 1910-1992) | 1900 | Cantata n 2. A free song | ||||
SCHUMAN William | (Manhattan, 1910-1992) | 1900 | A song of Orpheus | ||||
SCHUMAN William | (Manhattan, 1910-1992) | 1900 | Violin concerto | 3 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Sonata in G minor | 1841-2 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Piano trio in G minor op 17 | The Dartington piano trio | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Romanze in B minor | 1856 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Improptu in E major | 1843 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Romanze in A minor | 1853 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Scherzo op 10 | 1838 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Deuxieme scherzo op 14 | 1841 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Preludium in F minor | ||||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Soirees misicales op 6 | 1834-6 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Eude in Aflat major | 1832 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Marsch in E flat major | 1879 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | III praeludien ind fugen op 16 | 1845 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Variationen uber ein thema von Robert Schumann op 20 | 1853 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Trois romances op 11 | 1839 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Romance vari?e op 3 | 1833 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Caprices en forme de valse op 2 | 1831-2 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Souvenir de Vienne op 9 | 1838 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Valse romantique op 4 | 1835 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Variationes de concert sur la cavatine du pirate de Bellini op 8 | 1837 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Quatre polonaises op 1 | 1828-30 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Quatre pieces caracteristiques op 5 | 1835 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Quatre pieces fugitives op 15 | 1840-4 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Drei fugen uber themen von JS Bach | 1845 | |||
SCHUMANN Clara | (Lipsia, 1819-1896) | 1800 | Drei romanzen op 21 | 1853 | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Tema e variazioni op 1 | 1829-30 | piano solo: Richter | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Papillons op 2 | 1829-32 | piano solo: Richter | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Studi per piano dai capricci di Paganini op 3 | 1832 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Intermezzi op 4 | 1832 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Improvvisi su una romanza di Clara Wieck op 5 | 1833 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Danze dei fratelli della lega di Davide op 6 | 1837 | piano solo: Richter | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Toccata op 7 | 1833 | piano solo: Richter | 3 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Allegro op 8 | 1831-2 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Carnaval op 9 | 1833 | piano solo: Richter | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sei studi dai concerti di Paganini op 10 | 1832-3 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sonata n 1 op 11 | 1832-5 | piano solo | 4 | s |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Fantasiestucke op 12 | 1836 | piano solo: Richter | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 12 studi sinfonici op 13 | 1834-5 | piano solo: Richter | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sonata n 3 op 14 | 1835-6 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Kinderszenen op 15 (Scenes of childhood) | 1838 | piano solo: Richter/Ciani/Lisitsa | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Kreisleriana op 16 | 1838 | piano solo: Richter | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Fantasia op 17 | 1836-7 | piano solo: Richter | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Arabesque op 18 | 1838-9 | piano solo: Richter | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Blumenstuck op 19 | 1838-9 | piano solo: Richter | 3 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Humoreske op 20 | 1838-9 | piano solo: Richter | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Novellette op 21 | 1838 | piano solo: Richter | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sonata n 2 op 22 | 1830 | piano solo: Richter/Uchida | 4 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Nachtstucke op 23 | 1839-40 | piano solo: Richter | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Carnevale di Vienna op 26 | 1839 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Tre romanze op 28 | 1839 | piano solo: Richter | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Scherzo, giga e fughetta op 32 | 1838 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Stille tranen op 35 n 10 | Albrecht Mayer, Markus Becker | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Andante e variazioni in di bemolle m per due piano op 46 | 1843 | piano solo: Argerich | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Studi per piano, sei pezzi in forma canonica op 56 | 1845 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Schizzi per piano op 58 | 1845 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 6 fughe sul nome di Bach per organo o piano op 60 | 1845 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Bilder aus Osten. 6 improvvisi op 66 | 1848 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Album per la giovent? op 68 | 1848 | piano solo | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 4 fughe op 72 | 1845 | piano solo: Richter | 3 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 4 marce op 76 | 1849 | piano solo: Richter | 3 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Scene del bosco op 82 | 1848 | piano solo: Richter/Uchida | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 12 pezzi per piccoli e grandicelli op 85 | 1849 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 3 romanze op 94 | Albrecht Mayer, Markus Becker | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Ihre Stimme op 96 n 3 | Albrecht Mayer, Markus Becker | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Bunte Blatter, 14 pezzi op 99 | 1834-5 | piano solo: Richter | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Introduzione e allegro appassionato op 92 | piano solo: Richter | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Abendlied op 107 n 6 | Albrecht Mayer, Markus Becker | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Ball-Szenen op 109 | 1849-51 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 3 Phantasiestucke op 111 | 1851 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 3 sonate per la giovent? op 118 | 1853 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Fogli d'album, 20 pezzi op 124 | 1832-53 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | 7 pezzi in forma di fughetta op 126 | 1853 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Kinderball, 6 danze facili op 130 | 1853 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Gesange der fruhe, 5 pezzi op 133 | 1853 | piano solo: Uchida | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Variazioni su un tema proprio | 1854 | piano solo | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Quartetti per archi op 41 (3) | 1842 | Melos Quartet | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Quintetto op 44 per piano e archi | 1842 | Argerich et al | 4 | s |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Quartetto per piano e archi op 47 | 1842 | Argerich et al | 3 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Cinque pezzi in tono popolare per cello a piano op 102 | 1849 | Filippini, Campanella | 4 | s |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Adagio e allegro per corno (o cello) e piano op 70 | 1849 | Argerich et al/Filippini, Campanella | 3 | s |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sonata op 105 per violino e piano n 1 | 1851 | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sonata op 121 per violino e piano n 2 | 1851 | Argerich et al | 4 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sonata WoO 2 per violino e piano n 3 | 1853 | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Trio n 1 op 63 per piano, vln e cello | 1847 | Borodin trio | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Trio n 2 op 80 per piano, vln e cello | 1847 | Borodin trio | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Tre pezzi fantastici per clarinetto (o cello) e piano op 73 | Filippini, Campanella/Argerich, Gutman | 4 | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Tre romance op 94 per oboe (o vin o clarinetto) e piano | Paul Dombrecht, Jos van Immerseel | 3 | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Trio n 3 op 110 per piano, vin e cello | 1851 | Borodin trio | 4 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Marchenbilder per piano e viola op 113 | 1851 | Argerich et al | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Marchenerzahlungen per clarinetto, viola e pinao op 132 | 1853 | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sinfonia n 1 op 38 Primavera | 1841 | Bernstein | s | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sinfonia n 2 op 61 | 1845-6 | Bernstein | ||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sinfonia n 3 op 97 Renana | 1850 | Bernstein | 4 | s |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sinfonia n 4 op 120 | 1841 rev 51 | Bernstein | 4 | s |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Sinfonia Zwichauer WoO 29 Incompiuta | 1832-3 | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Concerto x pianoforte/orchestra il La op.54 | 1841-5 | Bernstein+Franz | 4 | s |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Concerto x violoncello/orchestra op.129 | 1850 | Bernstein+Maisky | 4 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Concerto x violino/orchestra in Re minore WoO 23 | 1853 | Menuhin | 4 | |
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Requiem op 148 | Sawallisch | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Requiem for Mignon op 98b | Sawallisch | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Manfred (Byron) | 1852 | |||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Scene dal Faust di Goethe | ||||
SCHUMANN Robert | (Zwickau, 1810-1856) | 1800 | Genoveva op 81 | 1847-8 | |||
SCHUTZ Heinrich | (1585-1682) | 1550 | Deutsches Magnificat | (mottetto), | |||
SCHUTZ Heinrich | (1585-1682) | 1550 | Matth?us-passion | (oratorio), | |||
SCHUTZ Heinrich | (1585-1682) | 1550 | Psalmes Davids | ||||
SCHWENDINGER Laura Elise | (Mexico city, 1962) | 1950 | Esprimere (for cello and orch) | Matt Haimowitz, Madison sinfonietta | 4 | ||
SCHWENDINGER Laura Elise | (Mexico city, 1962) | 1950 | Chiaroscuro azzurro | Curtis Macomber, Madison sinfonietta | 4 | ||
SCHWENDINGER Laura Elise | (Mexico city, 1962) | 1950 | Waking dream (for flute and orch) | 3 | |||
SCHWENDINGER Laura Elise | (Mexico city, 1962) | 1950 | C'? la luna questa sera (for piano trio) | Lincoln trio | 4 | ||
SCIARRINO Salvatore | (b. 1947) | 1900 | Infinito nero | ||||
SCIARRINO Salvatore | (b. 1947) | 1900 | Le voci sottovento | 4 | |||
SCIARRINO Salvatore | (b. 1947) | 1900 | Autoritratto nella notte | 1982 | Abbado, Chamber orchestra of Europe | ||
SCODANIBBIO Stefano | (Macerata, 1956) | 1950 | Voyage that never ends | 2 | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Sinfonia n 1 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Sinfonia n 2 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Sinfonia n 3 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Sinfonia n 4 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Sinfonia n 5 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Nuances | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | il poema del fuoco op.60, | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Il poema dell?estasi op.54, | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | 2 poems op 32 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | 3 pieces op 2 | Roberto Plano | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Concerto x pianoforte/orchestra op.20, | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | 5 piano sonate op 19 | preferita n 2 | s | ||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Studi x pianoforte op.8 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Preludio e notturno per la mano sinistra op 9 | Roberto Plano | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Pr?ludes op.11 | s | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Pr?ludes op.12 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Pr?ludes op.13 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Pr?ludes op.14 | ||||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Improvvisi op 14 | Roberto Plano | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Sonata fantasia in sol diesis minore n 2 | Roberto Plano | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Sonata in fa diesis minore n 3 op 23 | Roberto Plano | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Mazurke op 40 | Roberto Plano | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | 2 pezzi op 57 | Roberto Plano | |||
SCRIABIN, Alexander | (Mosca, 1872-1925) | 1850 | Vers la flamme op 72 | Roberto Plano | |||
SCULTHORPE Peter | (Launceston, Tasmania, 29 Aprile 1929) | 1900 | Quartets n 1 & 8 | Kronos XXV | 3 | ||
SCULTHORPE Peter | (Launceston, Tasmania, 29 Aprile 1929) | 1900 | From Ubirr | Kronos XXV | |||
SCULTHORPE Peter | (Launceston, Tasmania, 29 Aprile 1929) | 1900 | Requiem per violoncello solo | Mario Brunello | |||
SEGERSTAM Leif | (b. 1944) | 1900 | Symphony n 13 | 1987 | |||
SEGERSTAM Leif | (b. 1944) | 1900 | So it feels, Piano concerto n 3 | 1985 | |||
SEGERSTAM Leif | (b. 1944) | 1900 | Moments of peace III | 1987 | |||
SEMENOFF Ivan | (b. 1917) | 1900 | Double concerto | Ferras | |||
SESSIONS Roger | (Brooklyn, 1896-1985) | 1850 | Piano concerto | ||||
SESSIONS Roger | (Brooklyn, 1896-1985) | 1850 | Concerto for orchestra | ||||
SGAMBATI Giovanni | (Roma, 1841-1914) | 1800 | Sinfonia n 2 in Si bemolle | Francesco Attardi, Orch G. Verdi (prima esecuzione) | 3 | ||
SGAMBATI Giovanni | (Roma, 1841-1914) | 1800 | Cto per pianoforte e orch in sol magg op 15 | Martina Filjak (p), Francesco Attardi, Orch G. Verdi | 4 | ||
SHAW Caroline | (Greenville, North Carolina, 1982) | 1950 | Partita for 8 voices | Roomfull of teeth | 4 | ||
SHCHEDRIN Rodion | (Moscow, 1932) | 1900 | Menuhin sonata | violin and klavier | |||
SHCHEDRIN Rodion | (Moscow, 1932) | 1900 | Echo sonata | violin solo | |||
SHCHEDRIN Rodion | (Moscow, 1932) | 1900 | Sonate fur violoncello und klavier | ||||
SHCHEDRIN Rodion | (Moscow, 1932) | 1900 | Im stile von Albiz | violin and klavier | |||
SHCHEDRIN Rodion | (Moscow, 1932) | 1900 | Piano concerto n 1 | 1954 | 3 | ||
SHCHEDRIN Rodion | (Moscow, 1932) | 1900 | Piano concerto n 2 | 1966 | 3 | ||
SHCHEDRIN Rodion | (Moscow, 1932) | 1900 | Piano concerto n 3 | 1973 | 3 | ||
SHENG Bright | (b. 1955) | 1950 | Seven tunes heard in China | 1995 | Weilerstein | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | ?Lady Macbeth del distretto di Mzsenk? | opera | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Katerina Izmailova | opera | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | L?et? dell?oro | Balletto | s | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Festie ouverture op 96 | Karel Ancerl, Czech P.O. | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Sinfonia n 5 | 1937 | Stokowski | s | |
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Sinfonia n 10 | 1953 | Karajan, Berliner | s | |
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Sinfonia n 13 Baby Yar | 1962 | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Suite n.1 per orchestra jazz, | 1934 | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Ouverture su temi popolari russi e kirgizi op.115, | ||||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Ottobre | (poema sinfonico), | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Sinfonia x archi op.118 | (arr. Barshai), | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Concerto per pianoforte/orchestra n.1 op.35 | 1933 | (con tromba obbligata) Previn, Bernstein NY | 3 | s |
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Concerto per pianoforte/orchestra n. 2 op 102 | 1957 | Previn, Bernstein NY | 4 | s |
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Concerti x violino/orchestra n.1 op.99 | 1948 | Rostropovich, Bernstein/Perlman | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Concerti x violino/orchestra n.2 op.129, | 1967 | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Concerti x violoncello/orchestra n.1 op.107 | 1959 | 4 | s | |
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Concerti x violoncello/orchestra n.2 op.126 | 1966 | 3 | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Quintetto x pianoforte e archi op.57, | 1940 | Beaux arts trio | s | |
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 1 op 49 | 1938 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 2 op 68 | 1944 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 3 op 73 | 1946 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 4 op 83 | 1949 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 5 op 92 | 1952 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 6 op 101 | 1956 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 7 op 108 | 1960 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 8 op110 | 1960 | Emerson quartet/Borodin 4tet | 4 | |
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 9 op 117 | 1964 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 10 op 118 | 1964 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 11 op 122 | 1966 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 12 op 133 | 1968 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 13 op 138 | 1970 | Emerson quartet/Borodin 4tet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 14 op 142 | 1972-73 | Emerson quartet/Borodin 4tet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | String quartet n 15 op 144 | 1974 | Emerson quartet | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Trio x pianoforte/violino/violoncello n.1 op.8 | ||||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Trio x pianoforte/violino/violoncello n.2 op.67, | Beaux arts trio | s | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Sonata per violoncello e pianoforte op.40, | s | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Sonata x violino/pianoforte op.134 | Richter | 3 | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Viola sonata op 147 | 1975 | 4 | s | |
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Concertino x 2 pianoforti op.94, | ||||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Suite x 2 pianoforti op.6 | ||||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | 24 preludi op 34 | Olli Mustonen | s | ||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | Songs cycle from Jewish folk poetry (11 songs) | I music de Montreal | |||
SHOSTAKOVICH Dmitrj | (San Pietroburgo, 1906-1975) | 1900 | The limpid stream adagio | Julian Lloyd Webber | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Le origini del fuoco op.32, | ||||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Canto degli Ateniesi op.31/3, | ||||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Finlandia op.26, | Alexander Gibson, Scottich NO | 3 | s | |
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Kullervo op.7, | ||||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Sinfonia n 1 | Alexander Gibson, Scottich NO | n | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Sinfonia n 2 | Bernstein, Vienna PO | s | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | sinfonia n 4 | Simon Rattle, City of Birmingham Orch | nd | s | |
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | sinfonia n 5 | s | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | sonfonia n 7 | s | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | La tempesta | (suite da mus.scena), | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | The maiden in the tower, | Garry Magee, Paavo Jarvi, Estonian NSO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Pelleas et Melisande, | Garry Magee, Paavo Jarvi, Estonian NSO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Incidental music op 46 | ||||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Lemmink?inen Suite op.22, Lemminkainen return | Eugene Ormandy, Philadelphia orch | s | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Il cigno di Tuonela, | ||||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | En-saga op.9, | Alexander Gibson, Scottich NO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Rakastava op.14, | ||||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | La figlia di Pojola op.49, | Alexander Gibson, Scottich NO | s | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Tapiola op.112, | Alexander Gibson, Scottich NO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Canto di primavera op.16, | Alexander Gibson, Scottich NO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | The Bard op 64 | Alexander Gibson, Scottich NO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Luonnotar op 70 | Alexander Gibson, Scottich NO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Night ride and sunrise op 55 | Alexander Gibson, Scottich NO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | The Oceanides op 73 | Alexander Gibson, Scottich NO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Karelia Suite op.11, | s | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Suite campetre op 98 | ||||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Valse triste op.44, | Garry Magee, Paavo Jarvi, Estonian NSO | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Concerto x violino/orchestra op.47, | Stern/Perlman | 3 | s | |
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Piano quintet in G minor | Gabrieli 4tet & Anthony Goldstone | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Theme and variations for cello solo | 1887 | Folke Grasbeck & Torleif Thedeen | 5 | |
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Malinconia op 20 | Folke Grasbeck & Torleif Thedeen/Mork, Thibaudet | 4 | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | 2 pieces op 77 (Laetare anima mea, Ab imo pectore) | Folke Grasbeck & Torleif Thedeen/Mork, Thibaudet | 4 | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | 4 pieces op 78 | Folke Grasbeck & Torleif Thedeen/Mork, Thibaudet | 5 | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Andante molto in F minor | Folke Grasbeck & Torleif Thedeen | 4 | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Lulu waltz | Folke Grasbeck & Torleif Thedeen | 3 | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Andantino in C major | Folke Grasbeck & Torleif Thedeen | 3 | ||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Quartetto x archi op.56 ?Voces Intimae? | Gabrieli 4tet | |||
SIBELIUS Jean | (H?meenlinna, 1865-1957) | 1850 | Complete Choral songs | Tapiola chamber choir | 4 | ||
SIERRA Roberto | (Vega Baja, Puerto Rico, 1953) | 1950 | La memoria | Matt Haimowitz | |||
SILVESTROV Valentin | (b. 1937) | 1900 | Quartetto piccolo for 2 violins | 1961 | 2 | ||
SILVESTROV Valentin | (b. 1937) | 1900 | String quartet n 1 | 1974 | 2 | ||
SILVESTROV Valentin | (b. 1937) | 1900 | String quartet n 2 | 1988 | 2 | ||
SILVESTROV Valentin | (b. 1937) | 1900 | Postlude for violin solo | 1981 | 2 | ||
SIMONI Luciano | (b. 1938) | 1900 | Violin concerto op 57 | 2001 | |||
SIMONI Luciano | (b. 1938) | 1900 | Symphony n 4 op 58 | 2002 | |||
SIMPSON Robert | (1921-1997) | 1900 | Sonata for violin and piano | ||||
SIMPSON Robert | (1921-1997) | 1900 | Trio for violin, cello and piano | ||||
SIMPSON Robert | (1921-1997) | 1900 | String quartets n 14 e n 15 | ||||
SIMPSON Robert | (1921-1997) | 1900 | Clarinet quintet | ||||
SIMPSON Robert | (1921-1997) | 1900 | Horn trio | ||||
SIMPSON Robert | (1921-1997) | 1900 | Horn quartet | ||||
SINDING Christian | (Kongsberg, Oslo, 1856-1941) | 1850 | Piano concerto in D-flat major | 4 | |||
SINDING Christian | (Kongsberg, Oslo, 1856-1941) | 1850 | Suite for violin and orch op 10 | Perlman | 4 | ||
SINDING Christian | (Kongsberg, Oslo, 1856-1941) | 1850 | Suite in F op 14 | Rogliano, Paciarello | 3 | ||
SINDING Christian | (Kongsberg, Oslo, 1856-1941) | 1850 | Violin sonata in C op 12 | Rogliano, Paciarello | |||
SINDING Christian | (Kongsberg, Oslo, 1856-1941) | 1850 | Violin sonata in F op 73 | Rogliano, Paciarello | |||
SINDING Christian | (Kongsberg, Oslo, 1856-1941) | 1850 | Serenade for 2 violin and piano op 92 | Barrat-Due, Chung, Knardahl | 3 | ||
SINDING Christian | (Kongsberg, Oslo, 1856-1941) | 1850 | Serenade for 2 violins and piano op 56 | Barrat-Due, Chung, Knardahl | |||
SINDING Christian | (Kongsberg, Oslo, 1856-1941) | 1850 | Violin sonata in A major | 1882 | Barrat-Due, Chung, Knardahl | 3 | |
SINGER Lawrence | Sensazione II for solo oboe with diverse instruments | ||||||
SKOLD Yngve | (1899-1992) | 1850 | Violin concerto op 40 | 1941 | |||
SKOLD Yngve | (1899-1992) | 1850 | Symphony n 2 op 36 | 1937 | |||
SMETANA Bedrich | (Litomysl, Rep Ceca, 1824-1884) | 1800 | La sposa venduta | opera | s | ||
SMETANA Bedrich | (Litomysl, Rep Ceca, 1824-1884) | 1800 | ?Dalibor? | opera | |||
SMETANA Bedrich | (Litomysl, Rep Ceca, 1824-1884) | 1800 | Ma Vlast | s | |||
SMETANA Bedrich | (Litomysl, Rep Ceca, 1824-1884) | 1800 | Haakon Jarl op.16 | (poema sinfonico), | |||
SMETANA Bedrich | (Litomysl, Rep Ceca, 1824-1884) | 1800 | Quartetti x archi n.1 ?dalla mia vita? e n.2, | Amadeus quartet | |||
SMETANA Bedrich | (Litomysl, Rep Ceca, 1824-1884) | 1800 | Trio x pianoforte/violino/violoncello op.15 | ||||
SODERLING Ragnar | (Oslo, 1945) | 1900 | Violin concerto op 46 | ||||
SOLER Antonio (padre) | (1729-1783) | 1700 | Les six concertos pour deux orgues | ||||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Spasimo | Brunello | 4 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Concerto rotondo per violoncello e elettronics | Brunello | 4 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Violoncelles, vibrez! | Sollima | 3 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | LBFiles | Sollima | 3 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Yet can I hear | Sollima | 3 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Tree raga song | Sollima | 3 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | When we were trees | Sollima | 3 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | The tempest | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Terra aria | Sollima | 4 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Terra acqua | Sollima | 3 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Terra danza | Sollima | 3 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Terra fuoco | Sollima | 4 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Zobeide | Sollima | 3 | ||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Byron | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Hell I | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Hell IV (Ugolino) | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | La spera ottava | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Inversion recovery | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Trio for violin, cello and piano | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Notte | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Fecit Neapolis 17 | Sollima | |||
SOLLIMA Giovanni | (Palermo, 1962) | 1950 | Continuum nomade (violin and piano) | Grazia Raimondi, Giuliano Mazzoccante | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | Fantasie x chitarra op.7 e op.30, | Luigi Attademo | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | 12 studi op 6 | s | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | 24 studi op 35 | s | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | Grande sonata op 22 | Luigi Attademo | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | Fantasia elegiaca op 59 | Luigi Attademo | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | La calma, carpiccio op 50 | Luigi Attademo | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | Introduzione e variazioni sul tema Que ne suis-je la fougere! op 26 | Luigi Attademo | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | Siciliana e marcia op 33 | Luigi Attademo | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | Sonata in Re op.14 ?Grand Solo? x chitarra | Luigi Attademo | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | XII Grande sonate on 25 | Stefano Grondona | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | Sei arie da Il Flauto magico op 19 | Stefano Grondona | |||
SOR Fernando | (Barcellona, 1778-1839) | 1750 | Deux themes varies et deuze manuet op 11 | Stefano Grondona | |||
SPOHR Ludwig | (1784-1859) | 1750 | Jessonda | (opera), | |||
SPOHR Ludwig | (1784-1859) | 1750 | Nonetto op.31, | ||||
SPOHR Ludwig | (1784-1859) | 1750 | Doppio quartetto op.65, | ||||
SPOHR Ludwig | (1784-1859) | 1750 | Duo concertante op 67 | Itzhak Perlman | |||
SPOHR Ludwig | (1784-1859) | 1750 | Conc. X violino/orch. N.8 | ||||
SRNKA Miroslav | (Praga, 1975) | 1950 | A variation (after Colombi's Chiacona) | Karttunen | |||
STAHLI Hans | (b. 1950) | 1950 | Tokachi symphonic poem | 1992 | |||
STAHLI Hans | (b. 1950) | 1950 | String trio in A | 1996 | |||
STAMER Klaus Hinrich | Debussyana | Trio Odino | |||||
STAMITZ Carl | (Mannheim, 1745-1801) | 1700 | Cello cto in A dur | Stark, cello | 3 | ||
STAMITZ Carl | (Mannheim, 1745-1801) | 1700 | Cello cto in C dur | Stark, cello | 3 | ||
STAMITZ Carl | (Mannheim, 1745-1801) | 1700 | Cello cto in G dur | Stark, cello | 3 | ||
STAMITZ Carl | (Mannheim, 1745-1801) | 1700 | Quartet in F major for bassoon, violin, viola and cello op 119 n 6 | ||||
STAMITZ Carl | (Mannheim, 1745-1801) | 1700 | Cto per flauto, oboe e orch in sol | Nicolet, Hollinger, Academy of st Martin in the fields, Kenneth Sillito | |||
STAMITZ Jan Vaclav | (1717-1757) | 1700 | Concerti x clarinetto/orch. | ||||
STAMITZ Jan Vaclav | (1717-1757) | 1700 | Concerti per tromba/orchestra in Re | ||||
STAMITZ Jan Vaclav | (1717-1757) | 1700 | Sinfonia concertante | Stern 1 | |||
STANFORD Sir Charles Villiers | (1852-1924) | 1850 | Irish Rhapsody n 1 op 78 | 4 | |||
STANFORD Sir Charles Villiers | (1852-1924) | 1850 | Irish Rhapsody n 2 op 84 | ||||
STANFORD Sir Charles Villiers | (1852-1924) | 1850 | Symphonies n 1 e n 6 op 94 | ||||
STANHOPE Paul | (Sidney?, 1969) | 1950 | Concerto for piccolo flute and orch | 2013 | McCleod, Melbourne Symph Orch | 3 | |
STARER Robert | (Vienna, 1924-2001) | 1900 | Violin concerto | in Starer/Kim Violin concertos - Perlman | |||
STEFFANI Agostino | (Castelfranco Veneto, 1654 - 1728) | 1650 | Stabat Mater | 4 | |||
STEFFANI Agostino | (Castelfranco Veneto, 1654 - 1728) | 1650 | Mottetti | 3 | |||
STEFFANI Agostino | (Castelfranco Veneto, 1654 - 1728) | 1650 | Suite per orchestra | ||||
STENHAMMAR Wilhelm | (1871-1927) | 1850 | 6 Quartetti x archi, | ||||
STENHAMMAR Wilhelm | (1871-1927) | 1850 | Serenata op.31, | ||||
STENHAMMAR Wilhelm | (1871-1927) | 1850 | Sn?frid op.5, | ||||
STENHAMMAR Wilhelm | (1871-1927) | 1850 | Midvinter op.24 | ||||
STEVENS Bernard | (1916-1983) | 1900 | Cello concerto op 18 | 1952 | |||
STEVENS Bernard | (1916-1983) | 1900 | A symphony of liberation op 7 | 1945 | |||
STILL William Grant | (Woodville, Missisipi, 1895 - 1978) | 1850 | Symphony n 2 Song of a new race | Primo autore nero americano ad avere rappresentata una sinfonia e un'opera | |||
STILL William Grant | (Woodville, Missisipi, 1895 - 1978) | 1850 | Miniature for flute, oboe and piano | Peter Christ, Crystall chamber soloists | |||
STOCKHAUSEN Karlheinz | (Karpen, 1928-2007) | 1900 | Amour | ||||
STOCKHAUSEN Karlheinz | (Karpen, 1928-2007) | 1900 | Traum-formel | ||||
STOCKHAUSEN Karlheinz | (Karpen, 1928-2007) | 1900 | In freundschaft | ||||
STOCKMEIER Wolfgang | (b. 1931) | 1900 | Organ sonata n 3 | ||||
STOCKMEIER Wolfgang | (b. 1931) | 1900 | Organ sonata n 5 | ||||
STOCKMEIER Wolfgang | (b. 1931) | 1900 | Organ sonata n 6 | ||||
STOCKMEIER Wolfgang | (b. 1931) | 1900 | Organ sonata n 7 | ||||
STOCKMEIER Wolfgang | (b. 1931) | 1900 | Organ sonata n 8 | ||||
STOLZEL Heinrich Gottfied | (Schwarzenberg, 1690-1749) | 1650 | Concerto grosso in D major | Maurice Andr | |||
STOLZEL Heinrich Gottfied | (Schwarzenberg, 1690-1749) | 1650 | Trumpet sonata in D major | Maurice Andr | |||
STRADELLA Alessandro | (1642-1682) | 1600 | San Giovanni Battista | (oratorio), | |||
STRADELLA Alessandro | (1642-1682) | 1600 | Sinfonie I e II da ?Il Barcheggio? | Battle, Marsalis | |||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | ?Die Fledermaus? (Il pipistrello) | Karajan | s | ||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | ?Der Zigeunerbaron?? (Lo zingaro barone) (Karajan, first rec) | Karajan | |||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | ?Wiener Blut? (Sangue viennese) (Karajan, first rec) | Karajan | s | ||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | An der Sch?nen blauen Donau op.314 (Sul bel Danubio blu) | s | |||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | K?nstlerleben op.316 (vita d?artista) | Karajan | |||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | Geschichten aus dem Wienerwald op.325 (Storie dal bosco viennese) | s | |||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | Kaiser-Walzer op.437 (Valzer dell?Imperatore) | Karajan | s | ||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | Fr?hlingsstimmen op.410 (Voci di primavera) | ||||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | Rosen aus dem S?den op.388 | s | |||
STRAUSS Johann ?junior? | (1825-1899) | 1800 | Pizzicato-Polka op.335 | ||||
STRAUSS Johann ?padre? | (1804-1849) | 1800 | Radetzky-Marsch op.228, | ||||
STRAUSS Johann ?padre? | (1804-1849) | 1800 | Loreley-Rhein-Klange op.154, | ||||
STRAUSS Joseph | (1827-1970) | 1800 | Spharenklange op235 | ||||
STRAUSS Joseph | (1827-1970) | 1800 | Dorfschwalben aus Osterreich | ||||
STRAUSS Richard | (1864-1949) | 1850 | Opere: ??Salome? | opera (Karajan, first rec) | s | ||
STRAUSS Richard | (1864-1949) | 1850 | ?Der Rosenkavalier? (Il cavaliere della rosa) | opera | s | ||
STRAUSS Richard | (1864-1949) | 1850 | Capriccio | ||||
STRAUSS Richard | (1864-1949) | 1850 | Metamorphosen | ||||
STRAUSS Richard | (1864-1949) | 1850 | Don Quixote op.35 (Karajan, first rec), poema sinfonico | ||||
STRAUSS Richard | (1864-1949) | 1850 | Ein Heldenleben (Vita da eroe), poema sinfonico | s | |||
STRAUSS Richard | (1864-1949) | 1850 | Sinfonia domestica op 53 | Wiener 150 y | |||
STRAUSS Richard | (1864-1949) | 1850 | Also sprach Zarathustra, poema sinfonico | s | |||
STRAUSS Richard | (1864-1949) | 1850 | Don Giovanni op 20, poema sinfonico | Muti, Berliner | |||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | The Rake?s Progress | (opera), | |||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | ?L?uccello di fuoco?, | Robert Shaw, Atlanta SO & Chorus | s | ||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | ?Petrouschka?, | balletto | 3 | s | |
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | ?Le sacre du printemps? | Bernstein, Israel PO | 5 | s | |
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | ?Pulcinella?, | Wiener | |||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Oedipus rex | (oratororio), | |||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | L?histoire du soldat, | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Symphony of Psalms, | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Le chant du russignol, | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Scherzo ? la russe, | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Ebony concert x clarinetto/orch., | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Capriccio x pianoforte/orchestra, | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Concerto x pianoforte/fiati, | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Concerto x violino/orchestra in Re, | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Ragtime | ||||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Suite Italienne | (cello&piano) | 4 | ||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Symphony in 3 movements | 1946 | |||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Sonata pour piano | Maria Yudina | 3 | ||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Serenade pour piano | Maria Yudina | |||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Pieces for string quartet | 1922 | The New World Quartet ? Unknown string quartets | ||
STRAVINSKIJ Igor | (Lomosov, Russia, 1882-1971) | 1850 | Le Nozze | Benstein, Israel PO | |||
STREITWOLF Johan Heinrich Gottlieb | Trio per flauto, chitarra e violoncello | Trio Odino | |||||
STROZZI Barbara | (Venezia, 1619-1677) | 1600 | Lagrime mie | Accademia degli astrusi/Ferri | |||
STROZZI Barbara | (Venezia, 1619-1677) | 1600 | Sul Rodano severo, lamento per soprano , due violini e basso c | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | |||
STROZZI Barbara | (Venezia, 1619-1677) | 1600 | La vendetta, arietta per soprano, due violini e basso c | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | 3 | ||
STROZZI Barbara | (Venezia, 1619-1677) | 1600 | Sino alla morte, cantata per soprano e basso c | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | 3 | ||
STROZZI Barbara | (Venezia, 1619-1677) | 1600 | Costume de' grandi, arietta per soprno, due violini e basso c | Roberta Invernizzi, Elena Russo, Bizzarrie Armoniche | 3 | ||
STROZZI Gregorio | (San Severino Lucano, 1615 ? 1687) | 1600 | Gagliarda 1, 2 e 3 | Fabio Bonizzoni | |||
STROZZI Gregorio | (San Severino Lucano, 1615 ? 1687) | 1600 | Toccata de passacagli | Fabio Bonizzoni | |||
STROZZI Gregorio | (San Severino Lucano, 1615 ? 1687) | 1600 | Eufonia, aria con partite | Fabio Bonizzoni | |||
STROZZI Gregorio | (San Severino Lucano, 1615 ? 1687) | 1600 | Corrente 2 e 3 | Fabio Bonizzoni | |||
STROZZI Gregorio | (San Severino Lucano, 1615 ? 1687) | 1600 | Corrente 4 a due parti, basso e soprano | Fabio Bonizzoni | |||
STROZZI Gregorio | (San Severino Lucano, 1615 ? 1687) | 1600 | Toccata 2 e 3 | Fabio Bonizzoni | |||
STROZZI Gregorio | (San Severino Lucano, 1615 ? 1687) | 1600 | Balletto detto la maschera con ritornelli | Fabio Bonizzoni | |||
STROZZI Gregorio | (San Severino Lucano, 1615 ? 1687) | 1600 | Ancidetemi diminuito, madrigale dell'Arcadelt | Fabio Bonizzoni | |||
SUK Josef | (Praga, 1874-1935) | 1850 | Praga, a symphonic poem op 26 | 3 | |||
SUK Josef | (Praga, 1874-1935) | 1850 | Suite A fairy-tale op 16 | 1898 | |||
SUPRIAN0 Francesco Paolo (Supriani) | (Conversano, NA, 1678-1753) | 1650 | Toccata quinta: solo | Elinor Frey | |||
SUPRIAN0 Francesco Paolo (Supriani) | (Conversano, NA, 1678-1753) | 1650 | Toccata quinta: trio | Elinor Frey | |||
SUPRIAN0 Francesco Paolo (Supriani) | (Conversano, NA, 1678-1753) | 1650 | Toccata decima: solo | Elinor Frey/Adriano Fazio | 4 | ||
SUPRIAN0 Francesco Paolo (Supriani) | (Conversano, NA, 1678-1753) | 1650 | Toccata decima: trio | Elinor Frey | |||
SURINACH Carlos | (Barcelona, 1915 - 1997) | 1900 | Concerto for piano and strings | ||||
SURINACH Carlos | (Barcelona, 1915 - 1997) | 1900 | String quartet | 1975 | The New World Quartet ? Unknown string quartets | ||
SVENDSEN Johan | (Oslo, 1840-1911) | 1800 | Romance in G major op 26 | Grumiaux | 3 | ||
SZYMANOWSKI Karol | (1882-1937) | 1850 | Stabat Mater op.53, | ||||
SZYMANOWSKI Karol | (1882-1937) | 1850 | Canti d'amore di Hafiz op.24, | ||||
SZYMANOWSKI Karol | (1882-1937) | 1850 | Sinfonia n.4 op.60 con pianoforte, | ||||
SZYMANOWSKI Karol | (1882-1937) | 1850 | Concerto x violino/orchestra n.2 op.61, | ||||
SZYMANOWSKI Karol | (1882-1937) | 1850 | Mazurke op.50 x pianof. | ||||
T??r Erkki-Sven | (Kardla, Estonia, 1959) | 1950 | Insula deserta for string orchestra | 1989 | |||
T??r Erkki-Sven | (Kardla, Estonia, 1959) | 1950 | Zeitraum | 1992 | |||
T??r Erkki-Sven | (Kardla, Estonia, 1959) | 1950 | Flux | ||||
T??r Erkki-Sven | (Kardla, Estonia, 1959) | 1950 | Exodus | 1999 | |||
T??r Erkki-Sven | (Kardla, Estonia, 1959) | 1950 | Aditus | 1996 | |||
T??r Erkki-Sven | (Kardla, Estonia, 1959) | 1950 | Violin concerto | 1999 | |||
TAFFANEL Paul | (Bordeaux, 1844-1908) | 1800 | Quintetto per strumenti a fiato op 3 | ||||
TAILLEFERRE Germaine | (1892-1983) | 1850 | Image | 1918 | 3 | ||
TAILLEFERRE Germaine | (1892-1983) | 1850 | String quartet | 1919 | 3 | ||
TAILLEFERRE Germaine | (1892-1983) | 1850 | Sonata n 1 - pour piano et violon | 1921 | 3 | ||
TAILLEFERRE Germaine | (1892-1983) | 1850 | Sonata pour clarinette | 1957 | |||
TAILLEFERRE Germaine | (1892-1983) | 1850 | Arabesque | 1972-3 | |||
TAILLEFERRE Germaine | (1892-1983) | 1850 | Sonata n 2 | 1948 | |||
TAILLEFERRE Germaine | (1892-1983) | 1850 | Forlane pour flute e piano | 1972 | Luisa Sello | 3 | |
TAILLEFERRE Germaine | (1892-1983) | 1850 | Trio pour piano, violon et cello | 1978 | |||
TAIRA Yoshihisa | (b. 1937) | 1900 | Dioptase | 1973 | Trio a cordes de Paris | ||
TAKEMITSU Toru | (1930-1996) | 1900 | Between tides | 1993 | 2 | ||
TAKEMITSU Toru | (1930-1996) | 1900 | Landscape I | 1961 | 1 | ||
TAKEMITSU Toru | (1930-1996) | 1900 | Distance de fee | 1951 | 1 | ||
TAKEMITSU Toru | (1930-1996) | 1900 | Rocking mirror daybreak | 1983 | |||
TAKEMITSU Toru | (1930-1996) | 1900 | Hika | 1996 | |||
TAKEMITSU Toru | (1930-1996) | 1900 | A way a lone | 1980 | |||
TALLIS Thomas | (1505-1585) | 1500 | The lamentations of Geremia | The Tallis scholars | |||
TALLIS Thomas | (1505-1585) | 1500 | Motets | ||||
TAMBERG Eino | (b. 1930) | 1900 | Symphony n 1 op 57 | ||||
TAMBERG Eino | (b. 1930) | 1900 | Symphony n 2 op 74 | 3 | |||
TAMBERG Eino | (b. 1930) | 1900 | Violin concerto op 64 | ||||
TANAYEV Sergei Ivanovich | (1856-1915) | 1850 | Piano trio op 22 | ||||
TANAYEV Sergei Ivanovich | (1856-1915) | 1850 | Piano quintet op 30 | 3 | |||
TANSMAN Alexandre | (Lodz, 1897-1986) | 1850 | Romance | Giorgio Koukl (p) & Klaidi Sahatci (v) | |||
TANSMAN Alexandre | (Lodz, 1897-1986) | 1850 | Violin sonatina n 1 | Giorgio Koukl (p) & Klaidi Sahatci (v) | |||
TANSMAN Alexandre | (Lodz, 1897-1986) | 1850 | Violin sonatina n 2 | Giorgio Koukl (p) & Klaidi Sahatci (v) | |||
TANSMAN Alexandre | (Lodz, 1897-1986) | 1850 | Sonata quasi una fantasia | Giorgio Koukl (p) & Klaidi Sahatci (v) | |||
TANSMAN Alexandre | (Lodz, 1897-1986) | 1850 | Fantasie for violin and piano | Giorgio Koukl (p) & Klaidi Sahatci (v) | |||
TANSMAN Alexandre | (Lodz, 1897-1986) | 1850 | Violin sonata n 2 | Giorgio Koukl (p) & Klaidi Sahatci (v) | 4 | ||
TARREGA Francisco | (1852-1909) | 1850 | Recuerdos de Halambra | 3 | s | ||
TARREGA Francisco | (1852-1909) | 1850 | Estudio brillante, | ||||
TARREGA Francisco | (1852-1909) | 1850 | Minuetto su un tema di Haydn | ||||
TARTINI Giuseppe | (Pirano, Istria, 1692-1770) | 1650 | Sonata x violino/b.c. Il trillo del diavolo | 3 | |||
TARTINI Giuseppe | (Pirano, Istria, 1692-1770) | 1650 | Sonatina in G minor n 11 op 1 | Grazia Raimondi, Giuliano Mazzoccante | |||
TARTINI Giuseppe | (Pirano, Istria, 1692-1770) | 1650 | Variazioni su un tema di Corelli, | ||||
TARTINI Giuseppe | (Pirano, Istria, 1692-1770) | 1650 | Cello concertos in D e in A, | ||||
TARTINI Giuseppe | (Pirano, Istria, 1692-1770) | 1650 | Flute concertos | ||||
TARTINI Giuseppe | (Pirano, Istria, 1692-1770) | 1650 | Sonata piccola n 7 | Makarski/Larcher - Elogio per un'ombra | |||
TARTINI Giuseppe | (Pirano, Istria, 1692-1770) | 1650 | Violin concertos D 56, D 113, D 96 | ||||
TAVENER John | (London 1944) | 1900 | The protecting veil | Steven Isserlis, London SO | |||
TAVENER John | (London 1944) | 1900 | Thrinos for solo cello | Steven Isserlis | |||
TAVENER John | (London 1944) | 1900 | The lamb | Eric Whitacre singers | |||
TAVENER John | (London 1944) | 1900 | Annunciation | Oxford pro musica singers, Michael Smedley | |||
TAVENER John | (London 1944) | 1900 | Ikon of the nativity | Oxford pro musica singers, Michael Smedley | |||
TAVENER John | (London 1944) | 1900 | A nativity | Oxford pro musica singers, Michael Smedley | |||
TAVENER John | (London 1944) | 1900 | Today the Virgin | Oxford pro musica singers, Michael Smedley | |||
TAVENER John | (London 1944) | 1900 | The Lord's prayer | Oxford pro musica singers, Michael Smedley | |||
TAVENER John | (London 1944) | 1900 | Many years | Oxford pro musica singers, Michael Smedley | |||
TAVENER John | (London 1944) | 1900 | Wedding prayer | Oxford pro musica singers, Michael Smedley | |||
TAVENER John | (London 1944) | 1900 | He hath entered the Heven | Oxford pro musica singers, Michael Smedley | |||
TAVENER John | (London 1944) | 1900 | The acclamation | Oxford pro musica singers, Michael Smedley | |||
TAVENER Sir John | (1490-1545) | 1450 | Lament for Phaedra | Maya Beiser | 4 | ||
TAVENER Sir John | (1490-1545) | 1450 | Western wind mass | ||||
TAVENER Sir John | (1490-1545) | 1450 | Missa gloria Tibi Trinitas | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Il lago dei cigni | (balletto), | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | La bella addormentata nel bosco | Valery Gergiev, Kirov Orch | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Lo schiaccianoci | (balletto), | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Evgenij Onegin | (opera), | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | La dama di picche | (opera), | nd | s | |
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Mazeppa | (opera), | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | The snow maiden | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Jolanta | (opera), | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Concerto x pf e orchestra n.1 op.23 | Mikhail Rudy, St Petersburg PO, Mariss Jansons | 5 | s | |
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Concerto x pf e orchestra n.2 op.44 | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Concerto x pf e orchestra n.3 op.75 | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Concerto x violino e orchestra op.35 | Stern a life in music vol 6/Menuhin/Perlman | 5 | s | |
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Variazioni su un tema rococ? x violoncello e orchestra, | Han-na Chang, Rostropovich, London Sym Orch | 4 | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Notturno op 19 | Julian Lloyd ?Webber, London SO, Maxim Shostakovich | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Capriccioso marceau de concert op 62 | cello and orch | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Legend op 54 | cello and orch | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Was I not a blade of grass op 47 | cello and orch | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Andante cantabile op 11 | cello and orch | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Capriccio italiano op.45, | Spivakov, Ozawa, Berliner | 4 | s | |
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Ouverture Solenne 1812 op 49 | s | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Gran sonata op 37 | Richter | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Romeo e Giulietta, fantasy ouverture | ouverture | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Francesca da Rimini op.32, | Spivakov, Ozawa, Berliner | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Capriccio Italien op 45 | Spivakov, Ozawa, Berliner | 3 | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Hamlet op.67, | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Marcia slava op.31, | s | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | 4 suites x orchestra, | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Serenata x archi op.48, | I cameristi del maggio musicale | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Serenade melancolique op 26 | Ilya Gubert, Moscow Phil/Grumiaux | 4 | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Valse scherzo op 34 | Ilya Gubert, Moscow Phil | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Valse a cinque temps op 72 n 16 | Tatiana Larionova | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Natha valse op 51 n 4 | Tatiana Larionova | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Valse sentimental op 51 n 6 | Tatiana Larionova | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | The seasons op 37b | Viktoria Postnikova/Tatiana Larionova | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Theme original et variations op 19 n 6 | Tatiana Larionova | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Dumka, scene rustique russe op 59 | Tatiana Larionova | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Souvenir d'un lieu cher for violin and piano op 42 | Ilya Gubert, Moscow Phil | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Souvenir de Florence, String sextet op 70 | Borodin quartet/The Rafael ensemble | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | String quartet n 1 op 11 | Borodin quartet | 3 | s | |
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | String quartet n 2 op 35 | Borodin quartet | 4 | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | String quartet n 3 op 30 | Borodin quartet( Nous 4tet | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | String quartet in B flat | Borodin quartet | 4 | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Sestetto x archi op.70 ?Souvenir de Florence?, | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Trio x pianoforte violino e violoncello op.50, | Perlman | 3 | s | |
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Sinfonia n 1 | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Sinfonia n.2 ?Piccola Russia?, | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Sinfonia n.3 ?Polacca?, | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Sinfonia n.4 | Karajan | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Sinfonia n.5 | Karajan | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Sinfonia n.6 ?Patetica? | Karajan | s | ||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Sinfonia ?Manfred? op.58, | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | La tempesta, fantasy ouverture op 18 | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Liturgia di San Giovanni Crisostomo op.41 x coro da camera | ||||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Andante cantabile for string quartet n 1 | Perlman | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Chanson sans paroles | Perlman | |||
TCHAIKOVSKY Pyotr Ilich | (1840-1893) | 1800 | Melodie op 42 n 3 | Perlman | |||
TCHEREPNIN Alexander | (1899-1977) | 1850 | String quartet n 2 op 40 | 1927 | The New World Quartet ? Unknown string quartets | ||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Ino | (cantata), | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Suite in A for recorder and strings | Stafano Bagliano (dir, Fl), Collegium pro musica?/Stern, Rampal | s | ||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Concerto per flauto e fagotto | Stafano Bagliano (dir, Fl), Collegium pro musica | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Concerto per flauto e viola da gamba | Stafano Bagliano (dir, Fl), Collegium pro musica | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Cto in Do Magg per flauto dolce, archi e basso continuo | Giovanni Antonini, Il Giardino armonico | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Cto di camera per flauto dolce, due violini e basso continuo in sol min | Giovanni Antonini, Il Giardino armonico | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Trunpet concerto in D | Hardenberger (tr), Iona Brown, Academy of St Martin in the fields | s | ||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Trumpet cto in F minor | Maurice Andr | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Cto in re magg per 3 trombe, timpani, 2 oboi e continuo | Hardenberger (tr), Iona Brown, Academy of St Martin in the fields | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Cto in re magg per tromba, 2 oboi e continuo | Hardenberger (tr), Iona Brown, Academy of St Martin in the fields | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Cto in re magg per tromba, 2 oboi, archi e continuo | Hardenberger (tr), Iona Brown, Academy of St Martin in the fields | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Musique de table, | Camerata des 18, Jahrhunderts (4 cd) | nd | s | |
TELEMANN Georg Philipp | (1681-1767) | 1650 | Ouvertures x orchestra, | ||||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Sonata per due chalumeaux, violini obbligati e baso continuo in Fa magg | Giovanni Antonini, Il Giardino armonico | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Sonata piccola n 7 | Makarski/Larcher - Elogio per un'ombra | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | 12 Fantasias for violin solo | Grumiaux | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Quartet (trio sonata) in E minor | Stern 16 | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Concerto for viola, strings and hapsichord | I Musici | |||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Oboekonzerte, | ||||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Cto for oboe and organ in D major | ||||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Sonata for oboe and organ in A major | ||||
TELEMANN Georg Philipp | (1681-1767) | 1650 | Musica sull'acqua | ||||
THALBERG Sigismund Fortun? Francois | (Ginevra, 1812-1871) | 1800 | Grande fantasie dur des motifs de Rossini Il barbiere di Siviglia | Valentina Lisitsa | |||
THOMA, Xaver Paul | (b. 1953) | 1950 | Streichtrio | 1988 | |||
THOMA, Xaver Paul | (b. 1953) | 1950 | Holderlin - Fragmente fur tenor und orchester | ||||
THOMA, Xaver Paul | (b. 1953) | 1950 | Konzert fuer violine und orch ?wie ein zerissen saitenspiel | ||||
THOMAS Augusta Read | (Glen cove, NY, 1964) | 1950 | Moon jig (piano trio) | Lincoln trio | |||
THOMPSON Randall | (NYC, 1899-1984) | 1850 | Suite for oboe, clarinet and viola | Peter Christ. Crystal chamber soloists | |||
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Five ladies for violin and piano (Cynthia Kemper (83), Anne Miracle (1930), Alice Toklas (1930), Yvonne De Casa Fuente (1940), Mary reinolds (30)) | Portraits and self portraits | 3 | ||
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Seven selected portraits for solo piano | Portraits and self portraits | 4 | ||
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | A portrait of two for oboe, bassoon and piano | 1984 | Portraits and self portraits | 4 | |
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Sonata for violin and piano | 1930 | Portraits and self portraits | 3 | |
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Concerto for flute, strings, harp and percussion/rapsodico for solo flute | 1954 | Portraits and self portraits | ||
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | 3 portraits by Virgil Thomson | 1947 | Portraits and self portraits | 3 | |
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Sontata n 2 for piano | 1929 | Portraits and self portraits | ||
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Serenade for flute and violin | 1930 | Portraits and self portraits | ||
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Etude for cello and piano: a portraits of Frederick James | 1966 | Portraits and self portraits | 3 | |
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Lili Hastings | 1983 | Portraits and self portraits | 3 | |
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Six selected portraits for piano (Maurice Grosner (29), Paul Sanfacon (82), Louis Rispoli (51), Aaron Copland (42), Scott Wheeler (52), Tony Tommasini (84) | Portraits and self portraits | 3 | ||
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Northeastern suite (5 portraits) | 1989 | Portraits and self portraits | 4 | |
THOMSON Virgil | (Kansas city, 1896-1989) | 1850 | Symphony n 3 | 2 | |||
THORESEN Lasse | (b. 1949) | 1900 | Illuminations: concerto for 2 celli & orch | 1986 | 3 | ||
THORESEN Lasse | (b. 1949) | 1900 | Symphonic concerto for violin & orch | 1984 | |||
THORNE Francis | (NY, 1922) | 1900 | Piano concerto n 3 | 1989 | 3 | ||
TIPPET Michael | (Cornawall, 1905-1998) | 1900 | Symphony n 1 | ||||
TIPPET Michael | (Cornawall, 1905-1998) | 1900 | Symphony n 2 | ||||
TIPPET Michael | (Cornawall, 1905-1998) | 1900 | Symphony n 3 | ||||
TIPPET Michael | (Cornawall, 1905-1998) | 1900 | Symphony n 4 | ||||
TIPPET Michael | (Cornawall, 1905-1998) | 1900 | Suite in D | ||||
TISCHTSCHENKO Boris | (b. 1939) | 1900 | Cello concerto | ||||
TOCH Ernst | (Leopoldstadt, Vienna, 1887-1964) | 1850 | String quartet n 8 op 18 | Verdi quartet | |||
TOCH Ernst | (Leopoldstadt, Vienna, 1887-1964) | 1850 | String quartet 9 op 26 | Verdi quartet | |||
TOCH Ernst | (Leopoldstadt, Vienna, 1887-1964) | 1850 | String quartet n 11 op 34 | ||||
TOCH Ernst | (Leopoldstadt, Vienna, 1887-1964) | 1850 | String quartet n 13 op 74 | ||||
TOCH Ernst | (Leopoldstadt, Vienna, 1887-1964) | 1850 | Third symphony | ||||
TOMASI Henri | Marseille, 1901 - 1971 | 1900 | Trumpet concerto | Marsalis, Trumpet concertos | |||
TON_THAT Tiet | (b. 1933) | 1900 | Chu Ky 1 | 1976 | Trio a cordes de Paris | ||
TORELLI Giuseppe | (Verona, 1658-1709) | 1650 | 12 concerti per violino e due violini op.8 | ||||
TORELLI Giuseppe | (Verona, 1658-1709) | 1650 | Trumpet concerto in D | ||||
TORELLI Giuseppe | (Verona, 1658-1709) | 1650 | Sinfonia a quattro in Do magg | Maurice Andr | |||
TORELLI Giuseppe | (Verona, 1658-1709) | 1650 | Cto for 2 trumpets, strings and continuo in D major | St James Baroque Players, Ivor Bolton | |||
TORELLI Giuseppe | (Verona, 1658-1709) | 1650 | Cto a 4 in forma di pastorale per il Santo Natale | St James Baroque Players, Ivor Bolton | |||
TORELLI Giuseppe | (Verona, 1658-1709) | 1650 | Cto in D major for 2 trumpets op 5 n 4 | St James Baroque Players, Ivor Bolton | |||
TORELLI Giuseppe | (Verona, 1658-1709) | 1650 | Sinfonia con trombe in D major | St James Baroque Players, Ivor Bolton | |||
TORELLI Giuseppe | (Verona, 1658-1709) | 1650 | Cto for strings in G major | St James Baroque Players, Ivor Bolton | |||
TORICES Alonso | (16??-16??) | 1600 | Toca la flauta | Camerata renacentista de Caracas (dir. Isabel Palacios) | |||
TORKE Michael | (Milwaukee, 1961) | 1950 | Concerto for orchestra | 2014 | 3 | ||
TORKE Michael | (Milwaukee, 1961) | 1950 | Oracle | ||||
TORKE Michael | (Milwaukee, 1961) | 1950 | Bliss | ||||
TORKE Michael | (Milwaukee, 1961) | 1950 | Iphigenia ballet for 2 clarinet, 2 basson, 2 horns, cello & bouble bass | 2013 | 4 | ||
TORMIS Veljo | (Kuusalu, Estonia, 1930) | 1900 | Forgotten people | 3 | |||
TORMIS Veljo | (Kuusalu, Estonia, 1930) | 1900 | Kolm Kuurvameelset | 4 | |||
TORREJON y VELASCO Tomas de | (1644-1728) | 1600 | Magnificat | ||||
TORREJON y VELASCO Tomas de | (1644-1728) | 1600 | Invitatorio de difuntos | ||||
TORTELIER Paul | (1914-90) | 1900 | Duos pour 2 violoncelles | Paul and Maud Tortelier | |||
TORTELIER Paul | (1914-90) | 1900 | Toccata | Tortelier | |||
TORTELIER Paul | (1914-90) | 1900 | Variations May music save peace | Tortelier | 4 | ||
TOSTI Francesco Paolo | (Ortona, 1846-1916) | 1800 | A vucchella | Brunello, Battiston | |||
TOSTI Francesco Paolo | (Ortona, 1846-1916) | 1800 | Romanza italiana (raccolta) | Ivana Speranza, Enrica Ciccarelli | |||
TOURNEMIRE Charles | (1870-1939) | 1850 | Symphonie Choral op 69 | ||||
TOURNEMIRE Charles | (1870-1939) | 1850 | Symphonie Sacr | ||||
TOURNEMIRE Charles | (1870-1939) | 1850 | L'Orgue mystique | ||||
TOWER Joan | (New Rochelle, NY, 1938) | 1900 | Trio Cavany (piano trio) | Lincoln trio | |||
TROMBETTI Ascanio | (1544-1590) | 1500 | Mottetto Gaude Maria virgo | coro e orch della cappella musicale di S. Petronio | |||
TRUSCOTT Harold | (1914-1992) | 1900 | Trio for flute, violin and viola in A major | 1950 | |||
TRUSCOTT Harold | (1914-1992) | 1900 | Sonata n 1 for clarinet and piano | 1959 | |||
TRUSCOTT Harold | (1914-1992) | 1900 | Sonata for solo violin in C major | 1946 | |||
TRUSCOTT Harold | (1914-1992) | 1900 | Meditation for solo cello on theme from Emmanuel Moor's Suite for 4 cellos | 1946 | 3 | ||
TRUSCOTT Harold | (1914-1992) | 1900 | Sonata for cello and piano in A minor | 1982-7 | 4 | ||
TUBIN Eduard | (1905-1982) | 1900 | Requiem, | ||||
TUBIN Eduard | (1905-1982) | 1900 | Sinfonia n.4 | 3 | |||
TUBIN Eduard | (1905-1982) | 1900 | Sinfonia n.9 | ||||
TUBIN Eduard | (1905-1982) | 1900 | Sinfonia n.10 | ||||
TUBIN Eduard | (1905-1982) | 1900 | Sinfonia n 11 | ||||
TUBIN Eduard | (1905-1982) | 1900 | Concerto x balalaika/orchestra, | ||||
TUBIN Eduard | (1905-1982) | 1900 | Musica x archi | ||||
TUCAPSKY Antonin | (b. 1928) | 1900 | Violin concerto | ||||
TUCAPSKY Antonin | (b. 1928) | 1900 | Viola conccerto | ||||
TUOMELA Tapio | (b. 1958) | 1950 | Idulla (after Colombi's Chiacona) | Karttunen | |||
TURINA Joaquin | (1882-1949) | 1850 | Sinfonia Sevillana | 3 | |||
TURINA Joaquin | (1882-1949) | 1850 | La procesion del Rocio | 3 | |||
TURINA Joaquin | (1882-1949) | 1850 | Quatuor | ||||
TURINA Joaquin | (1882-1949) | 1850 | Danzas fantasticas | ||||
TYBERG Marcel | (Vienna 1893-Birkenau 1944) | 1850 | Symphony n 3 | Buffalo PPO, JoAnn Falletta | 4 | ||
TYBERG Marcel | (Vienna 1893-Birkenau 1944) | 1850 | Piano trio | Buffalo PPO, JoAnn Falletta | 4 | ||
ULLMANN Viktor | (1898- 1944) | 1850 | Don Quixote tanzt fandango | ||||
ULLMANN Viktor | (1898- 1944) | 1850 | Die weise von liebe und tod des cornets Crhristiph Rillke | ||||
ULLMANN Viktor | (1898- 1944) | 1850 | Klavierkonzert op 25 | 3 | |||
USTVOLSKAYA Galina | (Petrograd, 1919-2006) | 1900 | Concerto for piano, string orch and timpani | 3 | |||
USTVOLSKAYA Galina | (Petrograd, 1919-2006) | 1900 | Octet for 2 oboes, 4 violins, timpani and piano | ||||
USTVOLSKAYA Galina | (Petrograd, 1919-2006) | 1900 | Piano sonata n 3 | ||||
USTVOLSKAYA Galina | (Petrograd, 1919-2006) | 1900 | Grand duet | ||||
USTVOLSKAYA Galina | (Petrograd, 1919-2006) | 1900 | Composition I: Dona nobis pacem | ||||
USTVOLSKAYA Galina | (Petrograd, 1919-2006) | 1900 | Composition II: Dies irae | ||||
USTVOLSKAYA Galina | (Petrograd, 1919-2006) | 1900 | Composition III: Benedictus qui venit | ||||
VALEN Fartein | (Norway, 1887-1952) | 1850 | Symphony n 2 op 40 | 1941-4 | |||
VALEN Fartein | (Norway, 1887-1952) | 1850 | Symphony n 3 op 41 | 1944-6 | |||
VALENTINE Robert | (1680-1735) | 1650 | Flute concerto in B flat major | ||||
VALERI Gaetano | (Padova 1760-1882) | 1750 | Sonata in sol magg per organo | Stefano Innocenti | |||
VALERI Gaetano | (Padova 1760-1882) | 1750 | Sonata in si bemolle magg per organo | Stefano Innocenti | |||
VALERI Gaetano | (Padova 1760-1882) | 1750 | Sonata in fa magg per organo | Stefano Innocenti | |||
VANHAL Johann Baptist | (Nechanice, Bohemia, 1739-1813) | 1700 | Cello concerto in C major | Isvan Vardai, Camerata Schweiz & Howard Griffith | 4 | ||
VASKS Peteris | (Latvia, 1946) | 1900 | Violin concerto Distant light | 3 | |||
VASKS Peteris | (Latvia, 1946) | 1900 | Symphony n 2 | ||||
VASKS Peteris | (Latvia, 1946) | 1900 | C.to n 2 per cello e orch Presence | Sol Gabetta, Amsterdam sinfonietta | 4 | ||
VASKS Peteris | (Latvia, 1946) | 1900 | Musique du soir pour violoncelle et orgue | 1980 | Sol Gabetta & Irene Timacheff-Gabetta | 4 | |
VASKS Peteris | (Latvia, 1946) | 1900 | Gramata cellam (solo cello) | 1978 | Sol Gabetta | 3 | |
VAUGHAN WILLIAMS Ralph | (1872-1958) | 1850 | 5 Mistical songs, | ||||
VAUGHAN WILLIAMS Ralph | (1872-1958) | 1850 | Fantasia su un tema di T.Tallis, | s | |||
VAUGHAN WILLIAMS Ralph | (1872-1958) | 1850 | Norfolk raphsody, | ||||
VAUGHAN WILLIAMS Ralph | (1872-1958) | 1850 | Fantasia on Greensleeves | 3 | s | ||
VAUGHAN WILLIAMS Ralph | (1872-1958) | 1850 | Sinfonia n.1 A sea symphony , | ||||
VAUGHAN WILLIAMS Ralph | (1872-1958) | 1850 | Sinfonia n.7 Antartica | ||||
VAUGHAN WILLIAMS Ralph | (1872-1958) | 1850 | The lark ascending x vl | s | |||
VERACINI Francesco Maria | (Firenze, 1690-1750) | 1650 | Violin sonata in B minor op 1 n 3 | 1721 | Grumiaux, Hajdu | 4 | |
VERACINI Francesco Maria | (Firenze, 1690-1750) | 1650 | 12 sonate accademiche op 2 | 1744 | Locatelli trio (3 cd) | 3 | |
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Falstaff | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Otello | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | I vespri siciliani | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Giovanna d'arco | ||||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Attila | ||||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Macbeth | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Rigoletto | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Il trovatore | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | La traviata | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Un ballo in maschera | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | La forza del destino | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Don Carlos | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Aida | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Nabucco | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Te Deum, | ||||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | 4 Pezzi sacri, | ||||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Messa da requiem, | s | |||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | Inno alle nazioni, | ||||
VERDI Giuseppe | (Busseto, 1813-1901) | 1800 | quartetto x archi in mi | ||||
VERESS Sandor | (Switzerland, 1907-1992) | 1900 | Trio per archi | Thomas Demenga | |||
VERESS Sandor | (Switzerland, 1907-1992) | 1900 | Cello sonata | Thomas Demenga | |||
VERESS Sandor | (Switzerland, 1907-1992) | 1900 | Violin sonata | Thomas Demenga | |||
VETTER Michael | (Obersdorf, 1943-2013) | 1900 | Missa universalis | ||||
VIBERT Mathieu | (1920-1987) | 1900 | Sym fun?bre | 1949 | |||
VIBERT Mathieu | (1920-1987) | 1900 | Du plus loin, trois melodies cycliques | 1968 | |||
VIBERT Mathieu | (1920-1987) | 1900 | Nocturne pour cor anglais, haubois et orch | 1973 | |||
VIBERT Mathieu | (1920-1987) | 1900 | Lux et pax | 1978 | |||
VIBERT Mathieu | (1920-1987) | 1900 | Humana missa | 1971 | |||
VICTORIA Tomas Luis de | (Sanchidran, Avila, 1548-1611) | 1500 | Versa est in luctum | The Tallis scholars | |||
VIERNE Louis | (Poitiers, 1870 - 1937) | 1850 | Sonate pour violoncelle et piano op 27 | ||||
VIERNE Louis | (Poitiers, 1870 - 1937) | 1850 | Soirs etrangers op 56 | ||||
VIEUXTEMPS Henri | (Verviers, Belgium, 1820 - 1881) | 1800 | Cello concerto n 1 & 2 | 3 | |||
VIEUXTEMPS Henri | (Verviers, Belgium, 1820 - 1881) | 1800 | Violin concertos 4&5 | Grumiaux/Perlman | |||
VIEUXTEMPS Henri | (Verviers, Belgium, 1820 - 1881) | 1800 | Ballade et polonaise op 38 | Grumiaux, Varsi | |||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | The little train of Caipira | ||||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | 12 etudes for guitar | Narciso Yepes, London Synph | s | ||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | 5 preludios for guitar | Narciso Yepes, London Synph | s | ||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Descobrimenro do brasil | ||||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Invocacao em defesa da Patria | ||||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Bachianas Brasileiras | s | |||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Choros | ||||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Momoprecoce, fantasia pour piano et orch | ||||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Concerto n 5 pour piano et orch | ||||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Symphonie n 4 A Vitoria | ||||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Fantasia per sax e orchestra da camera | ||||
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Cto per violoncello e orch n 2 | 1953 | Ulrich Schmid | 4 | |
VILLA-LOBOS Heitor | (1887-1959) | 1850 | Concerto grosso per violoncello e orch n 1 | 1915 | Ulrich Schmid | 4 | |
VILLA-LOBOS Heitor | (1887-1959) | 1851 | Cto for guitar and small orchestra | ||||
VINCENT Jacob | 1700 | Sonata for oboe and organ in D major | |||||
VINCENT Thomas | (ca 1720-1783) | 1700 | Sonata 1 in B minor for oboe | Dombrecht | |||
VIOTTI Giovanni Battista | (Fontanetto Po, 1755-1824) | 1750 | Concerto per violino, piano e orchestra | in Hummel, Haydn, Viotti - Double concertos | |||
VIOTTI Giovanni Battista | (Fontanetto Po, 1755-1824) | 1750 | Cantate e canzonette | Paola e Patrizia Cigna, David Boldrini | |||
VITALI Giovanni Battista | (Bologna, 1632-92) | 1600 | Capritio sopra otto figure | Elinor Frey | |||
VITALI Giovanni Battista | (Bologna, 1632-92) | 1600 | Bergamasca | Elinor Frey | |||
VITALI Giovanni Battista | (Bologna, 1632-92) | 1600 | Passa Galli | Elinor Frey | 4 | ||
VITALI Giovanni Battista | (Bologna, 1632-92) | 1600 | Toccata ruggiero | Adriano Fazio | |||
VITALI Tomaso Antonio | (Bologna, 1663-1745) | 1650 | Chaconne in G minor for violin and piano | Gwon Sun Hwon | 4 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | L'Orlando | opera | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Juditha Triumphans | (oratorio), | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Stabat Mater rv 621 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Nisi Dominus 608 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Laudate pueri Dominum rv 601 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Confitebor tibi Domine rv 596 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Credo rv 592 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Domine ad adiuvandum me festinarv 593 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Beatus vir rv 597 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Gloria RV.589 e RV.588, | s | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Magnificat rv 610 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Dixit | 5 | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Salve Regina rv 615, 616 e 618 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | 12 sonate per 2 violini e basso continuo op 1 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | 12 sonate per violino e basso conctinuo op 2 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | L'estro armonico - 12 concerti per 1, 2 o 4 violini, archi e basso, op.3 | 4 | s | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | La Stravaganza - 12 concerti per violino, archi e basso, op.4, | 4 | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | 6 sonate per 1 o 2 violini e basso continuo op 5 | Accardo | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | 6 concerti per violino, archi e basso continuo op 6 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | 12 concerti per oboeo violino e basso continuo op 7 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Il cimento dell'armonia e dell'invenzione (12 conc per vln, archi e basso) op.8 | 5 | s | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | La cetra - 12 concerti per violino, archi e basso c (organo), op.9, | 5 | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | 6 Concerti x flauto, archi e basso continuo op.10, | s | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | 6 concerti per violino archi e basso continuo op 11 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | 6 concerti per violino archi e basso continuo op 12 | ||||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 400 in Do maggiore | Brunello, L'arte dell'arco/Han-na chang | 5 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 401 in Do minore | Tortelier/Han-na Chang | 4 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 405 in Re minore | Brunello, L'arte dell'arco | 5 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 408 E flat major | Han-na Chang | 4 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 409 in Mi minore | Brunello, L'arte dell'arco | 5 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 412 in Fa maggiore | Brunello, L'arte dell'arco | 5 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 419 in La minore | Brunello, L'arte dell'arco | 5 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 420 in La minore | Han-na Chang | 4 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violoncello rv 424 in Si minore | Tortelier/Han-na Chang | 4 | s | |
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per 2 violoncelli rv 532 | Tortelier | 4 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per violino e 2 violoncelli rv 561 | Tortelier | 4 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto in re maggiore per violino (cello), archi e basso continuo, op. 3 n. 9 | Tortelier, versione per cello | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto per vln, cello e basso cont rv 547 | Brunello, L'arte dell'arco | 5 | ||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Mandolin concerto RV425 | s | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Recorder concerto RV433 | s | |||
VIVALDI Antonio | (Venezia, 1678-1741) | 1650 | Concerto for 2 trumpets RV 537 | Maurice Andre | s | ||
VOLANS Kevin | (Pietermaritzburg, South Africa, 1949) | 1900 | White man sleeps | Kronos XXV | |||
VORISEK Vaclav Hugo | (1791-1825) | 1750 | Symphony in D major | 1823 | 4 | ||
VORISEK Vaclav Hugo | (1791-1825) | 1750 | Variations op 14 for piano and orch | 3 | |||
VORISEK Vaclav Hugo | (1791-1825) | 1750 | Intro et rondeau brillant op 22 for piano and orch | 4 | |||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | G?tterd?mmerung? (Il crepuscolo degli dei) | opera | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Rienzi | opera | |||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | The flying Dutchman WWV 63 | nd | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Lohengrin WWV 75 | nd | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Parsifal | opera | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Siegfried | opera | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Tristan und Isolde, | Harding, Filarmonica della Scala | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Die Meistersinger von N?rberg? (I maestri cantori di Norimberga) | opera | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | L'anello del Nibelungo | opera | |||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Das Rheingold? (L'oro del Reno) | opera | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Die Walch?re? (La Valchiria) | opera | s | ||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Adagio per clarinetto e archi | ||||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Siegfried | opera | |||
WAGNER Richard | (Leipzig, 1813-1883) | 1800 | Ewesendonk lieder WWV 91 | Sawallisch | nd | s | |
WALTON William | (Oldham, Lancashire, 1902-1983) | 1900 | Concerto x violino/orchestra | ||||
WALTON William | (Oldham, Lancashire, 1902-1983) | 1900 | Viola concerto | ||||
WALTON William | (Oldham, Lancashire, 1902-1983) | 1900 | Passacaglia for colo cello | ||||
WALTON William | (Oldham, Lancashire, 1902-1983) | 1900 | Partita for orchestra | ||||
WALTON William | (Oldham, Lancashire, 1902-1983) | 1900 | Concerto violoncello/orchestra | ||||
WALTON William | (Oldham, Lancashire, 1902-1983) | 1900 | Improvisations on an impromptu of Benjamin Britten | ||||
WARD Robert | (Cleveland, Ohio, 1917-2013) | 1900 | Piano concerto | 1968 | 3 | ||
WARD Robert | (Cleveland, Ohio, 1917-2013) | 1900 | Symphony n 2 | 1947 | |||
WARD Robert | (Cleveland, Ohio, 1917-2013) | 1900 | Symphony n 3 | 1950 | |||
WARD Robert | (Cleveland, Ohio, 1917-2013) | 1900 | The crucible | 1961 | |||
WARREN Elinor Remick | (Los Angeles, 1900-1991) | 1900 | The legend of king Arthur, a choral symphony | 1939-40 | |||
WAXMAN Franz | (1906-1967) | 1900 | Goyana: for sketches for piano, percussion and string orch | 1960 | |||
WAXMAN Franz | (1906-1967) | 1900 | The charm bracelet for chamber orch | 1949 | |||
WAXMAN Franz | (1906-1967) | 1900 | Sinfonietta for string orch and timpani | 1955 | |||
WAXMAN Franz | (1906-1967) | 1900 | Tristan and Isolde, love music for vln and piano | 1947 | |||
WAXMAN Franz | (1906-1967) | 1900 | Intro & scherzo for cello and orch | 1954 | |||
WAXMAN Franz | (1906-1967) | 1900 | Auld lang syne: varioations for string orch, vln and piano | 1947 | |||
WAXMAN Franz | (1906-1967) | 1900 | Roumanian raphsody for vln and orch | 1947 | |||
WAXMAN Franz | (1906-1967) | 1900 | Carmen, fantasy for trumpet and orch | 1947 | |||
WAXMAN Franz | (1906-1967) | 1900 | Opere: Der Freisch?tz | (Karajan, first rec) (Il franco cacciatore) | |||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Concerti x clarinetto/orchestra n.1 op.73 | Sabine Meyer | |||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Concerti x clarinetto/orchestra n 2 op 74 | Sabine Meyer | 4 | ||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Invito alla danza op 65 | (orchestrazione di Berlioz), | s | ||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Der Freischutz op 77 | s | |||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Oberon j 306 | s | |||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Quintetto per clarinetto e archi in Si bem. Op 34 | Sabine Meyer | |||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Konzertst?ck x pianoforte/orchestra op.79, | ||||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Gran duo concertante, | ||||
WEBER Carl Maria Von | (Heutin, Holstein, 1786-1826) | 1750 | Concertino x clarinetto/orchestra op.26 | Sabine Meyer | |||
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | Passacaglia op 1 | 1908 | London SO, Pierre Boulez | 3 | |
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | Lieder x voce e strumenti op.13 | 1914-18 | |||
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | Lieder x voce e strumenti op.14, | 1917-21 | London SO, Pierre Boulez | ||
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | 5 Lieder spirituali op.15, | 1917-22 | |||
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | 6 pezzi per orchestra op 6 | 1909-10 | London SO, Pierre Boulez | ||
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | Sinfonia op 21 | 1928 | London SO, Pierre Boulez | 3 | |
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | Variazioni x pianoforte op.27, | 1936 | |||
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | Pieces for violin and piano op 7 | 1910 | Stern 30 | ||
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | Quartetto x violino,clarinetto,sassofono,pianoforte op 22 | 1930 | |||
WEBERN Anton Von | (Vienna, 1883-1945) | 1850 | Langsamer satz | 1905 | Quartetto Nous | ||
WEILL Kurt | (Dessau, Ger, 1900-1950) | 1900 | Die Dreigroschenoper | ||||
WEILL Kurt | (Dessau, Ger, 1900-1950) | 1900 | Die sieben Tods?nden | ||||
WEILL Kurt | (Dessau, Ger, 1900-1950) | 1900 | Lady in the dark | ||||
WEILL Kurt | (Dessau, Ger, 1900-1950) | 1900 | Street Scene, | ||||
WEILL Kurt | (Dessau, Ger, 1900-1950) | 1900 | Songspiel Mahagony | ||||
WEILL Kurt | (Dessau, Ger, 1900-1950) | 1900 | Sonate fur violoncello und klavier | Goritzki, Levine | |||
WEINBERG (Vainberg) Mieczyslaw | (Warsaw, 1919-2006) | 1900 | Violin cto op 67 | ||||
WEINER Leo | (Budapest, 1885-1960) | 1850 | Sonata n 1 op 9 | 3 | |||
WEINER Leo | (Budapest, 1885-1960) | 1850 | Sonata n 2 op 11 | 3 | |||
WEINER Leo | (Budapest, 1885-1960) | 1850 | Pereg recruiting dance op 40 | ||||
WEINER Leo | (Budapest, 1885-1960) | 1850 | Wedding dance op 21/b | ||||
WEINER Stanley | (1925-1991) | 1900 | Violin concerto n 4 op 54 | Weiner viola/vln | |||
WEINER Stanley | (1925-1991) | 1900 | Concerto per viola op 78 | Weiner viola/vln | |||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | Three flower songs | Eric Whitacre singers | 4 | ||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | Lux aurumque | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | Five Hebrew love songs | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | The seal lullaby (a poem by R. Kipling) | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | A boy and a girl (a poem by Octavio Paz) | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | Leonardo dreams of his flying machine (Lyrics by C. A. Silvestri) | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | 3 songs of faith | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | The stolen child (a poem by W. Butler) | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | Water night (a poem bu O. Paz) | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | Nox aurumque (lyrics by C. A. Silvestri) | ||||
WHITACRE Eric | (Reno, Nevada, 1970) | 1950 | Sleep (lyrics by C. A. Silvestri) | ||||
WIDOR Charles-Marie | (Lyon, 1844-1937) | 1800 | Sinfonia n.3 op 69 e Sinfonia Sacra op 81 x organo/orchestra, | ||||
WIDOR Charles-Marie | (Lyon, 1844-1937) | 1800 | 9 Sinfonie per organo solo | ||||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Concerto x violino/orchestra n. 1 op. 14 | Perlman | 4 | ||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Concerto x violino/orchestra n. 2 op. 22 | Perlman | 4 | ||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Legende x violino/orchestra op.17 | Grumiaux | 4 | ||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Etudes caprices pour deux violons op 18 | ||||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Souvenir de Moscou op 6 | ||||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Carnaval Russe op 11 | ||||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Fantasia brillante op 20 | ||||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Polonaise brillante n 2 op 21 | Perlman | |||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Polonaise de concert n 1 op 4 | Perlman | |||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Scherzo-tarantelle op 16 | Perlman | |||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Caprice in A minor | Perlman | |||
WIENIAWSKI Henryk | (Lublin, Poland, 1835-1880) | 1800 | Obertass-Mazurka op 19 n 1 | Perlman | |||
WIGGLESWORTH Ryan | (Yorkshire, 1979) | 1950 | Arietta (after Colombi's Chiacona) | Karttunen | |||
WIREN Dag | (1905-1986) | 1900 | String quartet n 2 op 9 | 1935 | 3 | ||
WIREN Dag | (1905-1986) | 1900 | Quartet for flute, oboe, clarinet and cello op 31 | 1956 | 3 | ||
WIREN Dag | (1905-1986) | 1900 | Little serenade for guitar solo op 39 | 1964 | 3 | ||
WIREN Dag | (1905-1986) | 1900 | String quartet n 5 op 41 | 1970 | 3 | ||
WITTINGER Robert | (b. 1945) | 1900 | Sinfonia n 5 op 54 | 1994-5 | |||
WITTINGER Robert | (b. 1945) | 1900 | Concerto per trio d'archi e orch op 58 | 1997 | |||
WITTINGER Robert | (b. 1945) | 1900 | Sinfonietta per piccola orch sinf op 53 | 1994 | |||
WOLF-FERRARI Ermanno | (Venezia, 1876-1948) | 1850 | Chamber symphony op 8 | ||||
WOLF-FERRARI Ermanno | (Venezia, 1876-1948) | 1850 | Piano quinet op 6 | ||||
WOLF-FERRARI Ermanno | (Venezia, 1876-1948) | 1850 | Idillio concertino op 15 | ||||
WOLF-FERRARI Ermanno | (Venezia, 1876-1948) | 1850 | Concerto op 34 | ||||
WOLFF Christian | (b. 1934) | 1900 | Pebbles for vln and piano | 1999 | |||
WOLFF Christian | (b. 1934) | 1900 | Duo for violinist and pianist - version one | 1961 | |||
WOLFF Christian | (b. 1934) | 1900 | Duo for violinist and pianist - version two | 1961 | |||
WOOLF Luna Pearl | 1950 | Lili'uokalani | Matt Haimovitz | ||||
WUORINEN Charles | (Manhattan, NYC, 1938) | 1900 | Time?s encomium | 1970 | |||
WUORINEN Charles | (Manhattan, NYC, 1938) | 1900 | The blue bamboula | 1980 | 2 | ||
WUORINEN Charles | (Manhattan, NYC, 1938) | 1900 | Six pieces | 1977 | 2 | ||
WUORINEN Charles | (Manhattan, NYC, 1938) | 1900 | Spinoff | 1983 | 2 | ||
WUORINEN Charles | (Manhattan, NYC, 1938) | 1900 | The long and the short | 1969 | 2 | ||
WUORINEN Charles | (Manhattan, NYC, 1938) | 1900 | Fantasia | 1974 | 2 | ||
WYK Arnold van | (Calvinia, South Africa, 1916-1983) | 1900 | Primavera | ||||
WYK Arnold van | (Calvinia, South Africa, 1916-1983) | 1900 | Symphony n 1 | 1943 | |||
WYK Arnold van | (Calvinia, South Africa, 1916-1983) | 1900 | Symphony n 2 | 1952 | |||
WYNER Yehudi | (Calgari, Alberta, 1929) | 1900 | Piano concerto Chiavi in mano | 4 | |||
WYNER Yehudi | (Calgari, Alberta, 1929) | 1900 | Cello concerto Prologue and narrative | 3 | |||
WYNER Yehudi | (Calgari, Alberta, 1929) | 1900 | Lyric Harmony | ||||
WYNER Yehudi | (Calgari, Alberta, 1929) | 1900 | Epilogue | ||||
WYNER Yehudi | (Calgari, Alberta, 1929) | 1900 | Horntrio | ||||
XENAKIS Iannis | (b. 1922) | 1900 | Ikhoor | 1978 | Trio a cordes de Paris | ||
XI LING Wang | (Kaifeng, 1937 | 1900 | Yunnan scenes | 1963 | |||
XINGHAI Xian | (Fanyu, 1905-1945) | 1900 | Yellow river piano concerto | 1940-2 | |||
YE Xiaogang | (Beijing, 1955) | 1950 | The last paradise op 24 | 1993 | |||
YE Xiaogang | (Beijing, 1955) | 1950 | Winter op 28 | 1988 | |||
YE Xiaogang | (Beijing, 1955) | 1950 | Pipa concerto op 31 | 2001 | |||
YE Xiaogang | (Beijing, 1955) | 1950 | Horizon | ||||
YI Chen | (Guangzhou, 1953) | 1950 | Si Ji (Four seasons) | ||||
YI Chen | (Guangzhou, 1953) | 1950 | Momentum for orchestra | ||||
YI Chen | (Guangzhou, 1953) | 1950 | Romance and dances for 2 violins | ||||
YI Chen | (Guangzhou, 1953) | 1950 | TU for orchestra | ||||
YSAYE Eug?ne | (Li?ge, 1858-1931) | 1850 | Sonate x violino solo op.27 Ballade | s | |||
YSAYE Eug?ne | (Li?ge, 1858-1931) | 1850 | Reve d'enfant op 14 | Grumiaux, Varsi | |||
YUASA Joji | (Koriyama, Fukushima, 1929) | 1900 | Locus on Colombi's Chiacona | Karttunen | |||
YUN Di Du | (Shangai, China) | The Veronica | Matt Haimovitz | ||||
YUN Isang | (Chungmu City, Korea, 1917-1995) | 1900 | Music for wind | ||||
YUN Isang | (Chungmu City, Korea, 1917-1995) | 1900 | Quartet for oboe & string trio | Holliger | |||
YUN Isang | (Chungmu City, Korea, 1917-1995) | 1900 | Piri for oboe solo | Holliger | |||
YUN Isang | (Chungmu City, Korea, 1917-1995) | 1900 | Symphony n 5 | ||||
YUN Isang | (Chungmu City, Korea, 1917-1995) | 1900 | My land, my people | ||||
YUN Isang | (Chungmu City, Korea, 1917-1995) | 1900 | Exemplum in memoriam Kwangju | ||||
YVON Carlo | (1798-1854) | 1750 | Sonata in F major | Albrecht Mayer, Markus Becker | |||
ZACHOW Friederich Wilhelm | (1663-1712) | 1650 | Trio in F major for flute, bassoon and continuo | The bassoon, classical and baroque | |||
ZANETTOVICH Daniele | (b. 1950) | 1950 | Tre danze rinascimentali per orchestra di flauti | 1993 | Luisa Sello | ||
ZAPPA Francesco | (Milano?, 1717-1803) | 1700 | Sinfonia n 1 in mi magg | Vanni Moretto, Atalanta Fugiens | |||
ZAPPA Francesco | (Milano?, 1717-1803) | 1700 | Sinfonia n 2 in sol magg | Vanni Moretto, Atalanta Fugiens | |||
ZAPPA Francesco | (Milano?, 1717-1803) | 1700 | Sinfonia n 3 in si magg | Vanni Moretto, Atalanta Fugiens | |||
ZAPPA Francesco | (Milano?, 1717-1803) | 1700 | Sinfonia n 4 in do magg | Vanni Moretto, Atalanta Fugiens | 4 | ||
ZAPPA Francesco | (Milano?, 1717-1803) | 1700 | Sinfonia n 5 in re magg | Vanni Moretto, Atalanta Fugiens | |||
ZAPPA Francesco | (Milano?, 1717-1803) | 1700 | Sinfonia n 6 in mib magg | Vanni Moretto, Atalanta Fugiens | |||
ZAPPA Frank | (Baltimore, 1940 - 1993) | 1900 | London Symphony orchestra vol 1 & 2 | ||||
ZAPPA Frank | (Baltimore, 1940 - 1993) | 1900 | The yellow shark | 3 | |||
ZAPPA Frank | (Baltimore, 1940 - 1993) | 1900 | Orchestral favorites | ||||
ZAREBSKI Julius | (Zhytomyr, Ukraine, 1854-1885) | 1850 | Quintette avec piano | 3 | |||
ZAREBSKI Julius | (Zhytomyr, Ukraine, 1854-1885) | 1850 | Les roses et les ?pines op 13 | 1883 | |||
ZBINDEN Julien-Francois | (Svizzera, b. 1917) | 1900 | Cto pour orchestra op 57 | 1977 | |||
ZBINDEN Julien-Francois | (Svizzera, b. 1917) | 1900 | Cto pour hautbois et orchestre op 56 | 1976 | 3 | ||
ZBINDEN Julien-Francois | (Svizzera, b. 1917) | 1900 | Orchalau-cto op 38 | 1962 | |||
ZBINDEN Julien-Francois | (Svizzera, b. 1917) | 1900 | Diverstissement pour contrabasse et orch op 10 | 1948-9 | |||
ZEISL Eric | (Vienna, 1905-1959) | 1900 | Piano trio suite op 8 | 1923-4 | 3 | ||
ZEISL Eric | (Vienna, 1905-1959) | 1900 | Second string quartet | 1952-3 | 4 | ||
ZEISL Eric | (Vienna, 1905-1959) | 1900 | ?Arrowhead? trio | 1957 | 3 | ||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Missa Dei Patris, | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Te Deum ZWV 145 | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Magnificat ZWV 107 | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Capriccio in D major | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Capriccio in G major | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Capriccio in F major | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Capriccio in A dur | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Capriccio in G dur | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Concerto a 8 concertanti | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Missa Dei Filii, | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Requiem in Do, | 3 | |||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Lamentationes Jeremiae | ||||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Ouverture | 3 | |||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Sinfonia concertante | 4 | |||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Hipocondrie | 3 | |||
ZELENKA Jan Dismas | (Prague, 1679-1741) | 1650 | Trio sonatas | 4 | |||
ZEMLINSKY Alexander Von | (1679-1741) | 1650 | Der Traumg?rge | (opera), | |||
ZEMLINSKY Alexander Von | (1679-1741) | 1650 | Lyrische Symphonie op.18 | ||||
ZIMMERMANN Bernd Alois | (1918-1970) | 1900 | Symphonie in einem Satz | 1951-3 | 1 | ||
ZIMMERMANN Bernd Alois | (1918-1970) | 1900 | Enchiridion, small pieces for piano | 1949-52 | 1 | ||
ZIMMERMANN Bernd Alois | (1918-1970) | 1900 | Sonata for solo cello | 1960 | 1 | ||
ZIMMERMANN Bernd Alois | (1918-1970) | 1900 | 4 short studies for solo cello | 1970 | 1 | ||
ZIMMERMANN Bernd Alois | (1918-1970) | 1900 | intercomunicazione per violoncello e piano | 1967 | 1 | ||
ZIPOLI Domenico | (1688-1726) | 1650 | Missa San Ignacio | ||||
ZORN John | (NYC, 1953) | 1950 | Bar Kokba | 4 | |||
ZORN John | (NYC, 1953) | 1950 | Aporias: requia for piano and orchestra | ||||
ZORN John | (NYC, 1953) | 1950 | Kristallnacht | ||||
ZORN John | (NYC, 1953) | 1950 | Contes de fees | 3 | |||
ZORN John | (NYC, 1953) | 1950 | Karny | piano | 3 | ||
ZORN John | (NYC, 1953) | 1950 | Cat o'nine tails | 4tet | |||
ZORN John | (NYC, 1953) | 1950 | Kol Nidre | 4tet | 4 | ||
ZORN John | (NYC, 1953) | 1950 | Forbidden fruit | Kronos | |||
ZWILICH Ellen Taaffe | (Miami, 1939) | 1900 | Symph n 1 ?3 movements for orchestra? | 1982 | |||
ZWILICH Ellen Taaffe | (Miami, 1939) | 1900 | Concerto grosso 1985 | 1985 | 2 | ||
ZWILICH Ellen Taaffe | (Miami, 1939) | 1900 | Sympbolon | 1988 | 2 | ||
ZWILICH Ellen Taaffe | (Miami, 1939) | 1900 | Concerto for trumpet and five players | 1984 | 2 | ||
ZWILICH Ellen Taaffe | (Miami, 1939) | 1900 | Double quartet for strings | 1984 |